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Book Summary InformationAuthor: Jack Kerouac Foreword: Aram Saroyan Edition: Paperback Audio: English (Unknown); English (Original Language); English (Published) Published: 1992-06-01 ISBN: 0140168125 Number of pages: 256 Publisher: Penguin (Non-Classics) Product features: - ISBN13: 9780140168129
- Condition: New
- Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
Book Reviews of Big SurBook Review: Down The HIll Summary: 4 Stars
As I have explained in another entry in this space in a DVD review of the film documentary "The Life And Times Of Allen Ginsberg", recently I have been in a "beat" generation literary frame of mind. I think it helps to set the mood for commenting on Jack Kerouac's lesser work under review here, "Big Sur", that it all started last summer when I happened to be in Lowell, Massachusetts on some personal business. Although I have more than a few old time connections with that now worn out mill town I had not been there for some time. While walking in the downtown area I found myself crossing a small park adjacent to the site of a well-known mill museum and restored textile factory space. Needless to say, at least for any reader with a sense of literary history, at that park I found some very interesting memorial stones inscribed with excerpts from a number of his better known works dedicated to Lowell's `bad boy', the "king of the 1950s beat writers".
And, just as naturally, when one thinks of Kerouac then, "On The Road", his classic modern physical and literary `search' for the meaning of America for his generation which came of age in post-World War II , readily comes to mind. No so well known, however, is the fact that that famous youthful novel was merely part of a much grander project, an essentially autobiographical exposition by Kerouac in many volumes starting from his birth in 1922, to chart and vividly describe his relationship to the events, great and small, of his times. The series, of which the book under review, "Big Sur", bears the general title "The Legend Of Duluoz". So that is why we today, in the year of the forty anniversary of Kerouac's death, are under the sign of "Big Sur".
The action of this novel, a relatively short narrative expression of Kerouac's now famous spontaneous writing style, takes place in San Francisco and along California's central coastline at Big Sur. Kerouac was there as a self-imposed retreat by him after the whirlwind of `success" of his major work "On The Road" in 1957 and the media's subsequent proclamation of him as "King of The Beats". Along the way he talks about the trials and tribulations surrounding his losing fight against alcoholism, his paranoias, his attempts to dry out, and his patterned misadventures, with and without women, mainly as a desperate response to the pressures and other problems associated with his new found, but not necessarily wanted, fame,
I have mentioned, in a DVD review of the excellent film documentary "What Happened To Kerouac?" that part of Kerouac's "fall from grace" was using so much youthful autobiographical material composed, in retrospect, of basically similar experiences that there was only so much that the market could bear, especially the volatile youth market that would make up the mass base of his audience. That factor and the intense media blitz to single out the ONE authentic voice of the "beats", his (because he was articulate, at least in the beginning, and handsome in a very television camera-friendly way unlike some of the other wild boys), for which his whole prior personal history left him ill-equipped. In any case he came crashing down.
"Big Sur" is, to my mind, an almost tragically self-conscious literary expression of that fall. And here the points just made really come into play. Sure, there is plenty of Kerouac introspective, some of it very perceptive as always. Of course, there will be plenty of evocative word play, be-bop feeling and other literary tidbits that add to our stock of literary language (including as an addendum, a poem/ranting/ocean sound bite- "Sea" (Sounds Of The Pacific Ocean At Big Sur). Naturally,as well, the cast of characters include a round-up of the usual suspects like Neal Cassady (here under the name Cody), his wife, his mistress, assorted lumpen-proletarian types and the literary West Coast "beats" that have peopled his previous works. But that is exactly the problem. These are no longer the poster boys of the post-World War II cultural scene. Pranks, misadventures, pratfalls and, oh yes, their Kerouac literary presentation as the voice of the "beats" don't age well as the characters age. Cassady, at least partially, was able to adjust to the new winds blowing in the 1960s. Kerouac could not, or would not. Here is the simplest way I can put it- "On The Road" I NEEDED to read at one long sitting, "Big Sur" I took at small samples over a few days. Jack, I think, knew that was where he was, I now know it and you will too.
Summary of Big Sur"Each book by Jack Kerouac is unique, a telepathic diamond. With prose set in the middle of his mind, he reveals consciousness itself in all its syntatic elaboration, detailing the luminous emptiness of his own paranoiac confusion. Such rich natural writing is nonpareil in later half XX century, a synthesis of Proust, Céline, Thomas Wolfe, Hemingway, Genet, Thelonius Monk, Basho, Charlie Parker, and Kerouac's own athletic sacred insight. "Big Sur's humane, precise account of the extraordinary ravages of alcohol delirium tremens on Kerouac, a suerior novelist who had strength to complete his poetic narrative, a task few scribes so afflicted have accomplished?others crack up. Here we meet San Francisco's poets & recognize hero Dean Moriarty ten years after On the Road. Jack Kerouac was a 'writer,' as his great peer W.S. Burroughs says, and here at the peak of his suffering humorous genius he wrote through his misery to end with 'Sea,' a brilliant poem appended, on the hallucinatory Sounds of the Pacific Ocean at Big Sur." ?Allen Ginsberg
United States Books
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