Louis Comfort Tiffany and Laurelton Hall: An Artist's Country Estate (Metropolitan Museum of Art)

Louis Comfort Tiffany and Laurelton Hall: An Artist's Country Estate (Metropolitan Museum of Art)
by Alice Cooney Frelinghuysen

Louis Comfort Tiffany and Laurelton Hall: An Artist's Country Estate (Metropolitan Museum of Art)
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Book Summary Information

Author: Alice Cooney Frelinghuysen
Edition: Hardcover
Audio: English (Unknown); English (Original Language); English (Published)
Published: 2006-12-01
ISBN: 0300117876
Number of pages: 276
Publisher: Metropolitan Museum of Art

Book Reviews of Louis Comfort Tiffany and Laurelton Hall: An Artist's Country Estate (Metropolitan Museum of Art)

Book Review: A total work of art
Summary: 5 Stars

This book is a serious art historical look at Louis Comfort Tiffany's Laurelton Hall, built on Long Island in the early nineteenth century. The house was Tiffany's "consummate statement on the transformative power of art, on how the integration of architecture, landscape, and setting can create a metamorphic experience of intense beauty." (p.59) The book is a collection of articles, including ones on Tiffany's earlier apartments and houses, his aesthetic interests, the building of Laurelton Hall, Tiffany's Asian and Native American collections, his vases, and more. One of the more entertaining chapters dealt with the life of the estate, which seemed like very F. Scott Fitzgerald world of flappers, tennis, and costume balls. There are copious color illustrations. Tragically, the house burned down in 1957, but much of the stained glass and other fixtures were saved. If you have an interest in early 20th century American art, artists' houses, or Tiffany himself, this is definitely worth getting.

Summary of Louis Comfort Tiffany and Laurelton Hall: An Artist's Country Estate (Metropolitan Museum of Art)

This beautiful book focuses on Laurelton Hall, Louis Comfort Tiffany?s extraordinary country estate in Oyster Bay, Long Island, New York. Beginning in 1902, Tiffany (1848–1933) designed every aspect of the immense home, which had eighty-four rooms and eight levels, and extensive grounds into which the house was carefully integrated. Tiffany?s residential masterpiece was also a quasi-museum, for he filled it with his own works—windows, glassware, pottery, enamels, lamps, oil paintings, and watercolors—as well as with objects from his collections of Islamic, Asian, and Native American art.
Laurelton Hall burned down in 1957, but about ten years earlier most of its contents had been removed and sold. Every aspect of the estate is examined and re-created in this volume: its terraced gardens with fountains and pools; the many outbuildings; and Tiffany?s life there. The interior decoration of Laurelton Hall, a particular focus of the book, is represented by both numerous period photographs and newly commissioned color photography of surviving artworks and salvaged architectural components from the estate. For all who admire Tiffany and his work, this book presents a unique portrait of his remarkable home.

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