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Book Summary InformationAuthor: Chelsea Cain Edition: Mass Market Paperback Audio: English (Unknown); English (Original Language); English (Published) Published: 2008-07-29 ISBN: 0312947151 Number of pages: 352 Publisher: Minotaur Books
Book Reviews of HeartsickBook Review: An Unputdownable Psychological Thriller...WIth A Twist!! Summary: 4 Stars
I am not into bloody, gory, serial killer novels, with the exception of Thomas Harris's Hannibal Lecter - a real favorite of mine, although I wouldn't want to have lunch with him! However, author Chelsea Cain has come up with a new take on the genre. Her psychopath is a woman, Gretchen Lowell, and an extremely beautiful, brilliant woman at that.
We don't hear about many female serial killers, and that may be partly because women aren't as prone to commit this type of crime as men. Criminologist, Eric Hickey, has assembled the most extensive database on demography of serial murder. He states that, "88% of serial killers are male, 85% are Caucasian, and the average age when they claim their first victim is usually around 28.5. Women account for 15% of violent offenders (men are 6 times more likely to commit violent crimes)." Gretchen Lowell makes Ted Bundy look like a pussycat!
Detective Archie Sheridan is a hero in Portland, Oregon. Sheridan headed the so-called "Beauty Killer Task Force," and solved the case two years before the novel begins. It was proved, in a court of law, that Gretchen Lowell was responsible for the deaths of 26 victims. She claims she has murdered over 200 people, brutally torturing each one first. She has no profile and is an equal opportunity killer - blacks, whites, Hispanics, young, old, men, women - it doesn't matter. However, she does not victimize children. She is called "The Beauty Killer," not because she is beautiful, but because when the medical examiner was asked to categorize the condition of the first of many corpses, he whistled and said, "It's a beauty!" Autopsies are usually boring, according to the ME - mostly drownings and suicides. He is positively "tickled" by Gretchen's original work. It is just a coincidence that she's a "looker."
Archie was the lead detective on the case. He was also Gretchen's last victim. The FBI profiler was sure the killer was a man, an opinion which almost cost Sheridan his life. Ms. Lowell, posing as a psychiatrist, (she was an operating room nurse, in actuality), insinuated herself into the task force by claiming that she gave up her practice to write a book about the killings. She is clever enough to have created a portfolio of credible information which could be backed up when investigated. She told members of the team that she read about the gruesome murders and believed she could be of help. The case had been hell for the detectives, and Lowell "believed" she could talk with them - not counsel - just talk to ease their anxiety. They had been working on the case for ten years and their lack of success was really getting to all of them - all the dead, mutilated bodies, all the grieving, traumatized families waiting for closure, all the dead ends.
One afternoon, two years before, Archie visited Lowell in her office. His supposed colleague gave him coffee with milk, sugar and drugs. When he awakened he was strapped to a gurney in a basement, outfitted like an operating room, with medical-looking machinery, and a drain on the cement floor. His captor cooed in his ear, "Whatever you think this is going to be like, it's going to be worse." Now, two years later, Archie remembers all too clearly what was done to him. His spleen was removed without the benefit of anesthetics, nails were hammered into his rib cage, he was given enough drugs, when he wasn't being physically tortured, to become addicted to an impressive cocktail of medication - uppers, downers, you name it. His tormentor doodled on his chest with a scalpel, including a drawing of her signature, a heart...need I go on??
However, Gretchen did something different with Archie than she had done with other victims. She allowed him to live for 10 days, although he longed for death. She only gave her other victims 3 days before she mercifully killed them. When Archie began to die, she called 911, reported the situation and asked for immediate medical attention. Then she turned herself in to the police.
