Masterpieces of Japanese Prints: Ukiyo-e from the Victoria and Albert Museum
by Rupert Faulkner
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Book Summary Information
Author: Rupert FaulknerEdition: Paperback
Audio: English (Unknown); English (Original Language); English (Published)
Published: 1999-05-14
ISBN: 4770023871
Number of pages: 156
Publisher: Kodansha USA
Book Reviews of Masterpieces of Japanese Prints: Ukiyo-e from the Victoria and Albert Museum
Book Review: The Floating World
Summary: 5 Stars
Unexpected earnings from the Great Exhibition of 1851 (at the Crystal Palace in London) were used to establish the following year the Victoria and Albert Museum, the world's largest collection of applied art and design. In 1853, Commodore Matthew Perry made his famous expedition to Japan, which had been isolated for 250 years, and set up trade agreements. Examples of Western technology (locomotive, telegraph, camera) were given to the Japanese, and Japanese artifacts to Westerners. Of particular impact were Japanese woodcuts of the 17th through 19th centuries, called ukiyo-e or images of "the floating world," tens of thousands of which ended up in museum collections throughout the world. Many (perhaps most) American and European artists and designers were influenced by the then-strange stylistic traits of these prints (crisp black outlines, bold flat areas of color, asymmetrical arrangements, and dramatic cropping), among them such people as Whistler, Manet, Degas, Toulouse-Lautrec, Gauguin, Aubrey Beardsley, and Frank Lloyd Wright. "All my work," wrote Vincent van Gogh to his brother, "is in a way founded on Japanese art." This stunning volume is a full-color treasury of 130 of those woodcuts (introduced and annotated by scholars) from the many now in the collection of the Victoria and Albert Museum. (Copyright © by Roy R. Behrens from Ballast Quarterly Review, Vol. 14 No. 3, Spring 1999.)
Summary of Masterpieces of Japanese Prints: Ukiyo-e from the Victoria and Albert Museum
Ever since Japan opened its doors to the West in the latter half of the nineteenth century, Westerners have been fascinated by the exquisite art forms that flourished during the previous two hundred years of self-imposed isolation. Among the most intriguing were the bold yet refined paintings and prints known as ukiyo-e, which portrayed the popular pursuits of the time with extraordinary power. Such was the appeal of this unique art in the West that tens of thousands of superb prints eventually found their way into museum collections around the world.The present volume highlights over 130 outstanding examples from the vast holdings of the Victoria and Albert Museum in London. Strikingly original and sumptuously colored, the ukiyo-e in these pages recapture the spirit of the period in which they were created. Here can be found the glamorous courtesans of the Yoshiwara pleasure quarters, the flamboyant vigor of kabuki theater, and the diversities of the Japanese landscape.
The prints form a breathtaking panorama of the world of ukiyo-e from its inception to its final flowering at the end of the nineteenth century. Complementary texts by Rupert Faulkner and Richard Lane illuminate the craft of woodblock print making and explore the emergence of such versatile geniuses as Hokusai and Hiroshige.
The lasting appeal of Japanese woodblock prints may be rooted in the richness of their imagery and the power of their innovation, or perhaps in their uncanny ability to convey the special vitality of Edo Japan. Whatever the case, this lavish volume seeks not only to pay homage to the Japanese artists and craftsmen who took the woodblock print to unprecedented heights, but also to show the range of this astonishingly versatile art form.
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