I, Alex Cross

I, Alex Cross
by James Patterson

I, Alex Cross
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Book Summary Information

Author: James Patterson
Edition: Hardcover
Audio: English (Unknown); English (Original Language); English (Published)
Published: 2009-11-16
ISBN: 0316018783
Number of pages: 400
Publisher: Little, Brown and Company

Book Reviews of I, Alex Cross

Book Review: Political Un-Intrigue
Summary: 1 Stars

I, Alex Cross begins with Cross getting a disturbing call during his birthday. Apprantly, his niece was thrown through a wood-chipper and her remains stuffed into a bag inside the back of a car. As he begins to investigate, he starts to learn of her dark past while tracking down a killer that may be to much for him to handle because of his power.

The murder investigation, assuming you could even find it buried beneath the medical drama with Nana Mama, but ill get back to that, was never really a mystery to begin with. The entire time it consisted of Cross being pointed down a line to the conclusion by everyone as they gave him everything he needed without any real investigation going on. I want to see Cross do his work, not have his hand held the entire time. Zues, the killer, was not interesting at all. We barely hear of him, see him twice the entire book, and never had any motive behind what he did. He was just a sick man who screwed up one day. It was also obvious as to who it was considering the name he chose. Plus having the entire plot revolve around escorts was never interesting at all. How many times do we have to hear about impossibly beautiful women being naked through this book? It was there for bad shock value and nothing more.

The time spent with Nana Mama were pointless and just boring. If you cut out every time Cross spends talking to her, over half of the book would be gone and we would still end up with the same conclusion without missing anything. I absolutely hate Nana Mama and I was praying that she would finally die by the end of the book, but its obvious that she wasnt going to, despite her being over 90 and constantly in a coma. Please Patterson, kill her off already.

The other characters, namely Cross' family and Sampson, were non-existant and didnt act the way they should be. The kids are nearing graduation from highschool and yet they all acted like they were 8 year olds. Bree was hardly around and never really did anything aside from cooking and looking over Nana Mama. Since those parts were pointless, her part in this book was pointless too aside from the ending. Sampson, like in the previous book, acted like a hired thug that only talked when he needed too. Instead of him saying or doing anything, it was always Cross that told us what he said or did. I dont care to hear it from him, I want to know what Sampson is thinking. I want Sampson to talk for himself.

On a side note, the arrogance of Patterson is arguably at his worst here. In the interview on the book near the top of the product page, he bashes late-author Tony Hillerman. And in this book, he deems the humor of Jon Stewart and everything related to The Daily Show to be "droll humor." While I cant say much about Hillerman, as I have never read his books, its just insulting to everyone for him to kick a probably good author when hes dead. Im sure he atleast Hillerman had talent and morals compared to JP. Not to mention, The Daily Show and Jon Stewart are both great, so its obvious that Patterson would not know humor or again real talent if it smacked him the face.

In conclusion, this book was bad. No mystery, a bad and obvious villian, pointless medical drama thrown in, with characters that were not themselves. The only redeeming quality of the book was that it was a vast improvement over Cross Country in terms of being able to read. Even then, thats not saying much. Skip this book.

Summary of I, Alex Cross

You can't run

Detective Alex Cross is pulled out of a family celebration and given the awful news that a beloved relative has been found brutally murdered. Alex vows to hunt down the killer, and soon learns that she was mixed up in one of Washington's wildest scenes. And she was not this killer's only victim.

You can't hide

The hunt for her murderer leads Alex and his girlfriend, Detective Brianna Stone, to a place where every fantasy is possible, if you have the credentials to get in. Alex and Bree are soon facing down some very important, very protected, very dangerous people in levels of society where only one thing is certain--they will do anything to keep their secrets safe.

Alex Cross is your only hope to stay alive

As Alex closes in on the killer, he discovers evidence that points to the unimaginable--a revelation that could rock the entire world. With the unstoppable action, unforeseeable twists, and edge-of-your-seat suspense that only a James Patterson thriller delivers, I, Alex Cross is the master of suspense at his sharpest and best.

