Classical Chinese Literature

Classical Chinese Literature

Classical Chinese Literature
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Book Summary Information

Editor: John Minford
Editor: Joseph S. M. Lau
Edition: Paperback
Audio: English (Unknown); English (Original Language); English (Published)
Published: 2002-04-15
ISBN: 0231096771
Number of pages: 1248
Publisher: Columbia University Press

Book Reviews of Classical Chinese Literature

Book Review: In response to the last post
Summary: 5 Stars

This is in response to the post below, which didn't comment on the book, and neither will I.

The use of pinyin is not stupid. Wade-Giles and pinyin are mutually unpronouncable or mispronounced by someone without training in the Chinese language. In my opinion Wade-Giles is even worse, though neither would do much good if you hadn't studied how to use them. (For example: Peking--Wade-Giles, when the Beijing of pinyin is much closer to the actual Mandarin pronunciation for someone without knowledge of how Chinese works. We also have the Tao/Dao issue--for those not in the know the first is Wade-Giles and the second pinyin. Reading the second if you only speak English is much closer to the standard Mandarin pronunciation).

In short, this is a refutation of the post below as it contained no useful information and is simply misleading.

Personally, I promote the use of pinyin as anyone who's studying mandarin now (or, I'd venture to say at least 99% of its students, and anyone studying in China) have to learn it. Furthermore, and contrary to the post below, it is useful for those of us who study Chinese, especially in a book where there are no characters for us to look at! We need to know the correct pronunciation, the way we studied it (pinyin), to figure out what they're talking about if it's not obvious from the context. In my experience pinyin is also more straightforward once the basics have been learned than is Wade-Giles.

....Now if we could only get them to include tone marks with the pinyin as well as characters (and I don't see why they can't do this) we'd have everything we could want.

(I rate a five in keeping with the rest of the posts here)

Summary of Classical Chinese Literature

The summation of more than two thousand years of one of the world's most august literary traditions, this volume also represents the achievements of four hundred years of Western scholarship on China. The selections include poetry, drama, fiction, songs, biographies, and works of early Chinese philosophy and history rendered in English by the most renowned translators of classical Chinese literature: Arthur Waley, Ezra Pound, David Hawkes, James Legge, Burton Watson, Stephen Owen, Cyril Birch, A. C. Graham, Witter Bynner, Kenneth Rexroth, and others.

Arranged chronologically and by genre, each chapter is introduced by definitive quotes and brief introductions chosen from classic Western sinological treatises. Beginning with discussions of the origins of the Chinese writing system and selections from the earliest "genre" of Chinese literature -- the Oracle Bone inscriptions -- the book then proceeds with selections from:

? early myths and legends;

? the earliest anthology of Chinese poetry, the Book of Songs;

? early narrative and philosophy, including the I Ching, Tao-te Ching, and the Analects of Confucius;

? rhapsodies, historical writings, magical biographies, ballads, poetry, and miscellaneous prose from the Han and Six Dynasties period;

? the court poetry of the Southern Dynasties;

? the finest gems of Tang poetry; and

? lyrics, stories, and tales of the Sui, Tang, and Five Dynasties eras.

Special highlights include individual chapters covering each of the luminaries of Tang poetry: Wang Wei, Li Bo, Du Fu, and Bo Juyi; early literary criticism; women poets from the first to the tenth century C.E.; and the poetry of Zen and the Tao.

Bibliographies, explanatory notes, copious illustrations, a chronology of major dynasties, and two-way romanization tables coordinating the Wade-Giles and pinyin transliteration systems provide helpful tools to aid students, teachers, and general readers in exploring this rich tradition of world literature.

(Jul-Sep-02)

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