 |
Confessions of an Ugly Stepsister: A Novel by Gregory Maguire
Book Summary InformationAuthor: Gregory Maguire Edition: Paperback Audio: English (Unknown); English (Original Language); English (Published) Published: 2000-10-03 ISBN: 0060987529 Number of pages: 384 Publisher: William Morrow Paperbacks
Book Reviews of Confessions of an Ugly Stepsister: A NovelBook Review: The "True" story of Cindarella Summary: 4 Stars
Confessions is another in the series of books that Gregory Maguire writes where he takes a well known story and twists it around. This time, he takes on the story of Cindarella. We all know about the ugly stepsisters, the evil mother-in-law, the glass slipper and all the magical mice of Disney fame. What the author does here is add more to the story and twist it around in terms of its viewpoints and explains "what really happened".
I liked this story much more than I liked "Wicked" (His rendition of The Wizard of Oz) because he twists the storyline into a believable context. For one, he takes out all the magical elements - so, if you are looking for the Fairy Godmother, the mice, the pumpkin, and so on, you will not find them. Instead, he places the story in the context the Netherlands at the time of Rembrandt and the Tulip Bulb Bubble. The stepsisters and the mother in law are real people - they are a dutch family that had emigrated to England but come back home when the English husband dies. They are poor and destitute and searching for any assistance. The mother works as a housekeeper for a painter who tries to rival Rembrandt in his efforts. For one particular commission, the painter decides to paint one of the ugly sisters as a counterpoint to the beautiful tulips that are all the rage at that time.
The story is told from the viewpoint of this sister. She tells the story of the family as it escaped from England and settles in the Dutch town. She tells how her mother begs for work and how they get ensconced in the painter's household.
The painting is a success and actually leads to the family moving from the painter's house to the house of the wealthy merchant who commissioned it. This family has the wealthy wife who runs the household who gets pregnant and needs help as well as a mysterious teenaged daughter who is beautiful beyond belief but who refuses to set foot outside of the house. The three young girls get to know each other and play with each other including some trips outside the walls of the house during which we find out that there is some terrible reason why Clara (the beautiful one) does not leave the house.
Then, one day, something goes terribly wrong with the matron's pregnancy and both she and the baby die. This is not unusual in those days, nor is it unusual that soon thereafter the merchant marries the mother of the two sisters. So, now the family situation we now is set up. So, what makes the father disappear?
Mr. Maguire's answer is to have the merchant speculating on Tulip bulbs at exactly the wrong time and end up losing all of his fortune - throwing the merchant into a deep depression which has him locking himself up in a bedroom, mostly comatose.
As the house is slowly denuded of all of its possessions to pay off the creditors, the dowager Queen of France comes to town and announces that she would like a ball to introduce the local young women to a young male relative of hers. Of course the whole town is thrown into a tizzy and everyone who has eligible young women in their households are competing to go. This household, with three eligible women, is definitely invited and they all make plans to go - although Clara is very reluctant. Ultimately, the sister who is telling the story manages to convince her beautiful step-sister to come to the ball by setting up an elaborate scheme that will make sure no one recognizes her involving a separate coach ride, and an outfit that is borrowed but including white slippers made from silk so that, in the right light, they look like they are made of glass (another element explained).
The night of the ball comes, all the young women are paraded in front of the young man, and the sister telling the story manages to hold his attention for a few minutes due to her smarts and ability to converse in English as well as Dutch. Then, in comes Cindarella - I mean Clara and takes over. She is the most beautiful of the young women there by a large margin and immediately captivates the prince. She and the prince repair to a private room and are not seen again while the ball continues. One thing leads to another and a fire breaks out which has everyone scurrying out of the mansion and into the countryside. The girls reconvene at their home in the morning after having walked back from the mansion to discover that one of Clara's slippers is missing.
The prince comes looking for the young woman who lost the slipper and discovers Cindarella, takes her off to marry, and they live happily ever after. Right?
Well, almost. There is a final chapter in the book which is written by the other sister. The one who was considered dumb throughout the whole book. This chapter ties all the loose ends together and tells the end of the story. It talks about all three sister's lives and early deaths and their family situations. It clears up any remaining mysteries and puts a final twist into the story in the way in which this silent sister saw the things that went on.
