Movies of the 50s

Movies of the 50s

Movies of the 50s
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Book Summary Information

Editor: Jurgen Muller
Edition: Paperback
Audio: English (Unknown); English (Original Language); English (Published)
Published: 2005-03-01
ISBN: 3822832480
Number of pages: 576
Publisher: Taschen

Book Reviews of Movies of the 50s

Book Review: Another Superbly Illustrated Must-Have Survey
Summary: 5 Stars

The criteria for inclusion in this beautifully illustrated guide to the best of the cinema's 1950s obviously is: "Does the movie currently enjoy a significant cult reputation in France and Germany?" If the answer is yes, you will most assuredly find that movie in this book. There is only surprise -- of inclusion rather than exclusion: "It Happened in Broad Daylight" (1958) which the editor himself admits is a "forgotten classic." So why include it? The answer: The movie was remade as "The Pledge" with Jack Nicholson in 2000. Although Hollywood still dominates, Europe makes a greater showing here than in previous books in this series. Of the 14 movies selected to represent 1950, for example, only 4 are American. By contrast, in 1955, only 3 of the 11 films are European. And as might be expected, the editor keeps up his campaign against Bing Crosby and Bob Hope, both of whom were never popular in Europe, But another of the editor's pet hates, Fred Astaire, actually gets a look-in this time because it would be impossible to exclude Stanley Donen's "Funny Face", which has an enormous reputation in France. The French still regard Audrey Hepburn as one of their own, so "Roman Holiday" becomes a must inclusion as well. However, as Parisians do not take kindly to satire directed against themselves, "Sabrina" is out! All told, if you enjoy looking at really beautiful stills, and/or are interested in learning which films of the decade are regarded as cult classics by European cineastes, this book is an absolute must.

Summary of Movies of the 50s

At a time when people were terrified of UFOs and Communism, the movie industry was busy producing movies that ranged from film noir to suspense to grandiose musicals; apparently the paranoid public in the 1950s wanted family entertainment and dark, brooding pictures in equal doses. The result is a decade's worth of truly monumental cinema, from Hitchcock masterpieces (Vertigo, Psycho, Rear Window) to comedy classics (Tati's Mr. Hulot's Holiday, Billy Wilder's Some Like it Hot) to groundbreaking nouvelle vague films (Godard's Breathless, Truffaut's The Four Hundred Blows) and profound, innovative dramas such as Antonioni's L?Avventura, Fellini's La Strada, John Huston's Misfits, and Kubrick's Paths of Glory. Though censorship kept sex safely off-screen, sexy stars such as James Dean, Marlon Brando, and Marilyn Monroe provided plenty of heat in Rebel Without a Cause, A Streetcar Named Desire, and Gentlemen Prefer Blondes respectively. A survey of the most important films of the 1950s

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