Prodigal Summer
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There are three interweaving stories. There's a wildlife biologist who works for the Park Service and lives alone in a cabin in the forest. She's been there two years and loves her solitary life; then she meets a young hunter. Down in the valley, there's a young widow who is learning about what it takes to run a farm. And a few miles away are some elderly neighbors who are constantly bickering about the world around them that they never expected. Each of these characters was so richly developed that I could anticipate their every thought while still feeling the tension of their grappling with each other, the environment and themselves.
The environment itself is a driving force. The wind on their skin, the scents in their nostrils, the air they breath, and their place in the natural world are not only described poetically, but move the story forward. There are facts in this book, lots of facts. I drank them all up as a person who has been thirsty a long time. Finally, I really understood what pesticide spraying actually does to the environment. The balance between all living things became clear to me. And I was filled with a wonder and appreciation for the natural world.
Ms. Kingsolver is preachy; there's no doubt about it. She wants to tell a good story, it's true, but she also has other motives for writing. She does that in all her books and Prodigal Summer is no exception. Here, she teaches us about the wonder and beauty of nature.
Deanna Wolfe, forest ranger in charge of Zebulon Mountain, has lived alone with minimal human contact on the mountaintop since her divorce. While I liked the character, she is the least developed of the three. We never really know what motivates some of her fears. Eddie Bondo, the man who threatens to change her secure existence, is even more shadowy.
Lusa Landowski, wife of Cole Widener, a local farmer, learns that everything is not always as it seems as she discovers over time that her husband's family's opinion of her is not what she thought. Lusa learns that in order to have a content life, she must depend on herself and her own instincts.
My favorite character was Garnett Walker, last scion of the Walker dynasty, whose family once owned everything. Approaching his 8th decade, Garnett learns, the hard way, to come to terms with aging, new ideas that challenge his lifelong beliefs, and the bane of his existence since his wife's death, his neighbor, Nannie Rawley.
While I agree that the ecological subcontext of the novel is a bit overbearing from time to time, it is the main topic that threads the three characters together, and is therefore necessary. Although industry is fast encroaching, these people all live in one of the few remaining parts of the country that is still basically a "hunting and gathering" society - so their ties to the land and all that lives on it are still strong.
Each chapter heading repeats as we return to each story line: 'Predator' takes us to Deanna's mountain, 'Moth Love' to Lusa's farm, and 'Old Chestnuts' to Garnett's orchard. I liked this approach to the book's organization.
Overall, the novel is a methodic, well-written glance into a disappearing culture few of us have experienced before. This is what Ms. Kingsolver does so well - takes us on journeys into new lives - and makes us believe we've really been there.
Kingsolver follows the lives of three characters during a particularly lush, hot summer in Appalachia, where American chestnuts and red wolves once flourished. Deanna, the forest ranger, is caught between her lover and protecting the den of coyotes he wants to locate and destroy. In the valley below, the recently widowed Lusa struggles with the ill will of her in-laws as she searches for ways to keep the family land her husband left her. And in another section of farmland, elderly Garnett feuds with Nannie over Nannie's organic farming methods, which Garnett disdains and sees as a threat to his own reputation and methods. Lusa's story is the most compelling, perhaps because Kingsolver reserves most of her opinions about the care of the environment for the other two tales, instead focusing on more personal matters. Still, the other two are told well, with strong, flowing prose. Kingsolver connects these three points-of-view mostly by the land they inhabit, but also by past histories. Although the main characters live out their dramas in isolation from the others, their lives touch upon one another in subtle ways and understandings.
This novel is heavily thematic, even occasionally dogmatic, so if this kind of writing leaves you cold, don't waste your money. However, if you're the type who likes a fictional journey coupled with political issues, this may be exactly what you're looking for. People interested in environmental issues as well as those interested in Kingsolver's progress as a novelist should read this book.
As usual, Ms. Kingsolver's gender bias sets forth the males as inarticulate predators whose only task is to scatter their seed to insure survival of the species. Be it coyotes, apple orchards, luna moths, or homo sapiens -- it's all sexual at base, with the males causing more trouble (after their initial contribution) than they're worth. This is the literary equivalent of "Who Let The Dogs Out!?" Conversely, the females are all nurturers of their various broods, stewards of their natural arenas, and inherently aware of their place in the eternal (and seasonal/lunar/diurnal) cycles. In essence, the parallel sound track is "I Am Woman" and/or "Respect." Predictably, the gender collisions create much of both the action and the comic relief.
The flora and fauna become an overarching character in that their various impacts on the humans often direct actions, fears, hopes, and even continuance itself. Ms. Kingsolver's lush Tennesseean landscape moves beautifully through the seasons as do the variety of farming tasks and produce. Reintroduction of species once hunted or blighted to regional extinction is a central plot engine and character motivation. There is enough pollen rising from the pages to set off the sensitive reader's hay fever....