Elantris

Elantris
by Brandon Sanderson

Elantris
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Book Summary Information

Author: Brandon Sanderson
Edition: Mass Market Paperback
Audio: English (Unknown); English (Original Language); English (Published)
Published: 2006-05-30
ISBN: 0765350378
Number of pages: 656
Publisher: Tor Fantasy
Product features:
  • ISBN13: 9780765350374
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

Book Reviews of Elantris

Book Review: A first novel, that much is obvious.
Summary: 3 Stars

Let me first point out that Elantris was Brandon Sanderson's debut novel. That said, one can tell.

Let's start with the good:

The book was looking like a definite 2 for a variety of reasons (which will be detailed below) until the very end. As Sanderson's books go, Elantris's ending (though expected and a bit drawn out) was appropriate and well constructed (mostly). After struggling through an only passingly interesting ending to Warbreaker and a downright disgusting end to the Mistborn trilogy (though book 1 had a fantastic ending) I was relieved that Elantris finished strong-ish. Of course, this was likely due to the fact that the entire tone of the book set up for a soft and easy to write ending.

The not so good:

However, despite the better than expected ending, Elantris was not one of the best books I've ever read. That's not to say it wasn't mildly entertaining but I will never be compelled to read it again. There were just too many frustrating things about the book.

Such as:

I'll start with the most frustrating part of the book: Sarene.

I love books with strong, level-headed female characters. That's why I liked the first Mistborn so much and hated the rest of the series. That's why I periodically re-read Pride & Prejudice. That's why I feel the contempt the authors wanted (I believe) to convey when I read Daisy Miller & the Great Gatsby. That's why I hated the French Lieutenant's Woman, Love in the Time of Cholera, & the Name of the Wind.

Sarene was an attempt at just such a character. A poor attempt that fell flat. She is just too extreme. There is little to relate to on any level. She is always right about everything, immediately finds the right answer to any problem (usually within moments of having it posed to her), knows exactly how to play every person she meets, gets the best of every confrontation, rarely has anything backfire on her, and (the best part) pretty much single-handedly re-engineers an entire society. All the while deciding that it is her divine calling to throw down with Hrathen the moment she sees him, being able to divine his every motive (or at least broad strokes) with relative ease. Her overly-headstrong, unforgiving character makes her one-dimension and by the time Sanderson tries to humanize her with "flaws" and "doubts" they ring hollow because they are overcome a scene later when someone tells her how fantastic she is. Reading characters like that is just plain uninteresting. (8/10 on the frustration meter)

Other difficulties:

1. The book is riddled with questionable (possibly naïve) plot points. Examples:

a. The easy and immediate acceptance of an Elantrian (supposedly accursed and shunned by the entire city for 10 years) as king.

b. Telrri, a bad guy with a disfiguring birthmark. Or, more accurately, his "Hey, I'm a bad guy" mark. Unnecessary.

c. The classic hole-filler moment: "Oh, by the way, the main bad guy has a special power that makes him resistant to the Dor. I haven't mentioned that yet but I have to make this scene more impressive so there it is. Boss fight!" This particular point was ridiculous and unnecessary. Late additions like that are...just downright appalling. (7/10)

2. Every major revelation in the book just seemed too easy. The characters connect the dots on complex motivations or cause/effects instantaneously. Something will occur and the very next sentence will be "Oh, well this must be why", a supposition that is usually spot on. The author needed to take a step back and let the characters breathe. (6/10)

3. At times the writing dragged on. There were unneeded scenes and paragraphs that added nothing but page length. Not surprising for a first book but still frustrating to slog through. Scenes like:

a. The masquerading as a Dula was just stupid and unnecessary (not to mention that a supposedly feeble Elantrian with allegedly atrophied muscles suddenly dancing around during swordplay was incongruous).

b. The women rising up to try to fight off the Derethi...I understand what Sanderson was trying to do (women are strong, yay! Sarene made them all independent!) but the tangential undertone was never properly developed and therefore rang hollow. (5/10)

4. Sanderson's efforts at witty repartee strengthen as the book moves along (and it is genuinely funny at times) but too often it falls flat. Especially Kiin's twins. They are insufferable, boring, and not particularly believable. Thankfully, Sanderson pretty much abandons them as characters early on. (4/10)

5. Galladon. Dear god. Has there ever been a more annoying character? "Kolo" every third word and all kinds of faux words that sounded very Spanish. Honestly, this character came across as more than a bit racist... (Note: I'm not saying Sanderson is a racist. Far from it. I'm claiming he leaned on stereotypes a bit too much at times). (4/10)

6. The world just isn't as developed as I expect out of top notch fantasy. That said, it was a first book. Of course the fact that this book begins to follow what I'm beginning to see as the standard Sanderson baseline for his worlds (tangible gods v. intangible god) was a bit disappointing. I'd like to see something new out of him. (1/10)

7. Hrathen was an interesting character but his sudden professed "love" for Sarene (with whom he hardly interacts) falls flat. It was pathetic, shallow, baseless, and unnecessary. (1/10)

Overall, this book reads exactly like it is: a first book that provided Sanderson a foot in the door. Not a bad thing but it kept it from being anything other than a mediocre book. It earned every bit of a 3 rating.

Summary of Elantris

Elantris was the capital of Arelon: gigantic, beautiful, literally radiant, filled with benevolent beings who used their powerful magical abilities for the benefit of all. Yet each of these demigods was once an ordinary person until touched by the mysterious transforming power of the Shaod. Ten years ago, without warning, the magic failed. Elantrians became wizened, leper-like, powerless creatures, and Elantris itself dark, filthy, and crumbling.

Arelon's new capital, Kae, crouches in the shadow of Elantris. Princess Sarene of Teod arrives for a marriage of state with Crown Prince Raoden, hoping -- based on their correspondence -- to also find love. She finds instead that Raoden has died and she is considered his widow. Both Teod and Arelon are under threat as the last remaining holdouts against the imperial ambitions of the ruthless religious fanatics of Fjordell. So Sarene decides to use her new status to counter the machinations of Hrathen, a Fjordell high priest who has come to Kae to convert Arelon and claim it for his emperor and his god.

But neither Sarene nor Hrathen suspect the truth about Prince Raoden. Stricken by the same curse that ruined Elantris, Raoden was secretly exiled by his father to the dark city. His struggle to help the wretches trapped there begins a series of events that will bring hope to Arelon, and perhaps reveal the secret of Elantris itself.

A rare epic fantasy that doesn't recycle the classics and that is a complete and satisfying story in one volume, Elantris is fleet and fun, full of surprises and characters to care about. It's also the wonderful debut of a welcome new star in the constellation of fantasy.

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