Middlesex: A Novel
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As soon as I read his debut The Virgin Suicides (another excellent novel) i immediately started on this one, which i already owned. I found the words swimming by, the pages turning as if blown by the breeze, the real present dissolving into the world of the brilliant, brilliant story Eugenides mesmerisingly tells.
This novel covers so many issues, tells us so much in its reading: it deals with war, racism, depression, notions of nationality, notions of the American dream, notions of who we really are, notions of love, mystery and so very much else. As a Great American novel, it is probably the best I have read, by a long long way. It is warm, amusing, touching, but also sad in places, incredibly moving and enchanting. To be honest, my head is so full of thoughts and praise for this book that i can't really expurgate them to words coherently or logically, although i am not confident that Jeffrey Eugenides is probably the most important writer working today.
He shows incredible talent here to tell his story. In the brilliant of his narrative voice, the astuteness with which he draws his characters, (particularly our charming narrator, Cal) and the brilliance of his subtle, fluid plotting. The events of the century, as the characters move from Smyrna to Detroit, flow past as the characters experiences form something vaguely encompassing a huge work of universal life. This book, really, could be about any one of us. The experiences of the characters are our own, though shaped and moulded in some different way.
This brilliant panoramic read is a wonderful novel, a complete reinvention of the great American Novel. Jeffrey Eugenides is a remarkable writer, and this is just genius. As a review, this fails entirely to convey what I think about this book.
This story is told from the point of view of Cal, born Calliope, in whose body the family secret manifests itself, almost as it might in a tale from Greek mythology. For Cal is a hermaphrodite--a genetic freak created by by the violation of one of the strongest and most universal sexual taboos. As Cal reaches adolescence, he must deal with his dual nature and his changing definition of who he/she is. "Middlesex" is very much a "coming of age" story, but one in which the standard rules don't apply.
For most people, it's the intesexual nature of the main character that's the most intriguing thing about "Middlesex." John Money's controversial work on gender is echoed in Cal's recollections of his/her medical treatment, and echoes of changing attitudes toward intersexuality are there as well in Cal's reactions to it. For this reader, however, the gender issues were interesting but ultimately secondary to Cal's attempts to understand and accept his true nature. That, after all, is the essence of coming of age, no matter what one's gender or sexual identity.
"Middlesex" was at times moving and at times downright funny. Cal's pursuit of "The Obscure Object of Desire" has all the poignancy of a first crush. The Stephanides family connection to the early Nation of Islam was pure dark comedy. Cal's days in the Haight were a wonderfully unlikely and yet uplifitng finish. The book may be long and at times convoluted, but ultimately I found it a rewarding read.
_Middlesex_ is a multigenerational history of a Greek-American family which begins with a silkworm farm in Asia Minor and ends somewhere in Berlin. Along the way it takes you through the burning of Smyrna, the 1967 Detroit race riots, the depression and the rise of the Nation of Islam. It treats subjects as wide ranging as hermaphrodism, family secrets, the nature of marriage and the occasion to trust.
What's amazing is that Eugenides writes all this with an eye for detail that's really astonishing. You could read this book for its richness of detail and the fine nuances alone and come out a happy and satisfied reader. He pulls off the family story through all its generational turns and creates characters who are very human and very real.
I suppose that simply because I enjoyed it so much I wondered to myself if this was a book that was going to stick with me, or one that would molder on my shelf unread in 20 years.
While I'm probably not going to argue for unread, I also didn't find it a masterpiece. The character arc of the adult Cal felt contrived and unsatisfying-- I couldn't anchor his fear of intimacy in the history that the book reveals and I didn't believe (or didn't care) about its ultimate conclusion. Even given that the history was clearly the focal point, I still wanted to care about the present. At the very least, I didn't want to find the moments in the present aggravating-- which is unfortunately how I did find them.
So. A near miss. I will however, go back and read _The Virgin Suicides_ and whatever else he may write in the future. A near miss is after all better than not even being in the running...
Like I said, don't let this review dissuade you from reading. The book is the Book of the Hour for good reason, so you'll waste no time deciding for yourself.