Rabbit, Run
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After reading this novel you may not like Rabbit, but he will have led you on an emotional and spiritual journey that will leave you asking many questions -- questions about the book as well as questions about yourself.
Rabbit has a limited intellectual and emotional range, so why would Updike expend his considerable talent in detailing the life of so common a person? For one thing, Rabbit's experience as an ordinary man is more typical than that of someone on the tails of the bell curve and this allows Updike better to capture the spirit of the times. There is perhaps no better author than Updike in capturing the zeitgeist, and "Rabbit, Run" showcases this ability, as the subsequent books in the Rabbit tetralogy illustrate to a! n even greater extent.
We are at ground zero watching Rabbit struggle with aging, religion, sexuality (particularly sexuality), nature, and the trade-offs between freedom and attachment, and rebellion and conformity. In witnessing Rabbit wrestle with these big issues in his blundering, but persistent, way, we come to understand the commonality of the human experience.
Updike's inventive and flowing prose is well displayed here. Parts of the narrative are pure poetry. The dialog is brisk and gritty and the sex scenes are graphic, especially for a mainstream novel published in 1960. The writing style itself helps create mood -- lyrical when describing a flower garden and so edgy during the climatic scene that it makes you sweat.
This is a marvelous book. That is was written by a man in his 20s is astonishing.
The novel is about a former high school basketball star, now married, with a family, who is finding his adult life claustrophobic. He misses his youth -- the adrenaline rush of sports, the sense that life is full of possibilities. He doesn't know what to do about it. He tries to make some kind of change, with what's left of his youthful energy. He's self-centered, but he's also a dreamer.
The book is sad, in that it offers no "solution" to the frustration of leaving youth behind. But it's also reassuring and poignant, because the theme is so universal.
Updike manages to keep this apparently ordinary story interesting without being philosophical or tedious. His vivid, compassionate descriptions of characters and their neighborhoods are phenomenal. He has a way of illuminating the inner workings of American optimism (sports heroes, suburban consumer culture) without looking down on it. In fact, he seems to cherish it, focusing his lens on the unspoken dreams that make our society and our personalities what we are.
This book -- along with its sequels -- is one of the great pieces of American literary art.
PS If that's not enough to grab you, read it for Updike's incomparable descriptions of lovemaking. Arrestingly specific and vivid. Only a handful of authors can actually describe sex -- I mean, really describe it -- and show the way people's personalities are played out in bed just like they are anywhere else. The main character is a charismatic, self-absorbed yearner, in search of his lost youth at all times -- even during sex. In Updike's world, sex isn't pornographic -- it's part of life.
The author does not despise his main character Harry 'Rabbit' Angstrom but tries to depict impartially and understand him. Rabbit, a man who once was a first-rate basketball player, in the beginning of his mature life becomes an apprehensive son, indifferent father, inattentive husband, lustful but callous lover. He thinks only about himself, he is ready to run from any obstacle or trouble (his wife, his lover or any person who does not want to do what Harry desires), 'he doesn't care who he hurts or how much'. Gratifying his selfishness and feebleness in solving ethical problems, he leaves behind only disenchantment, pain and even death. His former lover fairly tells him: 'You're Mr.Death himself. You're not just nothing, you're worse than nothing. You're not a rat, you don't stink, you're not enough to stink.'
One of the main characters of the novel is a priest, there are a lot of church-goers (including Rabbit himself) on its pages, they speak about God but do not have faith. Their sanctimony corrupts people. Even such unbelievers as Ruth, a call girl and Rabbit's lover, and Lucy, priest's willful wife, look more sincere than their pious milieu (Lucy about Rabbit: 'If he's a Christian thank God I'm not one').
So, who is Rabbit? A monster? No, the author tells us, he is just an ordinary modern man devoided of moral responsibility.