The Beatles Recording Sessions: The Official Abbey Road Studio Session Notes 1962-1970

The Beatles Recording Sessions: The Official Abbey Road Studio Session Notes 1962-1970
by Mark Lewisohn

The Beatles Recording Sessions: The Official Abbey Road Studio Session Notes 1962-1970
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Book Summary Information

Author: Mark Lewisohn
Edition: Hardcover
Audio: English (Unknown); English (Original Language); English (Published)
Published: 1989-08-13
ISBN: 0517570661
Number of pages: 204
Publisher: Harmony Books

Book Reviews of The Beatles Recording Sessions: The Official Abbey Road Studio Session Notes 1962-1970

Book Review: An excellent resource for those who care how the Beatles made magic
Summary: 4 Stars

Some Beatles books are gossipy, and others feature questionable armchair critical analyses of their music. Lewisohn takes a totally different approach. Working with the original Abbey Road studio logs, he's created a day-by-day record of what the Beatles were doing in Abbey Road studios, who played what instruments, and how long it took them to record and write their songs.

I own a first edition of this book and have used it ever since I bought a used copy sometime in the early 1990s. I reread it many times that summer, and that somewhat battered, oversized copy still sits on my shelf. It's a book I returned to when I set up a mini home recording studio, and returned to yet again when I was learning how to mix my sounds. Although this is not a "how-to" book, you can learn an awful lot about good recording and mixing technique by carefully reading it.

Furthermore, Lewisohn packed his text with surprises. I, for one, was shocked to learn how primitive Abbey Road's technology was, even by the standards of a British studio in the 1960s. I was also surprised to learn why the mono and stereo mixes of the Beatles' music often sounded so different from one another even though they were mixed from the same masters. Also, it's amazing to learn just how quickly some seemingly complex tracks were put together, while some seemingly simple songs took far more work. As a side benefit, Lewisohn's comprehensive notes probably knocked the wind out of more than one bootlegger trying to pass off BBC radio performances as lost studio recordings of Beatle tracks! Throughout, there are many, many excellent photos - many of which have not been reproduced elsewhere. Just when you think Lewisohn's run out of goodies, there's a rare interview with Paul McCartney that touches on the songwriting process.

I can't rate this as a five star book although I'd like to. As good as Lewisohn is, there are a lot of minor details here that are misleading or just plain wrong. Lewisohn can't seem to tell phasing from flanging (two very different techniques to create swirling electric guitar sounds). He also prints quotes from studio musicians without elaboration, leading me to believe he has a weak grasp on performance and theory. For example, one horn player describes a McCartney song as being "between the cracks" of two different keys; the song in question actually seems to have been recorded slightly flat and sped up to normal pitch upon playback, but we have no way of knowing what the horn player actually meant without more information. The average reader might walk away thinking that the song used two different keys, unless he also knew that the song was in a single key. I'm surprised an editor didn't catch this stuff.

If you're a Beatles fan who could care less about their personal lives, but would love to learn more about how they created their studio albums - this book is for you. If you're interested in home recording, you'll learn lots of tidbits here too. Lewisohn deserves a lot of credit for creating this resource, and I wish that it weren't such a difficult book to find.

Summary of The Beatles Recording Sessions: The Official Abbey Road Studio Session Notes 1962-1970

One of the most important and successful rock 'n' roll books ever published is now available in paperback. This is the definitive guide to every recording session done by the Beatles at EMI's Abbey Road recording studio. 150 full-color, 100 duotone, and 100 black-and-white photographs.

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