Predator (Scarpetta)

Predator (Scarpetta)
by Patricia Cornwell

Predator (Scarpetta)
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Book Summary Information

Author: Patricia Cornwell
Edition: Mass Market Paperback
Audio: English (Unknown); English (Original Language); English (Published)
Published: 2006-09-26
ISBN: 0425210278
Number of pages: 464
Publisher: Berkley

Book Reviews of Predator (Scarpetta)

Book Review: Just as bad as 'Blow Fly' and 'Trace'
Summary: 2 Stars

I was hoping that once Patricia Cornwell got past the whole Werewolf storyline, she would regroup and get the Scarpetta series back on track, but sadly it's not to be. Like 'Blow Fly' and 'Trace' before it, 'Predator' is a confusing and badly-written mess of a novel, in which the characters do nothing but angst and the plot jumps all over the place. I really don't know what is going on with Cornwell these days; having "rebooted" Scarpetta with `The Last Precinct', she seems to have had no idea what to do next. The series is just drifting along aimlessly, with increasingly overblown storylines and one-dimensional characters.

It's a pity, because the basic plot outline of `Predator', involving multiple cases that may or may not be connected, has worked well for Cornwell before. And a better, or more interested, writer would probably have been able to pull this together really well. But as with Cornwell's last few books, the storyline is needlessly convoluted and the pacing of the book is terrible. The third-person narration is a major problem for Cornwell; she introduces too many different perspectives and sub-plots, and jumps around between them too frequently. In addition, she spends far too much time exploring how psychologically messed-up all the characters are and not enough time on the actual investigation.

So once again, this is a long book in which not much actually happens. Cornwell seems content to just let the story wander around without direction, before jamming the ending into the last twenty pages in very forced and unconvincing fashion. Think about it, that conclusion had the potential to be a really clever twist, an unexpected but plausible way to tie all the story threads together and explain some of the baffling connections between the different cases. But the way in which Cornwell breathlessly shoves it all together make it seem like nothing more than a cheap cop-out.......("oh by the way, this explains everything. The End").

And what is going on with the characters? Where they once had enough flaws and bad habits to make them seem human, they now spend literally all their time being petty, snarky, jealous, and secretive. Marino hates Scarpetta. Scarpetta hates Benton. Lucy hates herself. Everyone else either worships Scarpetta or is determined to do her in. It seems nobody can even hold a civil conversation with each other anymore, and you wonder why they all can't get together over one of Kay's delicious Italian meals and sort their issues out. Again, I think the third-person narration is part of the problem here. With Kay narrating, we experienced all her emotions and thoughts, and formed detailed impressions of other characters through her eyes. Writing in the third-person and present tense, Cornwell's style is dry and wooden ("Marino is angry....Scarpetta feels annoyed.....Benton sounds tired"), making the characters feel flat and colourless.

So unfortunately `Predator' is no improvement over `Blow Fly' and `Trace', and in fact it repeats all the negatives of those two books. Bad writing, roundabout story, unlikeable characters, a rushed ending that leaves plot points hanging. That plot device at the end WAS quite clever...if only Cornwell had written a proper story and characters to go with it.

Summary of Predator (Scarpetta)

Scarpetta, now freelancing with the National Forensic Academy in Florida, digs into a case more bizarre than any she has ever faced, one that has produced not only unusual physical evidence but tantalizing clues about the inner workings of an extremely cunning and criminal mind.

She and her team?Pete Marino, Benton Wesley, and her niece, Lucy?track the odd connections between several horrific crimes and the people who are the likely suspects. As one psychopath, safely behind bars and the subject of a classified scientific study at a Harvard-affiliated psychiatric hospital, teases Scarpetta with tips that could be fact?or fantasy?the number of killers on the loose seems to multiply. Are these events related or merely random? And what can the study of one man?s brain tell them about the methods of a psychopath still lurking in the shadows?

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