Spin

Spin
by Robert Charles Wilson

Spin
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Book Summary Information

Author: Robert Charles Wilson
Edition: Mass Market Paperback
Audio: English (Unknown); English (Original Language); English (Published)
Published: 2006-02-07
ISBN: 076534825X
Number of pages: 464
Publisher: Tor Science Fiction

Book Reviews of Spin

Book Review: A SOFT-SPOKEN, EVERYMAN TYPE OF NARRATOR...
Summary: 4 Stars

First, a linear summary of the plot: Suddenly, sometime during the first decade of the 21st century, the entire planet earth is enveloped in a shroud which causes the stars and the moon to disappear. The sun, later understood to be artificial, is the only celestial object that is seen to behave as it did before the shrouding. Also, it is later learned that the passage of time is different outside the barrier than it is inside, almost a hundred million times. This sets an upper limit on the time the earth can last before it is engulfed by the expanding sun.

THE TONE: WONDER ALMOST OVERSHADOWED BY DESPAIR; A SOFT-SPOKEN, EVERYMAN TYPE OF NARRATOR; DAY TO DAY LIFE JUXTAPOSED BY THE PASSAGE OF MILLENIA
The novel is based on life experience of the protagonist, who witnesses this cataclysmic event as well as the way people around him, and humanity
at large, responds to it. The novel is in the first person and and is, at times, almost too lucid in its transparent evaluation of the human condition, giving it the air of a documentary instead of a story. The narrative style is, by turns, poetic and dour, effectively communicating the despair of the narrator without overwhelming the flow of the tale. Non-linear narrative is frequently used to generate suspense, although it turns out to be the end of a tale of salvation, more or less. The scale of the imagination is stupendous, and although the protagonist deals with very old questions regarding faith, belief and the purpose of science and discovery, the author dextrously manages to give the answers through dialogues that exchange comfortable deflections and tautologies. This results in a work of fiction that is believable because of its characters but wonderful because of the almost too zany ideas.

THE IDEAS: MORE FANTASY ADVENTURE THAN PURE SCIENCE; HUGE IDEAS GLOSSED OVER; PRO-LIFE; PRO-SCIENCE; ANTI-NOTHING
The biggest idea in this book is to explore the response of humans to apocalypse, not sudden and dramatic, but sustained and prolonged and mostly painless.
The 'Spin' is used as repeatedly as a force of history (much like the Vietnam war), as a destroyer of innocence and as a differentiator in terms of how people respond to it (analysis and action or faith and acceptance). The next big idea is the transience and universality of life. Although the carbon footprint of humans is alluded to, the story never gets preachy, refuses to draw inferences and still manages to sustain the hope, perhaps through the almost monochromatic narrator, of Salvation that might be available at the next corner. Later this hope is deliberately battered when wave after wave of human efforts are shown as futile. Eventually, however the infectiousness of life is shown as triumphant. Although Time has been the favorite tool of SF writers for more than a century, the author wisely refrains from using it as a plot device, using it most effectively for cosmetic verbal fireworks:
for example, the description of a lawn being mowed in terms of 'absolute time' was particularly enchanting. Arguments between schools of thought are wide-spaced and never overbearing, usually often resolved within a couple of pages and mostly left dangling (as most real-life arguments are). The tilt of the narrative is definitely towards science and analytical knowledge but nothing is disparaged and more often than not organic growth is shown as natural instead of spurts in progress.

THE EXECUTION: MIX, YET NOT BLEND, SCIENCE WITH SOCIOLOGY
The biggest problem of science fiction is to bend science, as complicated it is these days, into complex and innovative fiction that can easily be
appreciated by a person who cannot understand today's science. In this regard, this novel succeeds brilliantly. Every radical new idea is presented as a mystery to be solved, but in believable terms. Every believable new idea is presented in terms of applications and effects. Some ideas central to the story (like the barrier) are used like an elephant in a drawing room: not directly referred to yet affecting every slight nuance of the proceedings of the tale. The human element, the way ordinary people respond to extraordinary occurances, is central to the story. The author successfully portrays the despair of a whole generation waiting to die, trying hard to pass the buck for judgement day. Mass suicides, lawlessness and religious fervor are described though one-liners, while the changing flavor of an unprofessed love becomes the metric through which the years are shown to pass.
Playing alongside all this is the effort of a few dedicated men, some driven by material gain, some by glory and some by the quest for knowledge, to understand and exploit the assumed catastrophe. The result is a simple story of a dysfunctional pseudo-family told engagingly, in uncomplicated terms, entwined with the otherworldly occurances that make this more of a science fiction novel than a family drama. The skill of the author is most apparent when he uses the oft-abused conundrums of the human conditions in the foreground of a tale that has Martians (not small and green but small and black), all-powerful aliens and a time duration of 4 billion years, and manages to fit it all in a compact and engaging narrative.

Summary of Spin

One night in October when he was ten years old, Tyler Dupree stood in his back yard and watched the stars go out. They all flared into brilliance at once, then disappeared, replaced by a flat, empty black barrier. He and his best friends, Jason and Diane Lawton, had seen what became known as the Big Blackout. It would shape their lives.

The effect is worldwide. The sun is now a featureless disk--a heat source, rather than an astronomical object. The moon is gone, but tides remain. Not only have the world's artificial satellites fallen out of orbit, their recovered remains are pitted and aged, as though they'd been in space far longer than their known lifespans. As Tyler, Jason, and Diane grow up, a space probe reveals a bizarre truth: The barrier is artificial, generated by huge alien artifacts. Time is passing faster outside the barrier than inside--more than a hundred million years per year on Earth. At this rate, the death throes of the sun are only about forty years in our future.

Jason, now a promising young scientist, devotes his life to working against this slow-moving apocalypse. Diane throws herself into hedonism, marrying a sinister cult leader who's forged a new religion out of the fears of the masses.

Earth sends terraforming machines to Mars to let the onrush of time do its work, turning the planet green. Next they send humans?and immediately get back an emissary with thousands of years of stories to tell about the settling of Mars. Then Earth's probes reveal that an identical barrier has appeared around Mars. Jason, desperate, seeds near space with self-replicating machines that will scatter copies of themselves outward from the sun--and report back on what they find.

Life on Earth is about to get much, much stranger.

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