Archie lives, but after an extensive stay in the hospital, he is placed on long-term medical leave. He is too damaged psychologically to maintain his marriage to his childhood sweetheart, although he loves her and adores their two sons. The couple finally decide to separate. However the worst after effect of his kidnapping and torture is his compulsion to visit Gretchen Lowell in jail every Sunday. His excuse for these weekly visits is that she occasionally divulges another victim's name and place of burial. Her only condition for these revelations is that Archie maintain these weekly visits - thus she continues to exert control over him. Worse still, he is drawn to her sexually. His problem is perhaps a version of the Stockholm Syndrome, "a psychological response sometimes seen in abducted hostages, in which the hostage shows signs of loyalty to the hostage-taker, regardless of the danger or risk in which they have been placed."
I haven't included any spoilers, as this background information is divulged at the beginning of the novel. The plot of "Heartsick" involves a series of murders occurring in Portland, Oregon. Someone is killing and raping teenage girls. Gretchen Lowell does have a role here also, although she is in prison. The police reconvene the "Beauty Killer" task force and Archie is asked to come out of "temporary" retirement to be lead detective on the case. Although he maintains a professional demeanor, he is dysfunctional. To look at him, to work with him, no one would know. He is careful to keep his condition a secret, and, in fact, coming back to work helps keep him sane. He shovels drugs down his throat as if they were candy - just enough medication to relieve his physical and emotional pain, but not enough to really damage his kidneys and liver.
Pink-haired Oregon Herald reporter Susan Ward is assigned to the case and is allowed complete access to the murders, crime scenes, and to Archie - she is to work alongside him. Her goal is not only to write a series of articles, but to write a book also. Why does Archie allow a reporter complete access to the case? Why did Gretchen allow him to live? You will have to read the novel to find out.
This is a "can't put it down" read. The author writes well, the narrative clips along at a good pace, and Ms. Cain's characters are quite compelling. She really brings them to life on the page. The storyline is told in a series of flashbacks, from the present to the time when Archie was a captive. This book gives the term "psychological thriller" a new meaning."
If you like thrillers, you will love this one. Even the gory details are not a real deterrent, given the exciting plot, the depth of the characters and what makes them tick. Highly recommended.
Jana Perskie
Sweetheart
Evil at Heart
Summary of HeartsickPortland detective Archie Sheridan spent years tracking Gretchen Lowell, a beautiful and brutal serial killer. In the end, she was the one who caught him?and tortured him?and then let him go. Why did Gretchen spare Archie?s life and then turn herself in? This is the question that keeps him up all night?and the reason why he has visited Gretchen in prison every week since. Meanwhile, another series of murders is tearing up the Portland streets. Archie seems to be getting closer to solving this high-profile case?until he finds himself in a fatal collision course with the killer?one that inevitably leads him back to his former captor. Gretchen may be the only one who can help do justice. The only thing she can?t do, this time, is save Archie?s life. Chelsea Cain steps into a crowded, blood-soaked genre with Heartsick, a riveting, character-driven novel about a damaged cop and his obsession with the serial killer who...let him live. Gretchen Lowell tortured Detective Archie Sheridan for ten days, then inexplicably let him go and turned herself in. Cain turns the (nearly played out) Starling/Lecter relationship on its ear: Sheridan must face down his would-be killer to help hunt down another. What sets this disturbing novel apart from the rest is its bruised, haunted heart in the form of Detective Sheridan, a bewildered survivor trying to catch a killer and save himself. --Daphne Durham Questions for Chelsea Cain Amazon.com: Gretchen Lowell haunts every page of Heartsick. Even when she actually appears in the jail scenes with Sheridan, she reveals nothing, and yet it's obvious she's anything but one-dimensional. What is her story? Cain: I purposely didn't reveal Gretchen's past, beyond a few unreliable hints. I thought there was a really interesting tension in not knowing what had driven this woman to embrace violence so enthusiastically. The less we know about killers' motives, the scarier they are. Maybe that's why people spend so much time watching 24-hour news channels that cover the latest horrible domestic murder. We want to understand why people kill. Because if we can peg it on something, we can tell ourselves that