The Count of Monte Cristo (Penguin Classics)

The Count of Monte Cristo (Penguin Classics)
by Alexandre Dumas p?re

The Count of Monte Cristo (Penguin Classics)
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Book Summary Information

Author: Alexandre Dumas p?re
Introduction: Robin Buss
Edition: Paperback
Audio: French (Original Language); English (Unknown); English (Published)
Published: 2003-05-27
ISBN: 0140449264
Number of pages: 1312
Publisher: Penguin Classics

Book Reviews of The Count of Monte Cristo (Penguin Classics)

Book Review: Dumas' Count of Monte Cristo and Three Musketeers
Summary: 5 Stars

This is a review of Alexandre Dumas' Count of Monte Cristo and Three Musketeers. Examples are used from the texts to make certain points, so please consider this your spoiler alert. Both of these books are classics and are worth reading for that reason alone. Further, both books are examples of how adventure should be written. However, for a number of reasons, I think Count of Monte Cristo is a great book while Three Musketeers is merely good.

The main point of contrast between these two books is found in their differing approaches to virtue. Though neither book provides much in the way of morality and virtue, as do much of Dickens' works, Count of Monte Cristo seems to presume that there is such a thing as virtue while Three Musketeers does not. While both books have much to do with revenge, Dant?s revenge seems righteous because he has clean hands, so to speak. The defining characteristics of Dant?s before he was framed and sent to the Ch?tead d'If were his rising career in the navy and his loving commitment to his fianc?e Merc?d?s. Even as Dant?s pursues his revenge there is a sense of virtue as he spares Danglars and comes to the aid of Valentine and Maximilien, ensuring for them a future together in love. These are admirable actions by Dant?s, and there are others. Even Merc?d?s remains a virtuous, though complex and often melancholy, character.

Conversely, d'Artagnan's revenge and actions feel base and vulgar. Whereas Dant?s seems motivated by righteous judgment and goodwill to good folks, d'Artagnan seems motivated solely by self-advancement and the chance for cheap sex. I suppose some might argue that d'Artagnan's love for Constance has the flavor of virtue, but his affair with Milady and the fact that Constance is a married woman more than set the relationship of d'Artagnan and Constance apart from that of Dant?s and Merc?d?s or even Dant?s and Hayd?e (who enter into a relationship with a sense of permanence toward the end of Count of Monte Cristo without the baggage of adultery).

Even more disturbing than the lack of virtue in d'Artagnan is the lack of virtue in every other character in Three Musketeers. Milady's seduction of Felton is particularly repulsive as Felton was, up until his foolish aid to Milady, a particularly virtuous fellow. And though d'Artagnan, Athos, Porthos and Aramis all exhibit qualities of commitment to one another, this is not enough to overcome their many personal flaws. d'Artagnan's declared commitment to the Cardinal at the end of the book, which is basically a repudiation of allegiance to the Queen, also leaves a bad taste in the mouth.

Aside from the topic of virtue, there is one other thing that sets Count of Monte Cristo apart from Three Musketeers: it is painfully obvious, at times, that in the latter Dumas is being paid by the page. To be sure, Dumas was paid by the page for Count of Monte Cristo, too. However, the literary quality of Monte Cristo is never compromised, in my opinion, while Three Musketeers contains some obvious filler.

If you're only going to read one of these books, I recommend reading Count of Monte Cristo, though Three Musketeers is also a good adventure that will keep you attention. If you read either, be sure to read the unabridged version (the Penguin Classic editions are unabridged).

Summary of The Count of Monte Cristo (Penguin Classics)

Translated with an Introduction by Robin Buss

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