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My Name Is Mary Sutter: A Novel by Robin Oliveira
Book Summary InformationAuthor: Robin Oliveira Edition: Hardcover Audio: English (Unknown); English (Original Language); English (Published) Published: 2010-05-13 ISBN: 0670021679 Number of pages: 384 Publisher: Viking Adult
Book Reviews of My Name Is Mary Sutter: A NovelBook Review: Light historical novel meets requirements for finishing Summary: 3 Stars
My Name is Mary Sutter by Robin Oliveira is the story of an extremely competent midwife working in Albany, New York just before the Civil War. Trained by her equally competent and respected mother, Mary wants to study medicine and become a surgeon. She follows conventional approaches, seeking apprenticeships and college entrance, but because of gender conventions, she is rebuffed at every turn. Mary becomes a nurse in the American Civil War and interacts with other surgeons who learn to respect her demeanor, knowledge, and strength and finally make use of her skills.
But Mary's ambition is at great cost to herself, and the modern reader must again acknowledge the sacrifices of those who work for positive change among humans.
As readers we assume a stance toward different kinds of print. Newspapers, how-to books, biographies, memoirs, chick lit, mystery, romance, usually fit into a mental construct or schema that allows us to predict and be happily surprised at the same time.
All genres have their difficulties for writers, but the light historical novel requires seamless interweaving of character development and plot with imagination and accuracy.
I have three criteria when deciding whether or not to finish a historical novel that has at first seemed appealing.
First, as with any reading experience, I must be fully immersed in the story, experiencing the character's emotions as fully as an avatar. Louise Rosenblatt was among the first to call this engagement. She noted that print has no meaning until the reader brings his own experience to the page. It is the reader's experience, memory, and past emotions, that allow our brains to quickly and automatically create a felt experience when reading. It's that mental journey to other worlds and other times, that felt experience, that allows us to lead more than one life; it is the brain attaching real emotions and pictures to words. The novel must be at my reading level and offer connections to my average experiences.
My second criteria for finishing a historical novel is that during the process of living a historical or biographical book, especially, I must by osmosis achieve a new understanding of a movement, event, prejudice, achievement, or struggle. My mind must be expanded or changed about people and how they lived or acted.
For example, in My Name is Mary Sutter I came to understand the importance of midwifery as a profession, to see the breadth and depth of knowledge that resided within midwives. I wondered at the deep beliefs that women were inferior both intellectually and morally. I was reminded again very graphically of the tremendous human losses produced by the Civil War, the ignorance, misunderstandings, and prejudices of the developing medical profession, and the bumbling, slow nature of politics and war.
In several books by Brenda Rickman Vantrease, I learned about the Lollard movement whose members fought for the right to read and interpret scripture using their own God given intelligence years before the protestant reformation. Real men and women died. Geraldine Brooks has given me new understanding of the horrors of the plague, religious conflict, and again the civil war in her books: Year of Wonder, The People of the Book, and March respectively.
Third, both of these requirements, engagement and new understanding, must be whole and real without contrivances and coincidences or Deus ex machina. Characters must change or not change, act or be as humans would under the circumstances. Physical and mental trauma must be overcome or characters must succumb---I don't want magic. I want realism. This means that often I don't get happy endings. I get growth, redemption, understanding and maybe peace and maybe hope, sometimes satisfaction that humans can and do survive and perhaps prevail (as Faulkner promised.)
Books by Katharine McMahon provide all three of my criteria: Engagement and felt experience, new understandings of history, and little trace of romanticism. McMahon's The Crimson Rooms and The Rose of Sebastopol are more powerful than the more fanciful The Alchemist's Daughter in my opinion.
I am also sucked into historical novels that give us a different perspective, that make our minds work differently: Susan Vreeland's Girl in Hyacinth Blue is a great example as is Geraldine Brook's aforementioned The People of the Book. In both, the story begins in the present and the mystery is explored and revealed for the reader in a backwards untangling.
Robin Oliveira's debut novel, My name is Mary Sutter did all of these things for me to a degree. I was engaged most of the time; I learned a great deal; but I didn't think the characters were always true to themselves. I was at times disengaged by coincidence.
I loved the book and I recommend it, because of the increased understanding I gained regarding the struggles of the medical community to overcome and understand disease, the disconnect between research and academic understanding and practice in that or any field. I was struck anew by the horror and waste of the American Civil War.
I was empowered by what I would call Oliveira's theme, her truth that sparked in me a new understanding of myself and human nature: the idea that achievement and success are often the result of what we do with what is left, following heartbreak, loss, devastation, and disappointment.
But perhaps because this is a first novel or perhaps because the book was written in an academic setting as part of the work toward an, MFA, there were moments that did not fit the story.