they are different than us, that we aren't capable of that kind of brutality. Plus this is the launch of a series and I thought it would be fun for readers to get to learn more about Gretchen as the series continues. I just finished Sweetheart, and I promise there's a lot more Gretchen to come. Amazon.com: As a first-time thriller author, you've got to be elated to see early reviews evoke the legendary Hannibal Lecter. Did you anticipate readers to make that connection, or are there other serial series (on paper or screen) that inspired the story of Gretchen and Sheridan? Cain: I thought that the connection to Lecter was inevitable since Heartsick features a detective who visits a jailed serial killer. But I wasn't consciously inspired by Silence of the Lambs (or Red Dragon, which is the Harris book it more accurately echoes). I grew up in the Pacific Northwest when the Green River Killer was at large, and I was fascinated by the relationship between a cop who'd spent his career hunting a killer (as many of the cops on the Green River Task Force did) and the killer he ends up catching. I'd seen an episode of Larry King that featured two of the Green River Task Force cops and they had footage of one of the cops with Gary Ridgway (the Green River Killer) in jail and they were chatting like old friends. They were both trying to manipulate one another. The cop wanted Ridgway to tell him where more bodies were. Ridgway is a psychopath and wanted to feel in control. But on the surface, they seemed like buddies having a drink together at a bar. It was kind of disturbing. I wanted to explore that. Making the killer a woman was a way to make the relationship even more intense. Making her a very attractive woman upped the ante considerably. Amazon.com: Reading Heartsick I was actually reminded of some of my favorite books by Stephen King. Like him, you have an uncanny ability to make your geographical setting feel like a character all its own. Do you think the story could have happened in any other place than Portland? Cain: Heartsick Hawaii would definitely have been a different book. (Archie Sheridan would have been a surfer. Susan would have worked at a gift shop. And Gretchen would have been a deranged hula girl.) I live in Portland, so obviously that played into my decision to set the book here. All I had to do was look out the window. Which makes research a lot easier. But I also think that the Pacific Northwest makes a great setting for a thriller, and it's not a setting that's usually explored. Portland is so beautiful. But it?s also sort of eerie. The evergreens, the coast, the mountains--the scale is so huge, and the scenery is so magnificent. But every year hikers get lost and die, kids are killed by sneaker waves on the beach, and mountain climbers get crushed by avalanches. Beauty kills. Plus it has always seemed like the Northwest is teeming with serial killers. I blame the cloud cover. And the coffee. Amazon.com: In a lot of ways, Heartsick is more about the killer than the killings, and it?s hard not to suspect that Gretchen killed only to get to Sheridan. That begs the question: is the chase always better than the catch? As a writer, is it more exciting for you to imagine the pursuit--with its tantalizing push-and-pull--than the endgame? Cain: The most interesting aspect of the book to me is the relationship between Archie and Gretchen. Really, I wrote the whole book as an excuse to explore that. The endgame is satisfying because it's fun to see all the threads come together, but it's the relationship that keeps coming back to the computer day after day. Amazon.com: Your characters--Susan Ward in particular--are raw, tautly wired, imperfect but still have this irresistible tenderness. It's their motives and experiences that really drive the story and ultimately elevate it way beyond what you might expect going into a serial killer tale. How did you resist falling into something more formulaic? Did you know what shape Susan and the others would take going in? Cain: I knew I wanted flawed protagonists. I'm a sucker for a Byronic hero. Thrillers often feature such square-jawed hero types, and I wanted a story about people just barely hanging on. The psychological component is really interesting to me, and I liked that Susan's neuroses are, in their own ways, clues. In many ways, I embraced formula. I love formula--there?s a reason it works. And I decided early on that I wasn't going to avoid clichés for the sake of avoiding them. Some clichés are great. My goal was not to write a literary thriller, but to take all the stuff I loved from other books and TV shows and throw them all together and then try to put my own spin on it. Heartsick is a pulpy page-turner with, I hope, a little extra effort put into the writing and the characters. Basically, I just wrote the thriller that I wanted to read. (photo credit: Kate Eshelby)
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