The Amber Spyglass (His Dark Materials, Book 3)

The Amber Spyglass (His Dark Materials, Book 3)
by Philip Pullman

The Amber Spyglass (His Dark Materials, Book 3)
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Book Summary Information

Author: Philip Pullman
Edition: Mass Market Paperback
Audio: English (Unknown); English (Original Language); English (Published)
Published: 2003-09-09
ISBN: 0440238153
Number of pages: 480
Publisher: Laurel Leaf

Book Reviews of The Amber Spyglass (His Dark Materials, Book 3)

Book Review: Falling Apart
Summary: 1 Stars

Okay, I have to admit that I'm not the greatest fan of the series; Pullman has an axe to grind, and hearing someone grind an axe in narrative is painful (see Atlas Shrugged). However, I really have to say that especially the second book was well written. There was a focus and narrative drive that made it probably the most coherent of the books. Along with this, the characters are most developed in the second volume.

And then we get to The Amber Spyglass. First off, the name of the book comes from an item that barely factors into the story, and if then, only near the end and tangentally. Certainly not items like the Alethiometer and the Subtle Knife that actually have a plot centered around them (Yes, I know that The Golden Compass was Northern Lights in the UK). It was as if Pullman decided that he needed to continue the pattern of an object being central to the story, but just couldn't figure out how, so he just shoved something in there.

And shoved something in there is something that you'll hear a lot of in this book, especially as far as theology goes. So many times you have Pullman take snipes at religion in the weirdest places. When Mary is having this amazing experience that she's only had before, Pullman has to add that the experience was not of her taking her vows as a nun. When Father Gomez thinks of evangelizing to the mulefa, he thinks he has to first abolish the "Satanic" seed-wheels, ignoring that the Catholic Church has been one of the greatest co-opters of "satanic" rituals, holidays, and lifestyles that the world has known (Jesuits taught that Confucious was a proto-Christian like Aristotle when evangelizing in China). There are dozens of places like this when it just became too much to not take a swipe at religion and Pullman just shoves a odd remark like that in there that makes the reader go "WTF?" In fact, pretty much any religous person is portrayed as a crazed zealot, certainly not the characterization that he imbues most of his other characters with. Even if he wants to write a novel about "killing God", you can't make the antagonists and the side characters so simplisticly bad that you wouldn't believe most of these people exist.

And then comes Mary. Mary is usually portrayed as an interesting character: her work, her observations, her life. Every so often however, you just get her turning into the mouth of Pullman about how evil the Church is. Her speech near the end about how God doesn't exist because she felt love was mind-boggling bad-- and worse, it didn't sound like something the Mary that we had started to get to know. She basically says that God doesn't exist because no God would want her to not indulge her senses in love, ignoring for the fact that monastic (and celebate) life is a vocation that isn't for most! In addition, Pullman's view of love is mere sensuality (not bad, but certainly not the high love that it's protrayed to be) so it becomes pitted against the life of contemplation. This takes another swipe when the harpies are allowed to torment those that haven't lived lives with enough stories.

Tacked on to all of that is a plot that comes crashing down with multiple characters doing things that and saying things that make no sense: Lyra never makes reference to Asriel killing Roger (and she always uses the passive tense with his death), Will Parry breaking his promise without much fanfare, multiple characters just showing up and then leaving, the love of two people healing the cosmos (uh, what?), Lord Asriel lying about destroying dust, Coulter shifting in such a way to be unbeleivable (remember her first reaction when she found out Lyra was to be the new Eve), and generally everything as it collapses into a gigantic mess.

Oddly enough, Pullman falls into the same trap as C.S. Lewis (who's work he hates) when trying to tie everything up. However, let it be said that at least Lewis respect his opposition more as he was an atheist for quite awhile. Hell, I'm not even a theist here, but I find Pullman's hashing plot about killing God as clumsy.

And in the end, that's what this book ends up being: clumsy.

Summary of The Amber Spyglass (His Dark Materials, Book 3)

In the astonishing finale to the His Dark Materials trilogy, Lyra and Will are in unspeakable danger. With help from Iorek Byrnison the armored bear and two tiny Gallivespian spies, they must journey to a dank and gray-lit world where no living soul has ever gone. All the while, Dr. Mary Malone builds a magnificent Amber Spyglass. An assassin hunts her down, and Lord Asriel, with a troop of shining angels, fights his mighty rebellion, in a battle of strange allies?and shocking sacrifice.

As war rages and Dust drains from the sky, the fate of the living?and the dead?finally comes to depend on two children and the simple truth of one simple story.
From the very start of its very first scene, The Amber Spyglass will set hearts fluttering and minds racing. All we'll say here is that we immediately discover who captured Lyra at the end of The Subtle Knife, though we've yet to discern whether this individual's intent is good, evil, or somewhere in between. We also learn that Will still possesses the blade that allows him to cut between worlds, and has been joined by two winged companions who are determined to escort him to Lord Asriel's mountain redoubt. The boy, however, has only one goal in mind--to rescue his friend and return to her the alethiometer, an instrument that has revealed so much to her and to readers of The Golden Compass and its follow-up. Within a short time, too, we get to experience the "tingle of the starlight" on Serafina Pekkala's skin as she seeks out a famished Iorek Byrnison and enlists him in Lord Asriel's crusade:
A complex web of thoughts was weaving itself in the bear king's mind, with more strands in it than hunger and satisfaction. There was the memory of the little girl Lyra, whom he had named Silvertongue, and whom he had last seen crossing the fragile snow bridge across a crevasse in his own island of Svalbard. Then there was the agitation among the witches, the rumors of pacts and alliances and war; and then there was the surpassingly strange fact of this new world itself, and the witch's insistence that there were many more such worlds, and that the fate of them all hung somehow on the fate of the child.
Meanwhile, two factions of the Church are vying to reach Lyra first. One is even prepared to give a priest "preemptive absolution" should he succeed in committing mortal sin. For these tyrants, killing this girl is no less than "a sacred task."

In the final installment of his trilogy, Philip Pullman has set himself the highest hurdles. He must match its predecessors in terms of sheer action and originality and resolve the enigmas he already created. The good news is that there is no critical bad news--not that The Amber Spyglass doesn't contain standoffs and close calls galore. (Who would have it otherwise?) But Pullman brings his audacious revision of Paradise Lost to a conclusion that is both serene and devastating. In prose that is transparent yet lyrical and 3-D, the author weaves in and out of his principals' thoughts. He also offers up several additional worlds. In one, Dr. Mary Malone is welcomed into an apparently simple society. The environment of the mulefa (again, we'll reveal nothing more) makes them rich in consciousness while their lives possess a slow and stately rhythm. These strange creatures can, however, be very fast on their feet (or on other things entirely) when necessary. Alas, they are on the verge of dying as Dust streams out of their idyllic landscape. Will the Oxford dark-matter researcher see her way to saving them, or does this require our young heroes? And while Mary is puzzling out a cure, Will and Lyra undertake a pilgrimage to a realm devoid of all light and hope, after having been forced into the cruelest of sacrifices--or betrayals.

Throughout his galvanizing epic, Pullman sustains scenes of fierce beauty and tenderness. He also allows us a moment or two of comic respite. At one point, for instance, Lyra's mother bullies a series of ecclesiastical underlings: "The man bowed helplessly and led her away. The guard behind her blew out his cheeks with relief." Needless to say, Mrs. Coulter is as intoxicating and fluid as ever. And can it be that we will come to admire her as she plays out her desperate endgame? In this respect, as in many others, The Amber Spyglass is truly a book of revelations, moving from darkness visible to radiant truth. --Kerry Fried

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