And don't we who have never written a novel, have neither the commitment, the energy nor the skills to do it, don't we take pleasure in the process of criticism. No, I don't.
I don't want to criticize this work, but I want to discuss it, to say to the author, and ask other readers, did you find the mother's, almost breakdown believable? Because I thought she (Amelia Sutter) acted out of character. Mary might have gone home without her mother's begging letters. Amelia would have, should have understood Mary's obligations and her need for separation from her twin sister Jenny. Perhaps, my own prejudices and experiences are skewing my reaction.
Mary's meeting with Lincoln's secretary John Hay on the street and having him impressed by a single conversation with her, impressed enough to talk to Lincoln about her, is not believable. More likely she might have been introduced by Dorothea Dix or Dr. Blevins.
While I loved the insight on Lincoln afforded by his mental reflections on the White House parapet, somehow, I would have been more convinced by a conversation with his colleagues or a letter or memorandum. I can easily enter into Mary's mind and Dr. Stipp's, but entering Lincoln's mind made my always active questioning brain jar me awake from my reading state, to ask, How does she know what he was thinking and how he was thinking? Oliveira probably had access to Lincoln's journals or letters. His thoughts may be accurate, but in this novel, while his conversations and actions worked for me, his inner dialogue did not.
These are tiny flaws in an interesting, useful, enlightening book. Not a beautiful book, a bloody book full of sad memories and struggle, that nevertheless offers inspiration, hope, and redemption, and a greater understanding
Summary of My Name Is Mary Sutter: A NovelAn enthralling historical novel about a young woman's struggle to become a doctor during the Civil War
In this stunning first novel, Mary Sutter is a brilliant, headstrong midwife from Albany, New York, who dreams of becoming a surgeon. Determined to overcome the prejudices against women in medicine-and eager to run away from her recent heartbreak- Mary leaves home and travels to Washington, D.C. to help tend the legions of Civil War wounded. Under the guidance of William Stipp and James Blevens-two surgeons who fall unwittingly in love with Mary's courage, will, and stubbornness in the face of suffering-and resisting her mother's pleas to return home to help with the birth of her twin sister's baby, Mary pursues her medical career in the desperately overwhelmed hospitals of the capital.
Like Charles Frazier's Cold Mountain and Robert Hicks's The Widow of the South, My Name Is Mary Sutter powerfully evokes the atmosphere of the period. Rich with historical detail (including marvelous depictions of Lincoln, Dorothea Dix, General McClellan, and John Hay among others), and full of the tragedies and challenges of wartime, My Name Is Mary Sutter is an exceptional novel. And in Mary herself, Robin Oliveira has created a truly unforgettable heroine whose unwavering determination and vulnerability will resonate with readers everywhere.
Ten Books That Helped Me to Write My Name Is Mary Sutter The following is by no means an exhaustive accounting of the myriad books that helped me to understand not only the Civil War and its effect on its participants, but also the 19th century and its transportation systems, cities, and values. If I were to inventory my bibliography it its entirety, the list would go on for pages and pages. Numerous rare books, diaries, surgeons? manuals and government documents aided my research, including, for example, Hermann Haupt?s excellent memoirs and the surgery manual mentioned in My Name Is Mary Sutter. To compose this suggested reading list, I sampled my bookshelf. Some of these are reference books, some memoir, some great narratives of history. The books are readily available, with the exception of The Medical and Surgical History of the War of the Rebellion, which, however, is obtainable either through inter-library loan or in many libraries? rare books collections. And finally, I would consider myself remiss if I did not include one very special work of fiction that influenced me tremendously as a writer, which I have listed first. --Robin Oliveira 1) The Transit of Venus by Shirley Hazzard 2) The Medical and Surgical History of the War of the Rebellion, all six volumes (Now available as The Medical and Surgical History of the Civil War, but I used the original volumes to do my research) 3) Too Afraid to Cry: Maryland Civilians in the Antietam Campaign by Kathleen A. Ernst 4) Gotham: A History of New York City to 1898 (The History of New York City) by Edwin G. Burrows and Mike Wallace 5) An Albany Girlhood by Huybertie Pruyn Hamlin 6) Our Army Nurses by Mary Gardner Holland 7) Revelle in Washington, 1860-1865 by Margaret Leech 8) The Civil War Day By Day: An Almanac, 1861-1865 by E. B. Long and Barbara Long 9) Mr. Lincoln?s City: An Illustrated Guide to the Civil War Sites of Washington by Richard M. Lee 10) Doctors in Blue: The Medical History of the Union Army in the Civil War by George Worthington Adams (Photo of Robin Oliveira © Fred Milkie, Jr.)
Drama Books
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