Stephen Shore: Uncommon Places

Stephen Shore: Uncommon Places
by Lynne Tillman, Stephan Schmidt-Wulffen

Stephen Shore: Uncommon Places
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Book Summary Information

Author: Lynne Tillman, Stephan Schmidt-Wulffen
Photographer: Stephen Shore
Edition: Hardcover
Audio: English (Unknown); English (Original Language); English (Published)
Published: 2005-06-15
ISBN: 1931788340
Number of pages: 188
Publisher: Aperture

Book Reviews of Stephen Shore: Uncommon Places

Book Review: '...and now, the rest of the story'.
Summary: 5 Stars

On page six of this large book, Stephen Shore writes, in the Artist's Note, "The book you are holding in your hands amounts to what might be called the photographic equivalent of a director's cut". It is in the nature of such things you now get an additional ninety-four photos with the forty-nine that were in the original 1982 Aperture edition, though this is not strictly true because some that were in the original are not in this edition.

I bought the original book because I loved the way Shore captured the everyday urban American outdoors and of course the amazing color and detail. This new edition is even better because the photos are now larger, mostly 10.5 by 8.25 inches. The other thing I love about some of these photos is the way Shore captures the street corner, this seems to be a favorite composition (stretching back to the famous FSA photos of the Thirties) with contemporary photographers and Photorealists painters like Richard Estes or Davis Cone. Shore's 'El Paso Street, Texas, July 5, 1975' could just as easily be an Estes painting. There are several corner photos in the book and they are just stunning.

Another reviewer has commented on the amount of detail in these photos, helped of course by the two hundred plus screen, the original book used a 175 dpi. Apart from the screen it is interesting to compare images that appear in both books and the color does vary. 'Beverly Boulevard, June 21 1975' in the original (page 39) is predominately brown for the street area, in this edition (page 115) it has changed to a predominately blue cast. I wonder if this is the sort of thing that concerns collectors of first edition photo books?

In addition to the photos in this beautifully designed and printed book there are two text pieces, the first one, by Stephen Schmidt-Wulffen, includes twelve photos from Shore's 'American Surfaces'. The back of the book includes biographical notes and a useful bibliography.

This latest 'Uncommon Places' will be a book I'll look through for some years to come.

***FOR AN INSIDE LOOK click 'customer images' under the cover.

Summary of Stephen Shore: Uncommon Places

Published by Aperture in 1982 and long unavailable, Stephen Shore's legendary Uncommon Places has influenced a generation of photographers. Among the first artists to take color beyond advertising and fashion photography, Shore's large-format color work on the American vernacular landscape stands at the root of what has become a vital photographic tradition. Uncommon Places: The Complete Works presents a definitive collection of the original series, much of it never before published or exhibited. Like Robert Frank and Walker Evans before him, Shore discovered a hitherto unarticulated version of America via highway and camera. Approaching his subjects with cool objectivity, Shore's images retain precise internal systems of gestures in composition and light through which the objects before his lens assume both an archetypal aura and an ambiguously personal importance. In contrast to Shore's signature landscapes with which ""Un-common Places"" is often associated, this expanded survey reveals equally remarkable collections of interiors and portraits.

As a new generation of artists expands on the projects of the New Topographic and New Color photographers of the seventies--Thomas Struth (whose first book was titled Unconscious Places), Andreas Gursky, and Catherine Opie among them--Uncommon Places: The Complete Works provides a timely opportunity to reexamine the diverse implications of Shore's project and offers a fundamental primer for the last thirty years of large-format color photography.

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