Digital Landscape Photography

Digital Landscape Photography
by John and Barbara Gerlach

Digital Landscape Photography
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Book Summary Information

Author: John and Barbara Gerlach
Edition: Paperback
Audio: English (Unknown); English (Original Language); English (Published)
Published: 2009-09-14
ISBN: 0240810937
Number of pages: 216
Publisher: Focal Press

Book Reviews of Digital Landscape Photography

Book Review: The Gerlachs do an encore. Bravi!
Summary: 5 Stars

John and Barbara Gerlach have done it again! Digital Landscape Photography follows after and builds upon the simple approach they adopted in their first book, Digital Nature Photography: The Art and the Science, and is characterized by simple, thoughtful text and eye-popping, gorgeous photography. Anyone who has attended the popular workshops and seminars presented by the Gerlachs will be immediately at home with this format. A casual style is employed deliberately by these talented teachers, who tirelessly assist their students with cheerfulness and humor. While reading this book, one can virtually hear the lilt in their voices and the chuckle following tongue-in-cheek remarks which make their lessons unforgettable. The splendid photography corroborates their expounded methods for refining your photographic technique.

Aesthetically the Gerlachs' new book is very attractive. The design / layout is, in my opinion, a potential award winner. I also enjoy the landscape 11.5" x 8" format of the volume, which matches its predecessor as a set on my shelf. The mesmerizing images themselves, from prints which Barbara personally produced, are perhaps rightfully the central joy of holding this book, and are entirely digital. (Some books, even recent ones, by notable photographers are still using scanned slides.) Such pictures are bound to get you reaching for your camera and running out the door. If you're more disciplined than that, you'll be hungrily reading the text to discover the techniques used to open a window on such beauty. I have passed the book around to friends who are only casually interested in photography. They'll politely open the book in the middle, stop and stare, grunt a little, then turn to the front of the book and systematically page through it from beginning to end, ooh-ing and ah-ing along the way. They are obviously entranced. Sometimes they start thumbing again. Indeed, it makes you want to repeatedly peruse and to reread.

A wealth of topics is covered in 10 chapters: Landscapes are Everywhere; Cameras and Accessories; Choosing and Using Lenses; Mastering Exposure; Techniques for Sharp Images; Light on the Landscape; Composing Pleasing Images; Special Subjects; High Dynamic Range Images; Panoramas. Succinctly, emphasis is placed on carefully selecting and correctly using photography equipment suitable to your budget and imaging intent.

It will be noticed that little space is dedicated to post-processing, although it is often mentioned in passing. "So many books already cover that topic", the Gerlachs write. Their purpose, then, is to stress "shooting the highest quality images possible in the field". But they don't want you to wait until you get "in the field" to prepare for fine pictures: they also underline the crucial importance of learning to use your equipment: reading and continually consulting user guides and manuals, getting a thorough feel for the controls and menus of your camera, lenses and other gear, experimenting with options you may not understand. These are central tenets of the Gerlach doctrine, repeatedly stressed in the classroom, in nature and, of course, in this book.

Relevant aspects of post-processing aren't ignored, either. Two digital techniques that have increasingly fired the enthusiasm of photographers, including the authors, are specifically treated. These are the 'panorama' (digitally stitching overlapping views together to make one wide - or tall - seamless image) and high dynamic range imagry (or HDR, combining a bracketed range of exposures via software to capture both shadows and highlights otherwise impossible in conventional digital photography). Included in the discussions are the equipment needed to shoot the images, the photographic technique used to actually capture the pictures, and the software used to produce the finished results. I found their tutorial on using Photomatix Pro to produce HDR images clearer and more practical than many other "how-to" books books and web-pages dedicated specifically to this purpose. Of course, gorgeous photos are presented as examples which delight and inspire.

I can't think of a basic digital landscape photographic technique which is left unmentioned in Digital Landscape Photography, and much of the advice for achieving high quality landscape pictures is also applicable to other types of image-making, such as macro and close-up photography.

While the book is deliberately untechnical, hard-core perfectionists will be delight in advanced topics such as finding a given lens' nodal point (which needs to be above the turning axis of your tripod) in order to shoot panorama without troublesome distortions.

John's and Barbara's friends, students, nature lovers and photographers-at-large will be eagerly awaiting their next volume... t.b.a.!

Disclosure: The Gerlachs kindly gave me a copy of the book, since I helped edit the text. This review is a spontaneous reaction to my own enthusiasm at seeing the final copy. To be sure, there are always corrections that can be made in the next edition of a book, this fine one included. In fact, someone has mentioned some typos: oops! Sorry those were missed. Let the Gerlachs know if you find any - their contact information is found in the back of the book. One small correction I personally desire concerns the caption (put in after the final edit) regarding a certain image on page 137 by (ahem!) yours truly, which was not taken at the Michigan Falls Color Workshop, as stated, but during the Spring in Ohio at the Hocking Hills in the Shoot-the-Hills Contest. (Goto [...]). Of course, attending a Gerlach educational and economic day-long seminar shortly before inevitably improved my technique, and I am a true believer. This book promises to do great things for your own images. Nothing would make John and Barb happier.

Dan Pater

Summary of Digital Landscape Photography

Photographing landscape with a film camera is different than with a digital camera. There are several books on the market that cover landscape photography but few of them are specifically for the digital photographer. This book is what you are looking for!

Digital Landscape Photography covers:
* equipment such as accessories and lenses
* exposure from shutter speed and other common mistakes
* shooting
* light and its importance
* composing your perfect photo
* printing
* and a special section on specific subjects such as waterfalls and sunrises

Digital Landscape Photography, written by experts that have been shooting outdoors for decades, is a fresh look at current ways to shoot landscapes by making the most of digital format.

* the only photo book on landscape photography in a landscape format * both beautifully illustrated and instructive at the same time * Authors are well known photographers in the field: Pictures have been published in National Wildlife, Sierra, Natural History, Outdoor Photographer, and many other major publications

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