The Bastard of Istanbul

The Bastard of Istanbul
by Elif Shafak

The Bastard of Istanbul
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Book Summary Information

Author: Elif Shafak
Edition: Paperback
Audio: English (Unknown); English (Original Language); English (Published)
Published: 2008-01-29
ISBN: 0143112716
Number of pages: 368
Publisher: Penguin (Non-Classics)

Book Reviews of The Bastard of Istanbul

Book Review: A fascinating, humorous and painful tale
Summary: 5 Stars

"The Bastard Of Istanbul" generated a controversy. Its Turkish author, Elif Shafak, was put on trial a couple of years ago for "denigrating Turkishness"(her own words) because the novel contains many references to the Armenian Genocide in 1915. Charges were dropped later on.

The book was written in English originally. The story interweaves past and present, Turkish, Armenian and American backgrounds. Many characters are depicted, the Kazanci family in Istanbul and the Tchakhmakhchian family, of Armenian origins, in the USA. Through the younger generations in the persons of Asya (Turkish) and Armanoush (Armenian American) we are taken back and forth in a sequence of names, places and events which will ultimately reveal a connection between the two extended families and a terrible, long-ago buried secret will be discovered.

This is an intricated story with many relevant characters and the tale is revealed almost entirely through the feminine side of each family, mothers, daughters, granddaughters and so on. To be more specific would unavoidably involve spoilers. Generally speaking however I would add a few comments:

Something negative:
. I thought some characters were underdeveloped with main reference to the Armenian/American side of the family, whereas the author seemed to concentrate on other, less important -to me- details.
. Some connections were a bit tricky to... keep track of given that there are so many characters described.
. I did not entirely appreciate the fact that some relevant aspects of the story were revealed to us -the readers- by Banu's djinns (Banu being one of Asya's aunts, a religious clairvoyant) but they were not shared later on with the main characters.

Having said that, here comes the positive:
. This book is reminiscent, in part, of some Latin American narrative tradition (the great Gabriel Garcia Marquez comes to mind) where magic merges with reality -magic realism- I am not comparing Shafak with Marquez, it goes without saying, but I read almost all of his books and would always find myself being pulled into his storytelling as in a vortex. To a lesser degree, this has happened similarly with this book.
. I loved the blending of so many characters and cultures, some of them spiced up by life events, others less flavoured. Mentioning different foods is almost inevitable as every chapter has a herb/spice/fruit title, each aromatic quality finding the relevant niche within.
. Foods (although not described in full) blend in turn with poetry or native songs. The narrative is sometimes bold but very effective. Some situations are peppered with humour, mostly sardonic, often caustic, some others are sprinkled with harrowing melancholy, a yearning for the past, for the roots. A search for the sense of belonging. It is all projected with great intensity through both sides of the story.
And the eternal questions lingers: is it better "to know or not to know"?

It all comes together, perhaps disjointedly at times, but beautifully, with an original quality.

"The Bastard Of Istanbul" is a strong title but it is not just about "the bastard", in this case Asya who has never known her father. Bearing in mind the controversy, the author seems to have "stepped on some toes". It is only natural that curiosity is piqued about her personal circumstances for the subject chosen as the main historical background for this novel. The Armenian Genocide is, to many, an open wound to this day. My standardly average level of information may not, in this case, make me fully "equipped" for a more knowledgeable opinion, but I have to say that, strictly speaking about the book, the main message I perceived is one of positivity, of hopeful integration, not forgetting or denying the past but looking at it respectfully, for a better present and future. Various characters are given a voice from both Turkish and Armenian perspectives. I felt as if a stretching hand was reaching out, trying to build an imaginary starting-over bridge through the new generations, represented by Asya and Armanoush. Commendable try for what still seems to be an unresolved and painful issue.
The result in my opinion is a fascinating and, to a degree, almost mystical novel. Engrossing until the shocking end (unrelated to the historical events).


Summary of The Bastard of Istanbul

Populated with vibrant characters, The Bastard of Istanbul is the story of two families, one Turkish and one Armenian American, and their struggle to forge their unique identities against the backdrop of Turkey's violent history. Filled with humor and understanding, this exuberant, dramatic novel is about memory and forgetting, about the tension between the need to examine the past and the desire to erase it.

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