By telling the story in this way, and tying it so carefully to plausible events, this book is a great read. The reader can clearly see how the fairy tale elements could come together from a story that is really the lives of some common people. The magic is in the way it is perceived rather than the way people really behaved. That is another aspect of what makes this book such a great read - it is a plausible story that is believable. There is only one element that I was unhappy with - the mother's role as an evil person is unduly enlarged when she reveals some of her misdeeds to her daughter. There was really no point in adding this plot device as without it we simply have a very determined woman trying to make her way in the world while supporting her daughters. Adding criminal elements to the mother's actions makes them more bizarre than is warranted.
So, I recommend you read this book and enjoy it as I did. It is a fun retelling of the story of Cindarella that twists it into a view of what life might have been like in 17th century Holland!
Summary of Confessions of an Ugly Stepsister: A NovelIs this new land a place where magics really happen? From Gregory Maguire, the acclaimed author of Wicked, comes his much-anticipated second novel, a brilliant and provocative retelling of the timeless Cinderella tale. In the lives of children, pumpkins can turn into coaches, mice and rats into human beings.... When we grow up, we learn that it's far more common for human beings to turn into rats.... We all have heard the story of Cinderella, the beautiful child cast out to slave among the ashes. But what of her stepsisters, the homely pair exiled into ignominy by the fame of their lovely sibling? What fate befell those untouched by beauty . . . and what curses accompanied Cinderella's exquisite looks? Extreme beauty is an affliction Set against the rich backdrop of seventeenth-century Holland, Confessions of an Ugly Stepsister tells the story of Iris, an unlikely heroine who finds herself swept from the lowly streets of Haarlem to a strange world of wealth, artifice, and ambition. Iris's path quickly becomes intertwined with that of Clara, the mysterious and unnaturally beautiful girl destined to become her sister. Clara was the prettiest child, but was her life the prettiest tale? While Clara retreats to the cinders of the family hearth, burning all memories of her past, Iris seeks out the shadowy secrets of her new household--and the treacherous truth of her former life. God and Satan snarling at each other like dogs.... Imps and fairy godmotbers trying to undo each other's work. How we try to pin the world between opposite extremes! Far more than a mere fairy-tale, Confessions of an Ugly Stepsister is a novel of beauty and betrayal, illusion and understanding, reminding us that deception can be unearthed--and love unveiled--in the most unexpected of places. Gregory Maguire's chilling, wonderful retelling of Cinderella is a study in contrasts. Love and hate, beauty and ugliness, cruelty and charity--each idea is stripped of its ethical trappings, smashed up against its opposite number, and laid bare for our examination. Confessions of an Ugly Stepsister begins in 17th-century Holland, where the two Fisher sisters and their mother have fled to escape a hostile England. Maguire's characters are at once more human and more fanciful than their fairy-tale originals. Plain but smart Iris and her sister, Ruth, a hulking simpleton, are dazed and terrified as their mother, Margarethe, urges them into the strange Dutch streets. Within days, purposeful Margarethe has secured the family a place in the home of an aspiring painter, where for a short time, they find happiness. But this is Cinderella, after all, and tragedy is inevitable. When a wealthy tulip speculator commissions the painter to capture his blindingly lovely daughter, Clara, on canvas, Margarethe jumps at the chance to better their lot. "Give me room to cast my eel spear, and let follow what may," she crows, and the Fisher family abandons the artist for the upper-crust Van den Meers. When Van den Meer's wife dies during childbirth, the stage is set for Margarethe to take over the household and for Clara to adopt the role of "Cinderling" in order to survive. What follows is a changeling adventure, and of course a ball, a handsome prince, a lost slipper, and what might even be a fairy godmother. In a single magic night, the exquisite and the ugly swirl around in a heated mix: Everything about this moment hovers, trembles, all their sweet, unreasonable hopes on view before anything has had the chance to go wrong. A stepsister spins on black and white tiles, in glass slippers and a gold gown, and two stepsisters watch with unrelieved admiration. The light pours in, strengthening in its golden hue as the sun sinks and the evening approaches. Clara is as otherworldly as the Donkeywoman, the Girl-Boy. Extreme beauty is an affliction... But beyond these familiar elements, Maguire's second novel becomes something else altogether--a morality play, a psychological study, a feminist manifesto, or perhaps a plain explanation of what it is to be human. Villains turn out to be heroes, and heroes disappoint. The story's narrator wryly observes, "In the lives of children, pumpkins can turn into coaches, mice and rats into human beings. When we grow up, we learn that it's far more common for human beings to turn into rats." --Therese Littleton
Historical Books
|
 |