Jayber Crow

Jayber Crow
by Wendell Berry

Jayber Crow
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Book Summary Information

Author: Wendell Berry
Edition: Paperback
Audio: English (Unknown); English (Original Language); English (Published)
Published: 2001-09
ISBN: 1582431604
Number of pages: 384
Publisher: Counterpoint

Book Reviews of Jayber Crow

Book Review: Jayber Crow - A personal review
Summary: 5 Stars

I just finished reading Jayber Crow, a novel by Wendell Berry. It relates the sojourn of a Kentucky boy, orphaned early; raised by his uncle and aunt to age of 10. Orphaned again by their death, he ends up in a real orphanage. His next stop is a provincial theological seminary where he stays until he finally decides that the stories of the bible are not real. Leaving the seminary he makes his way to Lexington where he finds employment as a stable boy at the trotting track and takes classes in English literature at the University without mingling with other students, taking examinations or otherwise becoming part of the University. His employment status improves as he finds work as a barber using skills he had picked up during his long stay at the orphanage. This is his life until loneliness drives him to place his few belongings in a cardboard box, stuff his savings in his shoes and jacket lining and set off for Port William, the hamlet that held the graves and memories of his childhood.
At some point in his growing up, Jaber had gotten the idea that he had the latent ability of "make something of him self and amount to something."
He ends up as the bachelor barber of Port Williams where most of the male community sooner or later drift into his shop on a more or less regular basis, "...men such as Uncle Isham Quail and Old Jack Beechum and, later, Athey Keith and Mat Feltner, intelligent men who knew things that were surprisingly interesting to me. They were remembers, carrying in their living thoughts all the history that such places as Port Williams ever have. I listened to them with all my ears..."

Jaber Crow does more than just listen. He develops a deep affection for them and an abiding linkage with Port Williams:
"I came to feel tenderness for them all. T his was something new to me. It gave me a curious pleasure to touch them, to help them in and out of the chair, to shave their weather-toughen old faces. They had known hard use, nearly all of them. You could tell it by the way they held themselves and moved. Most of all you could tell it by their hands, which were shaped by wear and often by the twists and swellings of arthritis. They had used their hands forgetfully, as hooks and pliers and hammers, and in every kind of weather. The backs of their hands showed a network of little scars where they had been cut, nicked, thornstuck, pinched, punctured, scraped and burned. Their faces showed that they had suffered things they did not talk about."

But Jaber Crow found more than just interesting faces in Port William. He found himself and he found his community...his place. He had carried with him his loneliness, his isolations, and his self-reliance for a long, long time. " I learned to think of myself as myself. The past was gone. I was unattached. I could put my whole life in a smallish cardboard box and carry it in my hand."
But when he got back to Port Williams and recognized some of the folks he knew and who knew him "...well, that changed me. After all those years of keeping myself aloof and alone, I began to feel tugs from the outside. I felt my life branching and forking out into the known world. ...nothing would ever be simple for me again. I never would be able to put my life in a box and carry it away."
Jayber's place in his community, his role there, his thoughts, his unattained love, and his relationship with the fields, streams and forests of the place provoke an inescapable reflection on what it means to "amount to something, to make something of oneself."

Summary of Jayber Crow

For thirty-nine years Wendell Berry has brought us stories from the fictional town of Port William, Kentucky. The latest, Jayber Crow, is the story of a man's love for his community and his abiding and unrequited love for Mattie Chatham, a good woman who had too early made one bad mistake. Sent to an orphanage at the age of ten, Jayber grows up knowing of loneliness and want, and learns how to be a watchful observer of human goodness and frailty. With the flood of 1937 he returns to his native Port William to become the town's barber. Slowly, patiently, the observer becomes participant.This is a book about Heaven, writes Jayber, but I must say too that it has been a close call. For I have wondered sometimes if it would not finally turn out to be a book about Hell-where we fail to love one another, where we hate and destroy one another for reasons abundantly provided or for righteousness' sake or for pleasure, where we destroy the things we need the most, where we see no hope and have no faith...where we must lose everything to know what we have had.Sounding themes of love and loss, despair and deepest joy, Berry's clear-sighted artistry in depicting the Port William membership will not soon be forgotten.

The questions who and what and how and why are no doubt useful and occasionally even noble in their place. But for Wendell Berry, whose spare and elegant prose has long testified to the rural American values of thrift and frugality, four interrogatives must seem a waste, when one will do. Where is the ultimate qualifier, the sine qua non, for both the author and his characters. Place shapes them and defines them; the winding Kentucky River and the gentle curves of the Kentucky hills find an echo in their lilting speech and brusque affections.

Jayber Crow is another story of the Port William membership, the community whose life--and lives--Berry has unfurled over the course of a half dozen novels. Jayber himself is an orphan, lately returned to the town. And his status as barber and bachelor places him simultaneously at its center and on its margins. A born observer, he hears much, watches carefully, and spends 50 years learning its citizens by heart.

They were rememberers, carrying in their living thoughts all the history that such places as Port William ever have. I listened to them with all my ears, and have tried to remember what they said, though from remembering what I remember I know that much is lost. Things went to the grave with them that will never be known again.
Jayber tells the town's stories tenderly. Gently elegiac, the novel charts the tension between an urge to isolation and an impulse to connectivity, writ both small and large. As the 20th century moves inexorably forward, swallowing in great mechanized gulps rural towns governed by agricultural rhythms, Port William turns in upon itself. And as Jayber admits quietly, "Once a fabric is torn, it is apt to keep tearing. It was coming apart. The old integrity had been broken." Integrity, both whole and shattered, is key to the stories of Burley Coulter, Cecelia Overhold, Troy Chatham, and above all, Athey Keith and his daughter Mattie, to whom Jayber pledges his undying and unrequited love.

Berry's prose, so carefully tuned that you never know it is there, carries us into the very heart of the land itself; his exquisitely constructed sentences suggesting the cyclic rhythms of his agrarian world. Jayber Crow resonates with variations played on themes of change, looping transitions from war into peace, winter into spring, browning flood destruction into greening fields, absence into presence, lost into found. --Kelly Flynn

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