James Patterson and Patricia Cornwell: Author One-on-One
In this Amazon exclusive, we brought together blockbuster authors James Patterson and Patricia Cornwell and asked them to interview each other. Find out what two of the top authors of their genres have to say about their characters, writing process, and more.

Patricia Cornwell is the former Director of Applied Forensic Science at the National Forensic Academy, and a member of the Harvard-affiliated McLean Hospital's National Council, where she is an advocate for psychiatric research. She is the author of sixteen previous Kay Scarpetta mysteries, five non-Scarpetta novels (including At Risk), and Portrait of a Killer. Read on to see Patricia Cornwell's questions for James Patterson, or turn the tables to see what Patterson asked Cornwell.

Patricia Cornwell Cornwell: James, your questions were so good, I'm going to ask you similar ones. Let's start with why you write? Do you love it or love having done it? What motivates you?

Patterson: I truly love writing. I sometimes think about my grandfather when I reflect on this. When I was a boy, I lived in a town on the Hudson River. During the summers, my grandfather would take me once a week on his frozen food and ice cream delivery route. We'd be up at four in the morning packing up the truck, and by five we'd be on our way. Driving a delivery truck isn't the most glamorous job in the world, but every morning, my grandfather would drive over the Storm King Mountain toward West Point, and he'd be singing at the top of his voice. And he told me this: "Jim," he said, "when you grow up, I don't care if you're a truck driver or a famous surgeon?just remember that when you go over the mountain to work in the morning, you've got to be singing." Writing stories keeps me singing. Writing to me isn't work, and I like that a ton.

Cornwell: What is your routine when you're facing your next novel? What is the process like for you, and what is your favorite part of it? Least favorite?

Patterson: I like to have a lot of ideas in the air at one time. I've got around 20 manuscripts sitting in my office right now, in some degree of completion. It's a lot of material, a lot of stories. My least favorite part? Hmm. Maybe sharpening pencils? Actually, I?ve always kind of liked sharpening pencils. I don?t mean to seem too over the top about this, but I really wouldn?t change any of it.

Cornwell: What do you and Alex Cross have in common? How are you different?

Patterson: We're both family-oriented guys. I think it's a real treat to be able to get along with your wife every day, which I do; my wife and I really have trouble being apart for very long. And I think readers will agree Alex is generally doing better in the romance department. One difference between us would be that I'm much more content to sit around and write. I think Alex would get a little bored on a "ride-along" with me.

Cornwell: What inspired you to create Alex Cross?

Patterson: Hardly anyone knows it but when I started the first Alex Cross novel, Alex was a woman named Alexis. After 100 pages or so, I changed the character to Alex. When I was a kid growing up, my grandparents had a small restaurant and the cook was an African-American woman who eventually moved into our house. All through my growing up period I spent a lot of time with this woman's family. They were funny, wise, the food was great, so was the music, and the family is at least part of the inspiration for the Crosses.

Cornwell: What's the one thing a reader has said that you've never forgotten and perhaps found startling?

Patterson: I'm sure you've had this, too, Patricia, but the one comment that gets me every time is hearing people say my books have them reading again. I know sometimes you and I get some heat for being as popular as we are, and are saddled with that old equation that says if you're a bestseller, you must be lowbrow. But I frankly don't think there?s anything more meaningful than hearing that I've turned a person back into a reader (or in the case of younger readers, got them started).

Cornwell: How about you? You're the one with all the movies! Good experience or not?

Patterson: Sounds like we're on the same page there, Patricia. I definitely feel like some past projects didn't quite live up to their potential. And I likewise have hopes for a couple of movies in the works: the third Alex Cross movie, and the very first Maximum Ride movie, which has Avi Arad (producer of Spider Man), Catherine Hardwicke (director of Twilight), and Don Payne (writer for The Simpsons) on board. There's also a very promising TV series based on a new book I've written that's being developed with CBS and Imagine.


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