The Art of NonFiction

The Art of NonFiction
by Ayn Rand, Marguerite Gavin

The Art of NonFiction
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Book Summary Information

Author: Ayn Rand, Marguerite Gavin
Edition: Music CD
Audio: English (Unknown); English (Original Language); English (Published)
Format: Unabridged
Published: 2004-02
ISBN: 0786190302
Publisher: Blackstone Audiobooks, Inc.

Summary of The Art of NonFiction

In 1958 and again in 1969 Ayn Rand gathered a small group of her friends and acquaintances and gave an informal course on writing. At once a fascinating philosophical discourse on the art of creation and an invaluable guide for the aspiring writer, these edited transcripts are a treasure that will challenge, edify and illuminate the way to more powerful writing. Rand takes listeners step by step through the writing process, providing insightful observations and invaluable techniques along the way. She discusses the psychological aspects of writing and the roles played by the conscious and subconscious mind. She talks about articles and books, explaining how to select a subject and theme, how to identify your audience, and how to write the first draft.
In The Art of Nonfiction, Ayn Rand spends six pages explaining why something she wrote about the launching of Apollo II is far superior to something Loudon Wainwright wrote about it; throughout the book, she uses her own work as examples of exemplary writing. Somehow, though, Rand's robust ego is less unbearable here than it is in, say, her Art of Fiction.

This book is a frank demystification of the writing process that originated as a series of lectures given in 1969 to friends and other potential contributors to Rand's magazine, The Objectivist. "Any person who can speak English grammatically can learn to write nonfiction," Rand declares. All you need "is what you need for life in general: an orderly method of thinking." Rand values clarity above all else in nonfiction writing, and it is her own clearheadedness that makes this book appealing. Within these pages, Rand discusses subject and theme, audience, philosophy, outlines, writing, and editing. She takes swipes at The New Yorker for its "'brilliant' essays that say nothing," and at William Buckley, whose "trademark is to use words he probably spends half his time looking up in the dictionary." She rails against disruptions ("When I was writing Atlas Shrugged, I accepted neither day nor evening appointments, with rare exceptions, for roughly thirteen years"). And she is an exacting taskmaster who demands that you not choose a lesser aspect of a subject than "the deepest one that interests you and that you can do." Finally, says Rand, you must write from a position of complete confidence and omnipotence. "While you are writing," she says, "you must be God's perfect creature (if there were a God)." --Jane Steinberg

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