Heart of the Matter

Heart of the Matter
by Emily Giffin

Heart of the Matter
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Book Summary Information

Author: Emily Giffin
Edition: Hardcover
Audio: English (Unknown); English (Original Language); English (Published)
Published: 2010-05-11
ISBN: 0312554168
Number of pages: 384
Publisher: St. Martin's Press
Product features:
  • ISBN13: 9780312554163
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

Book Reviews of Heart of the Matter

Book Review: Good Story But Unsettled by the Ending!!
Summary: 3 Stars

SPOILER ALERT!! SPOILER ALERT!! THIS REVIEW CONTAINS SPOILERS!!

DON'T READ IF YOU DON'T WANT TO KNOW THE ENDING!!


I just finished reading "Heart of the Matter". I knew what it was about even before I started, I even checked out some reviews here and elsewhere. I must say that I've never read Emily Giffin before though I have all her books and the theme of her books intrigue- the broad questions she asks. I do have this sort of perverse predilection for books about love triangles and especially infidelity - maybe it is all the news lately or just how easily to stereotype all parties or maybe. When well done and not stereotyped, the gray area is so much more compelling- so while easy to judge, it is hard to swallow even if one has never been touched or cursed with the infidelity bug. Thus, I think it is hard to write about the book without talking about the ending, hence the spoiler.
However, I think that even knowing how the book ends, it is the journey, the getting there that is important in this book plus Emily Giffin has an incredibility beautiful prose. She is a gifted writer. She pulls you into the story and keeps you there even when you don't want to stay there. I've read that she wanted to make some characters and their choices unsympathetic, she wanted to extract emotional reactions from readers. I agree and like that readers have all these feelings- neg/posit- about the book bt here is the heart of the matter for me-LOL. I sure hope that Emily plans a sequel and lets us know how everybody is doing. Not that I think that books need closure so much- it is nice to- bt too many questions remain unanswered and an unsettled feeling in some- me for one. So, here it is how Emily sort of lost me in the story. I followed it along and understood what was going on for what was going: an illicit affair and some of the actions/behavior that are totally disgusting in an affair. Some make you scream. Both wife and mistress were well portrayed and displayed typical emotions and feelings- Valerie, the mistress, was a bitch at times and behaved that way. Tessa was smart enough to know that something was wrong bt limited in what she could do to fix bc Nick, the husband, gave her very little chance and was being a complete jerk with her bc he was so besotted with Valerie. I did root for Tessa bt had empathy for Valerie. I felt horrible for the boy who just wanted a father and saw in Nick that possibility. This makes Valerie and Nick's behavior so much worse. I don't agree that Tessa was bland or shallow. I think that Valerie was bitter and had huge self-esteem issues. I did not like Nick at all, to the point of wondering what these intelligent, strong women see in him and why don't they just ditch him? Had Emily given him a chance to speak for himself or at least have more of a sense for his choices. She lost me bc, while I wanted him to pick Tessa, Emily went so out of her way to pound into our heads how in love Nick and Valerie were - even Tessa knew it and she is smart enough to figure out that his 'confession/love declaration" was not totally heartfelt. So, I wish that Emily had had the guts to put Nick and Valerie together. However, having said that, I also think that it is quite possible, that she did not on purpose and that it was her intention all along to make such a strong point so we could see- or some of us- that their love did not ring true- not to me. It sounded more like an infatuation/a response to a crisis- like a "Stockholm Syndrome' response type on Nick and Valerie's part due to how they got together.
Maybe if/when Nick and Valerie got together and went about their business of married life- or life together- all those insecurities would come about to haunt them. I think that Tessa would do quite well on her own, so Nick would realize that she too was strong and vulnerable.
Nick had such an idealized vision of Valerie and Charlie and their lives while he totally ignored and put down Tessa. While the affair was going on, he gave Tessa no opportunity, no chance to fix anything that was going wrong. He did not want to try. I guess he wanted her to take the leap and leave or kick him out as she did. So he was a major wuss.
What is so attractive about a man who admits to his mistress/himself/his wife that he violated medical ethics, that he ignored his kids at Halloween to be with someone else's kids, that says he fell in love with a woman only to go home and make love to his wife whom he just lied to, that he would make love to his mistress and call her in the morning while making breakfast to his kids and conjure up more sex, that would tell his mistress that he loves her and yet break up with her. Nick never ever took Tessa into account. He has to be reminded that Tessa is part of the equation of his choices- not just as a family-. Why would Valerie want to be with a man that behaved like that? They both put Charlie into a very dangerous situation. Yes, she had more morals bt like Nick, she had no problems doing just the opposite soon after acknowledging that they were being amoral: letting Nick spend the night, hearing him talk about sleeping with her while cooking for his kids and yet agreeing to meet with him.
Again, Emily lost me when she made Nick and Valerie idealize each other only to break them up by Nick's change of heart. I want to believe that he was true and real in wanting to come back home bt it did not feel that way. I don't know what Nick's deal was, bt as much as I wanted to be convinced, bt something was wrong. Tessa complains that he accepted being kicked out too easily, that he did not try very hard to see here while he was gone- just a few phone calls- that makes the ending- that I had wanted- seem so phony and wrong. How could Emily have done differently? maybe it was not her intention to do so, maybe this is what she wanted all along, so how come teh build-up of Nick and Valerie was so much stronger than his repentance? I wish Emily had been kinder to Tessa. I think that she should have made Nick leave Tessa and look for Valerie or have Tessa toss him out. The ending was what I wanted bt when I got it, it did not ring true.
I've felt that maybe the whole point of the affair was to display more of a romantic/heady type of love, not the real thing, sort of an infatuation, bt yet Emily kept telling us over and over how much they both loved one another, so that totally lost me and made me angry about the ending. I felt manipulated. I had great empathy for Tessa and thought that maybe she settled too soon.
Anyway, just read the book, so it is still fresh on my mind and it did stir some emotions from me.

