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South of the Border, West of the Sun: A Novel by Haruki Murakami
Book Summary InformationAuthor: Haruki Murakami Translator: Philip Gabriel Edition: Paperback Audio: English (Unknown); English (Original Language); English (Published) Published: 2000-03-14 ISBN: 0679767398 Number of pages: 213 Publisher: Vintage
Book Reviews of South of the Border, West of the Sun: A NovelBook Review: If Holden Caulfield was Japanese... Summary: 3 Stars
In my eleventh grade English class, we discussed many aspects of American literature. Beginning with Huckleberry Finn and ending with Rule of the Bone, one of the things we studied was the evolution of Twain's revolutionary character Huck Finn. The next major incarnation of this classic protagonist was Salinger's Holden Caulfield. Later works of literature portray character embellishments of Holden. The novel by Judith Guest, Ordinary People, could be considered Holden's story after his breakdown, who embodies Conrad Jarrett. Haruki Murakami's, South of the Border, West of the Sun, essentially is an American novel written with Japanese characters. And his protagonist, a sufferer of teenage angst like Holden Caulfield, is named Hajime. South of the Border, West of the Sun appears to be an empirical memoir narrated by Hajime about his life. It begins with his childhood and emphasizes his friendship with his contemporary friend Shimamoto. The two characters share many interests, but above all they both are "only-children." As is the case with many childhood friendships, when Hajime moves to another city, their friendship withers away and they never see each other again. The story continues chronicling Hajime's life and development. After a devastating relationship with his girlfriend Izumi, Hajime's development stops. He finds that he is unable to divest himself of the guilt of destroying another human being. There are many themes in South of the Border, West of the Sun. One main theme is that perhaps life is full of uncertainty. Another main theme is that one should live for the moment and not in the past. The past traps Hajime in a monotonous life style and steals "his twenties". Hajime struggles many times with this concept. He cannot bring himself to yield to the moment. But ultimately all of Hajime's problems and Murakami's themes stem from Hajime's lack of self-identity. The novel ends up like a mixed bag. Murakami never bores the reader with endless paragraphs of description and the novel maintains a rather brisk pace. There were three types of paragraphs: dialogue, actions, and thoughts. Each went very quickly, but the paragraphs about Hajime's thoughts were at times unoriginal and uninspired. Suddenly though, Murakami seizes the moment and writes something that is beautiful especially when he writes about disappointment and death from which title originates. And unfortunately, this comes at the end of the novel. The impartiality of the narrator does not help the story for the main reason that the impression left upon the reader at the end of the novel is that Hajime is on the path towards character change. Hajime realizes who he is and therefore, finds the solution to teenage angst. But the style of narration argues against that, and if the style of narration is correct, then the protagonist lacks any character arch. Another interesting thing regarding the narration, is the subtle change at the end of the novel. Murakami shifts from his description and dialogue, to a dialogue heavy transcript. Before, his ideas came in description (actions and thoughts) paragraphs. His ideas become significantly more effective after the change. Perhaps in Japan the "American" youth character and plot has not been over used since its conception in Huckleberry Finn, but nevertheless for an American reader the story lacks the ever important twists and reversals over the portrayal of common themes, characterization, and plot. Unfortunately, for a novel that contains beautiful moments, it invalidates it as a fresh and influential piece of literature.
Summary of South of the Border, West of the Sun: A NovelIn South of the Border, West of the Sun, the simple arc of a man's life--with its attendant rhythms of success and disappointment--becomes the exquisite literary terrain of Haruki Murakami's most haunting work.
Born in 1951 in an affluent Tokyo suburb, Hajime--beginning in Japanese--has arrived at middle age wanting for almost nothing. The postwar years have brought him a fine marriage, two daughters, and an enviable career as the proprietor of two jazz clubs. Yet a nagging sense of inauthenticity about his success threatens Hajime's happiness. And a boyhood memory of a wise, lonely girl named Shimamoto clouds his heart.
When Shimamoto shows up one rainy night, now a breathtaking beauty with a secret from which she is unable to escape, the fault lines of doubt in Hajime's quotidian existence begin to give way. And the details of stolen moments past and present--a Nat King Cole melody, a face pressed against a window, a handful of ashes drifting downriver to the sea--threaten to undo him completely. Rich, mysterious, quietly dazzling, South of the Border, West of the Sun is Haruki Murakami's wisest and most compelling fiction. In South of the Border, West of the Sun, the arc of an average man's life from childhood to middle age, with its attendant rhythms of success and disappointment, becomes the kind of exquisite literary conundrum that is Haruki Murakami's trademark. The plot is simple: Hajime meets and falls in love with a girl in elementary school, but he loses touch with her when his family moves to another town. He drifts through high school, college, and his 20s, before marrying and settling into a career as a successful bar owner. Then his childhood sweetheart returns, weighed down with secrets: When I went back into the bar, a glass and ashtray remained where she had been. A couple of lightly crushed cigarette butts were lined up in the ashtray, a faint trace of lipstick on each. I sat down and closed my eyes. Echoes of music faded away, leaving me alone. In that gentle darkness, the rain continued to fall without a sound. Murakami eschews the fantastic elements that appear in many of his other novels and stories, and readers hoping for a glimpse of the Sheep Man will be disappointed. Yet South of the Border, West of the Sun is as rich and mysterious as anything he has written. It is above all a complex, moving, and honest meditation on the nature of love, distilled into a work with the crystal clarity of a short story. A Nat "King" Cole song, a figure on a crowded street, a face pressed against a car window, a handful of ashes drifting down a river to the sea are woven together into a story that refuses to arrive at a simple conclusion. The classic love triangle may seem like a hackneyed theme for a writer as talented as Murakami, but in his quietly dazzling way, he bends us to his own unique geometry. --Simon Leake
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