Alice in Wonderland
by Lewis Carroll, Ralph Steadman
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Book Summary Information
Author: Lewis Carroll, Ralph SteadmanEdition: Paperback
Audio: English (Unknown); English (Original Language); English (Published)
Published: 2006-08-01
ISBN: 1554072034
Number of pages: 128
Publisher: Firefly Books
Book Reviews of Alice in Wonderland
Book Review: A Wonderful Classic
Summary: 4 Stars
What a classic! Everyone knows the story of Alice in Wonderland, made even more popular by Disney years ago. All I knew of Alice was the Disney cartoon and the artwork of Tenniel and Rackham. What I didn't know was the brilliant writing style of Lewis Carroll, the author who created Alice and her Wonderland.
Carroll is one of the most clever writers I have read. I kept thinking to myself as I read this book, "how the hell did he come up with this?" The dialogue is pure genius. I loved every minute of the Mad Hatter and his tea party.
The story is very short and without much of a plot, but that is what can be expected of a dream. It's sort of just a walk down the rabbit hole and through wonderland. But in that walk, we meet fascinating creatures; creatures and objects present in the real world, but with a fantastical twist.
What I loved more than anything was the book itself. I got a beautiful edition of this book through Dreamhaven, published by Firefly. It was a $30 on sale for $7.95. It's hardcover, clothbound, with thick, high quality paper and illustrations that I've never seen before for Alice.
The illustrations are done by Ralph Steadman. His work looked familiar and I found out that he is the artist from Fear and Loathing in Las Vegas. I didn't know what to think of the images at first, but I liked them by the end. They are definitely geared towards a more adult audience, but then again, I forget what it's like to be a kid. He adds a certain edge to the characters. The characters become menacing and bizarre. He gives a great introduction in the book and explains why he drew each one of the images the way he did.
Summary of Alice in Wonderland
A beautiful new edition of Steadman's 1968 work, now available in paperback.
The force of social satire and fantasy in the original text of Alice in Wonderland is as relevant today as when the book was first published in 1865. In this edition, Ralph Steadman's drawings remain faithful to the book's satirical tone while revealing his own passion for irony.
This version of Carroll's classic tale is a startling departure from the traditional Victorian or Disney approaches. In his introduction, Steadman describes how a fresh illustrative perspective created an original, modern vision. The story acquires new life with his audacious and dynamic illustrations.
The 47 pen-and-ink illustrations are the same as in the critically acclaimed 1968 British edition. Reformatted and meticulously restored, they convey the energy, imagination and power of Steadman's pen and introduce the wit and wisdom of Alice to a new generation of readers.
(200311)Source of legend and lyric, reference and conjecture, Alice's Adventures in Wonderland is for most children pure pleasure in prose. While adults try to decipher Lewis Carroll's putative use of complex mathematical codes in the text, or debate his alleged use of opium, young readers simply dive with Alice through the rabbit hole, pursuing "The dream-child moving through a land / Of wonders wild and new." There they encounter the White Rabbit, the Queen of Hearts, the Mock Turtle, and the Mad Hatter, among a multitude of other characters--extinct, fantastical, and commonplace creatures. Alice journeys through this Wonderland, trying to fathom the meaning of her strange experiences. But they turn out to be "curiouser and curiouser," seemingly without moral or sense.
For more than 130 years, children have reveled in the delightfully non-moralistic, non-educational virtues of this classic. In fact, at every turn, Alice's new companions scoff at her traditional education. The Mock Turtle, for example, remarks that he took the "regular course" in school: Reeling, Writhing, and branches of Arithmetic-Ambition, Distraction, Uglification, and Derision. Carroll believed John Tenniel's illustrations were as important as his text. Naturally, Carroll's instincts were good; the masterful drawings are inextricably tied to the well-loved story. (All ages) --Emilie Coulter
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