American Gods: A Novel

American Gods: A Novel
by Neil Gaiman

American Gods: A Novel
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Book Summary Information

Author: Neil Gaiman
Edition: Paperback
Audio: English (Original Language); English (Unknown); English (Published)
Published: 2003-09-01
ISBN: 0060558121
Number of pages: 624
Publisher: Harper Perennial

Book Reviews of American Gods: A Novel

Book Review: Longer than it needed to be.
Summary: 2 Stars

Let me say that overall this book was decent, some captivating and thrilling moments. For instance, The best part of the book takes place near the end when Shadow is hanging from the tree. Why i like this part so much is to how his character changes the moment he realizes he's been dead his entire life, not literally but emotionally he has been a drone. His extreme/psychotic reaction is the most real and intrigueing moment i had read in any book, i literally got goosebumps.

Now, that's the reason i gave this book 2 stars instead of one. Everything else about this book was completely random garbage. Seriosuly, i was almost angry after finishing it. The real battle was picking up the book to finish it.

I would only recommend this novel to someone who is really into a very long and tedious adventure and is into mythology. So much happens in this book that has no purpose to fit in. It simply seems, shall i say? improvised. Like Gailman was brainstorming while writing and kept the rough draft as the final score.

Too long, fast forward to the part when shadow is hung on the world tree. Amazing section in a mediocre book.

Summary of American Gods: A Novel

Released from prison, Shadow finds his world turned upside down. His wife has been killed; a mysterious stranger offers him a job. But Mr. Wednesday, who knows more about Shadow than is possible, warns that a storm is coming -- a battle for the very soul of America . . . and they are in its direct path.

One of the most talked-about books of the new millennium, American Gods is a kaleidoscopic journey deep into myth and across an American landscape at once eerily familiar and utterly alien. It is, quite simply, a contemporary masterpiece.


American Gods is Neil Gaiman's best and most ambitious novel yet, a scary, strange, and hallucinogenic road-trip story wrapped around a deep examination of the American spirit. Gaiman tackles everything from the onslaught of the information age to the meaning of death, but he doesn't sacrifice the razor-sharp plotting and narrative style he's been delivering since his Sandman days.

Shadow gets out of prison early when his wife is killed in a car crash. At a loss, he takes up with a mysterious character called Wednesday, who is much more than he appears. In fact, Wednesday is an old god, once known as Odin the All-father, who is roaming America rounding up his forgotten fellows in preparation for an epic battle against the upstart deities of the Internet, credit cards, television, and all that is wired. Shadow agrees to help Wednesday, and they whirl through a psycho-spiritual storm that becomes all too real in its manifestations. For instance, Shadow's dead wife Laura keeps showing up, and not just as a ghost--the difficulty of their continuing relationship is by turns grim and darkly funny, just like the rest of the book.

Armed only with some coin tricks and a sense of purpose, Shadow travels through, around, and underneath the visible surface of things, digging up all the powerful myths Americans brought with them in their journeys to this land as well as the ones that were already here. Shadow's road story is the heart of the novel, and it's here that Gaiman offers up the details that make this such a cinematic book--the distinctly American foods and diversions, the bizarre roadside attractions, the decrepit gods reduced to shell games and prostitution. "This is a bad land for Gods," says Shadow.

More than a tourist in America, but not a native, Neil Gaiman offers an outside-in and inside-out perspective on the soul and spirituality of the country--our obsessions with money and power, our jumbled religious heritage and its societal outcomes, and the millennial decisions we face about what's real and what's not. --Therese Littleton

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