Hit Me, Fred: Recollections of a Sideman

Hit Me, Fred: Recollections of a Sideman
by Fred Wesley

Hit Me, Fred: Recollections of a Sideman
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Book Summary Information

Author: Fred Wesley
Edition: Hardcover
Audio: English (Unknown); English (Original Language); English (Published)
Published: 2002-09-25
ISBN: 0822329093
Number of pages: 344
Publisher: Duke University Press Books

Book Reviews of Hit Me, Fred: Recollections of a Sideman

Book Review: Hit Me, Fred!
Summary: 5 Stars

I finished reading the book yesterday. It was a VERY interesting book......one that I recommend every aspiring professional trombone player or other aspiring professional musician to read.

The autobiography covers Fred's musical career from his musical beginnings learning or rather attempting to learn piano as a child to his present day professional musical career. We learn that Fred played professionally as a teenager with a jazz big band. His father was a high school choral director and profesional jazz pianist. His grandmother was a piano teacher.

He covers his days playing for Ike and Tina Turner, James Brown, Bootsy Collins, George Clinton and their bands of Parliament/Funkadelic and Bootsy's Rubber Band. We learn of his playing days with the Count Basie Band.

Wesley is very candid regarding what he feels are the good points AND the bad points in his playing. He talks about his failed audition for a college band scholarship because of his playing shortcomings. He also talks about the major adjustment that he made from being a member of the Parliament/Funkadelic and Bootsy's Rubber Band bands to taking over the second chair that was previously vacated in the Basie band by Al Grey.

Wesley is also candid about the dual temptations of women and drugs that are faced by those musicians who are world famous or who are sidemen to the world famous. In addition, he talks about the ruthlessness of the music business, not only the managers and record company owners but also some of the fellow sidemen and the superstars that employ the sidemen.

The major thrust of the entire book is that Wesley managed to persevere with a combination of talent, hard work and a smattering of luck. He talks a great deal about his love/hate relationship with James Brown, The Godfather of Soul/Hardest Working Man in Show Business. It is positively hilarious to read Fred's accounts of disciphering James Brown's grunts into music that could be played by the band.

Througout the entire book, you get a feel about a man who has a deep love for music, especially jazz. However, his path always seemd to work its way back to the funk genre. He tells of solos that he played and that he recorded and that he was ashamed for his musical peers to hear. Hmmm......some of the solos that he was ashamed to play were ones that I found especially entertaining to hear and play when I was in high school in the early and mid 1970's!

He not only played trombone. He wrote and arranged music for several different bands. He worked as a studio musician and even scored a couple of movies. This is a frank and revealing book about a vastly talented man who worked extremely hard to make a living as a professional musician, supporting himself and his family.

Summary of Hit Me, Fred: Recollections of a Sideman

With Hit Me, Fred, sensational sideman Fred Wesley Jr. moves front and center to tell his life story. A legendary funk, soul, and jazz musician, Wesley is best known for his work in the late sixties and early seventies with James Brown and as the leader of Brown?s band, Fred Wesley and the JB?s. Having been the band?s music director, arranger, trombone player, and frequent composer, Wesley is one of the original architects of funk music. He describes what it was like working for the Godfather of Soul, revealing the struggle and sometimes stringent discipline behind Brown?s tight, raucous tunes. After leaving Brown and the JB?s, Wesley arranged the horn sections for Parliament, Funkadelic, and Bootsy?s Rubber Band, and led Fred Wesley and the Horny Horns. Adding his signature horn arrangements to the P-Funk mix, Wesley made funk music even funkier.
Wesley?s distinctive sound reverberates through rap and hip-hop music today. In Hit Me, Fred, he recalls the many musicians whose influence he absorbed, beginning with his grandmother and father?both music teachers?and including mentors in his southern Alabama hometown and members of the Army band. In addition to the skills he developed working with James Brown, George Clinton, Bootsy Collins, and the many talented musicians in their milieu, Wesley describes the evolution of his trombone playing through stints with the Ike and Tina Turner Revue, Hank Ballard, and Count Basie?s band. He also recounts his education in the music business, particularly through his work in Los Angeles recording sessions.
Wesley is a virtuoso storyteller, whether he's describing the electric rush of performances when the whole band is in the groove, the difficulties of trying to make a living as a rhythm and blues musician, or the frustrations often felt by sidemen. Hit Me, Fred is Wesley?s story of music-making in all its grit and glory.


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