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Book Summary InformationAuthor: Ernest Hemingway Illustrator: Edward Shenton Edition: Paperback Audio: English (Unknown); English (Original Language); English (Published) Published: 1996-02-08 ISBN: 0684801299 Number of pages: 304 Publisher: Scribner Product features: - ISBN13: 9780684801292
- Condition: New
- Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
Book Reviews of Green Hills of AfricaBook Review: Nice story, where's the direction? Summary: 3 Stars
"Green Hills of Africa" by Ernest Hemmingway in a nonfiction, journalistic style biography. It's a day-to-day or event-to-event synopsis of his journey in Africa with his wife Pauline in 1933. We soon learn that Hemmingway has a keen interest in hunting kudu and he's fascinated with the sport of it. He tries to exemplify the luring of hunting and the grace and revival of African grounds. He captures the beauty of the landscape-the essence of Africa-, how it's being threatened by mankind, and how he's a part of it. Hemmingway uses a series of rich descriptions, he identifies rarety and strangeness and promotes the passion of a personal experience and the joy he got out of it at its depth. By transforming his journals into a novel, Hemmingway attempts to unveil the great game of hunting and the great name of literature. The issue is that any Hemmingway reader, expects to mature through the strength of his fictional literature. "Green Hills" is Hemmingway's experiment presenting the exact opposite: his biography is a depiction of who he is including his passion: the African hunt. Of course he's renown for his usual fictional literature, and in it comes success, unlike his non fictional biographies of which audiences have a difficult time relating to. The day-by-day synopsis of his experience and travel is headed more so toward the game of hunting. This seems controversial in the way that "Green Hills" now becomes the story of a hunter, when, in fact, Hemmingway is nothing of the sort, nor has he any experience at it. It is therefore hard to succeed in something outside the realm he's created for himself. Although, as a good writer of literature, Hemmingway captivates the individuality of his tracking of the game as opposed to a sole dedication to the famous `kills'. His enthusiasm towards this evokes the potential for him to dream what he could never write as a fictionist.I could not attempt to predict one certain target audience for `Green Hills". It's, essentially, a story written by a man about his won personal passion and hobby. It is not directed as good literature, towards hunters or followers of the game, for it is not as sharp as a hunter's biography; its author is simply a writer. But similarly nor is it targeted toward classic literature readers, for it's a simple story and it's not fictional, of which his accustomed audience has a trained mind. Hemmingway was only in Africa once and for a month at length. He may have had a good deal more of content to satisfy his targeted hunters audience, or a better understanding of Africa to relate more efficiently to those of literature, had he have written as a lifelong experience. Much like how Frenchman could explore a Parisian lifestyle more closely than say a tourist of Paris or a temporary resident of the city of Romance. Aside from depictions of it's purpose and style, Hemmingway gives a good portrayal of the lands, his mates Karl and Pop and his wife Pauline and their travels across a safari jungle. The simplicity of his writing gives an appropriate presentation of the relaxed lifestyle they led, simply to track and hunt the kudu and spend each day in a superb country, feasting, relaxing, reading, strolling and living.
Summary of Green Hills of AfricaHis second major venture into nonfiction (after Death in the Afternoon, 1932), Green Hills of Africa is Ernest Hemingway's lyrical journal of a month on safari in the great game country of East Africa, where he and his wife Pauline journeyed in December of 1933. Hemingway's well-known interest in -- and fascination with -- big-game hunting is magnificently captured in this evocative account of his trip. In examining the poetic grace of the chase, and the ferocity of the kill, Hemingway also looks inward, seeking to explain the lure of the hunt and the primal undercurrent that comes alive on the plains of Africa. Yet Green Hills of Africa is also an impassioned portrait of the glory of the African landscape, and of the beauty of a wilderness that was, even then, being threatened by the incursions of man. Hemingway's rich description of the beauty and strangeness of the land and his passion for the sport of hunting combine to give Green Hills of Africa the freshness and immediacy of a deeply felt personal experience that is the hallmark of the greatest travel writing.
History & Criticism Books
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