Summary of Heart of the Matter

"Giffin excels at creating complex characters and stories that ask us to explore what we really want from our lives."--Atlanta Journal-Constitution
 
Tessa Russo is the mother of two young children and the wife of a renowned pediatric surgeon.  Despite her own mother's warnings, Tessa has recently given up her career to focus on her family and the pursuit of domestic happiness. From the outside, she seems destined to live a charmed life.
 
Valerie Anderson is an attorney and single mother to six-year-old Charlie--a boy who has never known his father.  After too many disappointments, she has given up on romance--and even to some degree, friendships--believing that it is always safer not to expect too much.
 
Although both women live in the same Boston suburb, the two have relatively little in common aside from a fierce love for their children.  But one night, a tragic accident causes their lives to converge in ways no one could have imagined. 
 
In alternating, pitch-perfect points of view, Emily Giffin creates a moving, luminous story of good people caught in untenable circumstances. Each being tested in ways they never thought possible. Each questioning everything they once believed. And each ultimately discovering what truly matters most.

Product Description

A powerful, provocative novel about marriage and motherhood, love and forgiveness.

Tessa Russo is a stay-at-home mother of two young children and the wife of a renowned pediatric surgeon. Valerie Anderson is an attorney and single mother to six-year-old Charlie?a boy who has never known his father. Although both women live in the same Boston suburb, they are strangers to one another and have little in common, aside from a fierce love for their children. But one night, a tragic accident causes their lives to converge in ways no one could have imagined.

This is the moving, luminous story of good people caught in untenable circumstances. Each being tested in ways they never thought possible. Each questioning everything they once believed. And each ultimately discovering what truly matters most.



Amazon Exclusive: A Conversation Between Kristin Hannah and Emily Giffin

Emily Giffin (left) is the author of five New York Times bestselling novels, including Something Borrowed, which has been adapted as a major motion picture that will be in theaters in summer 2011. A graduate of Wake Forest University and the University of Virginia School of Law, she lives in Atlanta with her family.

Kristin Hannah (right) is the New York Times bestselling author of eighteen novels, including Night Road. She is a former lawyer turned writer and the mother of one son. She and her husband live in the Pacific Northwest and Hawaii.

Kristin Hannah: Well, first, I have to say, Emily, that I am just the tiniest bit irritated with you. When I got the call to do this interview, I was thrilled, to say the least. It came at a really busy time for me--right after the holidays and we all know how crazy that is--and my work in progress was giving me fits. Then I picked up Heart of the Matter, and lost myself. No more writing, no more cooking, no getting my hair done or reading my email. Once I started the story I literally couldn't put it down. Brava, girlfriend, I say. Your characters are so real and compelling, and they always say exactly the right thing. With so much honest emotion, I just have to ask how much of your work comes from your own life?

Emily Giffin: It never fails to thrill me when someone responds to one of my novels--especially when it's another writer. Writers understand the alchemy involved in making up something from nothing. And I just finished your book, Night Road, and I found it so emotional, so moving, and so terrifying?especially since I have three young children who will someday be teenagers. In terms of how much does my work come from my own life, I would say that I'm absolutely inspired by people, places, conversations, relationships, and issues that I observe, and that the "what if" part of my novel is very much inspired by these things in my life. But the details of my plots and the specifics of my characters come from my own head. How about you, Kristin? I'll ask you the million-dollar question that every author gets asked: where do you get your ideas?

Kristin: Ah, the idea question. I don't want to sound coy, but the truth is, I don't quite know. It's the most magical part of the process for me. I'm a pretty analytical gal, and I approach writing in the same just-the-facts-ma'am way I approach most things. I need to find an issue that engages me on an intellectual level, and then I need to marry that curiosity with a kind of passion. I need to feel genuinely passionate about each story before I ever write a word, and I have to actually have something to say. It takes me at least a year to research and write a novel, and so I have to really adore each part of it?the characters, setting, story. Most of all, it has to make me feel something genuine. That's really the most important component. Usually it begins with a single "what if" question?what if you discovered your mother had a whole secret life about which you knew nothing (Winter Garden) or what if your husband were accused of a crime you believed he hadn't committed (True Colors)?and then I write and re-write until the characters seem as real to me as old friends.

Kristin: I'm amazed by how much we have in common. We're both moms, both lawyers, both lived in London for a time. You're like a younger, cooler version of me. How did you make the transition from lawyer to writer, and do you think you'll ever practice law again?

Emily: I would hardly say I'm cooler than you, Kristin! I hear you live in Hawaii part time! What is cooler than that? I made the transition from lawyer to writer because I was so miserable being a lawyer that I needed some escape from the day-to-day of it. And inventing stories was that escape. I can say, without hesitation, that I will never practice law again. Would you? What kind of law did you practice, and for how long? What did you find appealing (or discouraging) about law? Did you find that it gave you fodder for any of your novels?

Kristin: Honestly, I have met very few lawyers who don't say that what they really want to do is write. Like you, I can say with certainty that I will never practice law again. Not that anyone would want me to. But I still keep my Bar membership up?just in case this whole writing thing doesn't work out. And yes, in the past few years, I have finally begun to put some of that law school education to work for me. I find that I'm really enjoying adding legal issues to my work. Of course, I have to talk to real lawyers to make sure I'm getting it right...

Read more of the conversation between Emily Giffin and Kristin Hannah


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