One Hundred Years of Solitude

One Hundred Years of Solitude
by Gabriel Garcia Marquez

One Hundred Years of Solitude
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Book Summary Information

Author: Gabriel Garcia Marquez
Translator: Gregory Rabassa
Edition: Hardcover
Audio: English (Original Language); English (Unknown); English (Published)
Published: 2003-07-01
ISBN: 0060531045
Number of pages: 432
Publisher: HarperCollins

Book Reviews of One Hundred Years of Solitude

Book Review: I loved the Novel, but not the "book" (edition)
Summary: 5 Stars

Thumbs up to Gabriel Garcia Marquez' fantastical epic novel, "100 years of Solitude"! It is the story of Macondo, a fictional South American town founded by the bold patriarch of the Buendia clan, Jose Arcadio Buendia. Twenty households of folks subsist in peace and relative isolation, minding their own business, until hosts of visitors and newcomers, bringing new ideas--scientific, political, and economic--descend upon the sleepy village. These developments, along with the growth and development of the Buendia's through generations, lead to unexpected and often bizarre and tragic results.

Marquez' imagination seems to know no bounds, as he recounts story after incredible story in ridiculous detail, which are bound together with certain common recurring themes. The style of the novel, "magical realism", means that the most freakish stories are told in the same matter-of-fact tone as the most prosaic ones. Marquez grew up in the home of his grandparents, natural story tellers, who related countless such tall-tales in such a way, blurring the boundaries of reality and unreality. My favorite of these tall tales is the part, toward the end of the book where it rains for "four years, eleven months, and two days". What they went through during that time was hilarious and outlandish!

Another big theme is the recurring personalities of the male Buendias across five generations. The author does a good job of creating real and interesting characters, but I particularly enjoyed some of the female ones, as they were each quite different and extraordinary. Ursala, the matriarch, is a central central figure who lives over a hundred years, during which she works endlessly to care for the family throughout the generations. Fernanda, the wife whom Aureliano Segundo takes from a ruined aristocratic family in "the Highlands", never really fits in. The best Fernanda scene is during the rainy season, when she drones on complaining at Aureliano for an incredible three pages with just one sentence!

One of the many themes in the book that interest me is the strong sense of irony which pervades the novel on many levels. The overriding irony which also underlies the whole story is circular nature of time--the recurring personality types and their dysfunctional actions which they seem doomed to repeat. This is an irony of tragic futility. At times it seems tedious, but the author uses it to brilliant effect, and particularly at the end, where the story colmanates with one surprising final ironic twist.

These are just a few ideas and reflections of mine from this monumental work. Lastly, I suggest that you buy one of the other editions of the book, because this one is rather flimsy and cheaply made. The Oprah book club edition (which I have not seen) can be had for $7.00, including shipping, and the hardback for $11.12, if you click on the words "32 new". I hope this helps. Enjoy!

Summary of One Hundred Years of Solitude

One of the 20th century's enduring works, One Hundred Years of Solitude is a widely beloved and acclaimed novel known throughout the world, and the ultimate achievement in a Nobel Prize-winning career.

The novel tells the story of the rise and fall of the mythical town of Macondo through the history of the Buend?a family. It is a rich and brilliant chronicle of life and death, and the tragicomedy of humankind. In the noble, ridiculous, beautiful, and tawdry story of the Buend?a family, one sees all of humanity, just as in the history, myths, growth, and decay of Macondo, one sees all of Latin America.

Love and lust, war and revolution, riches and poverty, youth and senility -- the variety of life, the endlessness of death, the search for peace and truth -- these universal themes dominate the novel. Whether he is describing an affair of passion or the voracity of capitalism and the corruption of government, Gabriel Garc?a M?rquez always writes with the simplicity, ease, and purity that are the mark of a master.

Alternately reverential and comical, One Hundred Years of Solitude weaves the political, personal, and spiritual to bring a new consciousness to storytelling. Translated into dozens of languages, this stunning work is no less than an accounting of the history of the human race.


"Many years later, as he faced the firing squad, Colonel Aureliano Buend?a was to remember that distant afternoon when his father took him to discover ice."

It is typical of Gabriel Garc?a M?rquez that it will be many pages before his narrative circles back to the ice, and many chapters before the hero of One Hundred Years of Solitude, Buend?a, stands before the firing squad. In between, he recounts such wonders as an entire town struck with insomnia, a woman who ascends to heaven while hanging laundry, and a suicide that defies the laws of physics:

A trickle of blood came out under the door, crossed the living room, went out into the street, continued on in a straight line across the uneven terraces, went down steps and climbed over curbs, passed along the Street of the Turks, turned a corner to the right and another to the left, made a right angle at the Buend?a house, went in under the closed door, crossed through the parlor, hugging the walls so as not to stain the rugs, went on to the other living room, made a wide curve to avoid the dining-room table, went along the porch with the begonias, and passed without being seen under Amaranta's chair as she gave an arithmetic lesson to Aureliano Jos?, and went through the pantry and came out in the kitchen, where ?rsula was getting ready to crack thirty-six eggs to make bread.
"Holy Mother of God!" ?rsula shouted.

The story follows 100 years in the life of Macondo, a village founded by Jos? Arcadio Buend?a and occupied by descendants all sporting variations on their progenitor's name: his sons, Jos? Arcadio and Aureliano, and grandsons, Aureliano Jos?, Aureliano Segundo, and Jos? Arcadio Segundo. Then there are the women--the two ?rsulas, a handful of Remedios, Fernanda, and Pilar--who struggle to remain grounded even as their menfolk build castles in the air. If it is possible for a novel to be highly comic and deeply tragic at the same time, then One Hundred Years of Solitude does the trick. Civil war rages throughout, hearts break, dreams shatter, and lives are lost, yet the effect is literary pentimento, with sorrow's outlines bleeding through the vibrant colors of Garc?a M?rquez's magical realism. Consider, for example, the ghost of Prudencio Aguilar, whom Jos? Arcadio Buend?a has killed in a fight. So lonely is the man's shade that it haunts Buend?a's house, searching anxiously for water with which to clean its wound. Buend?a's wife, ?rsula, is so moved that "the next time she saw the dead man uncovering the pots on the stove she understood what he was looking for, and from then on she placed water jugs all about the house."

With One Hundred Years of Solitude Gabriel Garc?a M?rquez introduced Latin American literature to a world-wide readership. Translated into more than two dozen languages, his brilliant novel of love and loss in Macondo stands at the apex of 20th-century literature. --Alix Wilber

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