 |
Book Summary InformationAuthor: Ian McEwan Edition: Paperback Audio: English (Unknown); English (Original Language); English (Published) Published: 2005-05-05 ISBN: 0099483556 Number of pages: 384 Publisher: Vintage
Book Reviews of AtonementBook Review: "Though you think the world is at your feet, it can rise up...tread on you." Summary: 5 Stars
Though this book is only of average length, it has the feel of a big family saga, so completely does McEwan delve into the consciousness of his main characters as they attempt to cope with the long-term repercussions of a "crime" committed by Briony Tallis, a naïve 13-year-old with a "controlling demon." Briony's "wish for a harmonious, organised world denie[s] her the reckless possibilities of wrongdoing," so it is doubly ironic that her attempt to "fix" what she sees as wrongdoing involving her sister and Robbie Turner, a childhood friend, becomes, in itself, a wrongdoing, one she feels compelled to deny and for which she will eventually attempt to atone.
Opening the novel in 1935, McEwan creates an intense, edgy, and almost claustrophobic mood. England is on the brink of war; Briony, a budding writer, is on the edge of adolescence; her newly graduated sister Cecilia is thinking of her future life; and Robbie is about to start medical school. The summer is unusually hot. Troubled young cousins have arrived because their parents are on the verge of divorce; Briony's mother is suffering from migraines; her father is "away," working for the government; her adored brother Leon and a friend have arrived from Cambridge; and Briony, an "almost only child," with a hypersensitive imagination, finds her world threatened.
Step by step, McEwan leads his characters to disaster, each individual action and misstep simple, explainable, and logical. The engaged reader sees numerous dramatic ironies and waits for everything to snap. When Briony finally commits her long-foreshadowed "crime," the results are cataclysmic, and the world, as they know it, ends for several characters.
Giving depth to his themes of truth, justice, honesty, guilt and innocence, and punishment and atonement, McEwan uses shifting points of view and an extended time frame. Part I is Briony's. In Part II, five years after the "crime," Robbie, now a footsoldier retreating from the French countryside to Dunkirk, continues the same themes, seeing the crimes of war, not only between the combatants but against civilians and, at Dunkirk, by the Brits against each other. In Part III, Briony, atoning for her earlier crime by working as a student nurse, rather than studying to be a writer, brings the past and present together, tending the casualties of war. The ending takes place in 1999, at her 77th birthday party.
This is a totally absorbing, fully developed novel, the kind one always yearns for and so rarely finds. The characters, the atmosphere, the lush descriptions, the sensitively treated themes, the intriguing and unusual plot, and the rare entrée into the mind of a writer, both Briony and McEwan, make this novel an absorbing experience from beginning to end. Mary Whipple
Summary of AtonementOn the hottest day of the summer of 1934, thirteen-year-old Briony Tallis sees her sister Cecilia strip off her clothes and plunge into the fountain in the garden of their country house. Watching her is Robbie Turner, her childhood friend who, like Cecilia, has recently come down from Cambridge. By the end of that day, the lives of all three will have been changed for ever. Robbie and Cecilia will have crossed a boundary they had not even imagined at its start, and will have become victims of the younger girl's imagination. Briony will have witnessed mysteries, and committed a crime for which she will spend the rest of her life trying to atone. Ian McEwan's Booker Prize-nominated Atonement is his first novel since Amsterdam took home the prize in 1998. But while Amsterdam was a slim, sleek piece, Atonement is a more sturdy, more ambitious work, allowing McEwan more room to play, think, and experiment. We meet 13-year-old Briony Tallis in the summer of 1935, as she attempts to stage a production of her new drama "The Trials of Arabella" to welcome home her older, idolized brother Leon. But she soon discovers that her cousins, the glamorous Lola and the twin boys Jackson and Pierrot, aren't up to the task, and directorial ambitions are abandoned as more interesting prospects of preoccupation come onto the scene. The charlady's son, Robbie Turner, appears to be forcing Briony's sister Cecilia to strip in the fountain and sends her obscene letters; Leon has brought home a dim chocolate magnate keen for a war to promote his new "Army Ammo" chocolate bar; and upstairs, Briony's migraine-stricken mother Emily keeps tabs on the house from her bed. Soon, secrets emerge that change the lives of everyone present.... The interwar, upper-middle-class setting of the book's long, masterfully sustained opening section might recall Virginia Woolf or Henry Green, but as we move forward--eventually to the turn of the 21st century--the novel's central concerns emerge, and McEwan's voice becomes clear, even personal. For at heart, Atonement is about the pleasures, pains, and dangers of writing, and perhaps even more, about the challenge of controlling what readers make of your writing. McEwan shouldn't have any doubts about readers of Atonement: this is a thoughtful, provocative, and at times moving book that will have readers applauding. --Alan Stewart, Amazon.co.uk
Literature & Fiction Books
|
 |