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Poetics (Penguin Classics) by Aristotle
Book Summary InformationAuthor: Aristotle Brand: Penguin Group USA Translator: Malcolm Heath Edition: Paperback Audio: English (Unknown); English (Original Language); English (Published) Published: 1997-03-01 ISBN: 0140446362 Number of pages: 144 Publisher: Penguin Classics
Book Reviews of Poetics (Penguin Classics)Book Review: Introduction is about as long as the treatise! Summary: 5 Stars
No joke - the introduction written by a modern scholar is more or less neck to neck with Aristotle's 'essay' on storytelling (Poetics) as far as length is concerned. This is good because, quite honestly, the average person will have a hard time understanding the concept Aristotle is trying to get across with his archaic (no insult intended) analysis.
But first, my "credentials" as a reviewer:
I started reading Plato because I watched some movies (Truman Show, The Matrix) and some Anime (The Big O) in which the screenwriters heavily borrowed from Republic and other Platonic dialogues when shaping their plots. At first, I read just so I can understand the plot of these works of visual art a little better. After a couple of dialogues (I especially liked Phaedo and Theatetus - I still haven't finished Republic), however, I began appreciating Greek philosophy in and of itself. Having read a bit of Plato (Euthyphro, Apology, Crito, Phaedo, Cratylus, Theatetus, and part of Republic) I decided, hey, why not go in for some of Aristotle? Supposedly this 'common sensical' philosopher was the foil of the more heavenly inclined Plato - so why not compare and contrast?
That said, Poetics has been my first exposure to Aristotle.
Quite different from Plato too! For starters, Aristotle views poets, dramatists, "novelists" and fiction writers in general much more sympathetically than his 'teacher' - he sees them as humans with a talent who can put it to good purpose (as opposed to Plato's perception of them being the scum of the earth).
A point I would like to bring up - some people say 'Poetics' is universal, applicable to any time in history for any fiction writer or storyteller. Quite a few successful screenwriters have taken this position. The scholar who wrote up the introduction to this edition, however, disagrees - as do I. Most of the stuff Aristotle's mentions as being for making a story has already crossed my mind at one or time or another - in less stuffy, more conceptualized form, certainly, but the ideas have occured to me. Not only that, but his somewhat rigid formula, although he himself acknowledges that it isn't absolute, is very restrictive in 'what's good, what's bad'.
That said, Poetics contributes to literary theory. Plus, it can reinforce some writer's ideas about how their craft should work. More significantly, however, it is the thought of Aristotle, a highly influential philosopher, accessible through word that really captivates the reader - what he thinks about is important, but the way he thinks is what really makes him 'timeless'. His views on storytelling, however, are visibly from an era that no longer strongly coincides with our own.
Note - yes, yes, I've read some books on Greek history and know it is the Cradle of Western Civilization, spread by Rome and a major influence on history (including democracy) - but Greek academia is largely alien.
Summary of Poetics (Penguin Classics)?The plot is the source and the soul of tragedy? In his near-contemporary account of Greek tragedy, Aristotle examines the dramatic elements of plot, character, language and spectacle that combine to produce pity and fear in the audience, and asks why we derive pleasure from this apparently painful process. Taking examples from the plays of Aeschylus, Sophocles and Euripides, the Poetics introduces into literary criticism such central concepts as mimesis (?imitation?), hamartia (?error?), and katharsis (?purification?). Aristotle explains how the most effective tragedies rely on complication and resolution, recognition and reversals, centring on characters of heroic stature, idealized yet true to life. One of the most powerful, perceptive and influential works of criticism in Western literary history, the Poetics has informed serious thinking about drama ever since. Malcolm Heath?s lucid English translation makes the Poetics fully accessible to the modern reader. It is accompanied by an extended introduction, which discusses the key concepts in detail and includes suggestions for further reading.
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