The Darling

The Darling
by Russell Banks

The Darling
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Book Summary Information

Author: Russell Banks
Reader: Mary Beth Hurt
Edition: Music CD
Audio: English (Unknown); English (Original Language); English (Published)
Format: Unabridged
Published: 2004-10-12
ISBN: 0694524239
Publisher: HarperAudio

Book Reviews of The Darling

Book Review: two parts fascinating Liberian political drama, three parts unengaging navel-gazing
Summary: 2 Stars

Hannah Musgrave is a former revolutionary (bombing targets in the U.S. in protest of the Vietnam War, that sort of thing) who gets intimately wrapped up in the Liberian civil war with Samuel Doe, Prince Johnson, and - of course - Charles Taylor. Through a series of events best left to unfold on their own, she ends up working with chimpanzees in Liberia and earns a fictional role in the real-world drama of Liberia's political disintegration. (The book was published before Liberia's recent election of a competent, democratic president and the hope that has ensued.)

Banks, to his credit, lets Africans and African politics become significant characters and elements of the story rather than leaving Africa as the backdrop to which it is relegated by many Western writers. The unfolding of the Liberian political disaster is the most compelling, exciting part of the story.

Hannah's personal story is not so interesting. Whether that is more because she is an unsympathetic protagonist - emotionally cold and more in love with her chimpanzees than her children or her husband - or because her frequent musings about her wonderful chimpanzees and ideology are simply not that interesting, I'm not sure.

I'm not sorry I read this book: It portrayed true elements of the Liberian civil conflict in an engaging and memorable way. But the book never really drew me in: Too much of it was wrapped up in Hannah's navel-gazing, and her navel just wasn't that interesting to look at. If I could go back in time, I'd probably look for another book with more parts Liberian drama and fewer parts washed-up revolutionary. (A book with the right proportions - but for the Dominican Republic - is Mario Vargas Llosa's The Feast of the Goat.) Although I'm not sure which book that is for Liberia, let me recommend an excellent, excellent [yes, TWO excellents] novel about Nigeria's civil war of the 1960s: Adichie's Half of a Yellow Sun.

The professional reviewers were mixed: Metacritic, a website which collects professional published reviews, lists 5 outstanding reviews, 7 favorable, 5 mixed, and 3 unfavorable.*

Note on content: There is a fair amount of strong language, several descriptive sex scenes, and some brutal torture. I listened to the audiobook narrated by Mary Beth Hurt; she delivers a solid reading.

* For example, the Washington Post found it outstanding, one New York Times review was favorable (the other was mixed), the Economist was mixed, and Entertainment Weekly was unfavorable.

Summary of The Darling

The Darling is Hannah Musgrave's story, told emotionally and convincingly years later by Hannah herself. A political radical and member of the Weather Underground, Hannah has fled America to West Africa, where she and her Liberian husband become friends and colleagues of Charles Taylor, the notorious warlord and now ex-president of Liberia. When Taylor leaves for the United States in an effort to escape embezzlement charges, he's immediately placed in prison. Hannah's encounter with Taylor in America ultimately triggers a series of events whose momentum catches Hannah's family in its grip and forces her to make a heartrending choice.

Set in Liberia and the United States from 1975 through 1991, The Darling is a political/historical thriller -- reminiscent of Graham Greene and Joseph Conrad -- that explodes the genre, raising serious philosophical questions about terrorism, political violence, and the clash of races and cultures.

Performed by Mary Beth Hurt


Russell Banks brings to life in The Darling another political-historical narrative of great scope and range. As in Continental Drift and Rule of the Bone, racial issues are explored; as in Cloudsplitter, idealism runs off the rails. Banks always makes it work because he keeps it real.

The "darling" of the story is Dawn Carrington, ne้ Hannah Musgrave, a political radical and member of the Weather Underground forced to flee America to avoid arrest. At the time of the novel, she is 59, living on her working farm in upstate New York with four younger women, recalling her life in Liberia and her recent return to that country to look for her sons. "Mainly, we return to a place in order to learn why we left," she says. For Hannah, the decision was harrowing. She abandoned her sons during a bloody civil war, after the death of her husband, Woodrow Sundiata, a black African Cabinet Minister in President Samuel Doe's government, who is beheaded in front of her and her three boys. Banks explores mercilessly the corruption, greed, sloth, cynicism, and violence running through the Liberian leaders from Tolbert to Doe to Charles Taylor, weaving the real story of the horrors of West Africa with the fictional narrative of Hannah and Woodrow. He can take history off the page, bringing to life the times, people and events he recounts.

Hannah was born a child of privilege and chafed against it from her youth: "...it was an old impulse ... this desire to separate myself in the dance of life from the people who had brought me and become one instead with the people excluded from the dance..." Her father is a famous pediatrician, her mother a shadow figure maintaining a predictably correct suburban household. Both parents are liberal, but Hannah outstrips their political stance early on. They are estranged for many years because of her flight, but the separation is really much deeper than distance or politics.

She becomes a wife and mother, and is bored and unfulfilled by the role. She turns to creating a sanctuary for chimpanzees and finds her real purpose. "An old pattern. It's how since childhood I have made my daily life worth living, by turning tedium and despair into a cause." She names each chimp, calls them her "dreamers," and cares for them while others care for her children. Self-knowledge is not high on a list of her personal attributes. Although she characterizes herself as "a darling," there is little evidence to support her claim: distant father, cold mother, controlling husband. She finally sees herself in a true light: "Here it all was again: the names and dates, the tired facts of my biography up to then, the description of my few skills and talents. It was the CV of a small-time, would-be domestic terrorist. Sad. Pathetic." Hannah Musgrave is a visitor in her own life, never really connecting with anyone; more a dreamer than a darling.

Russell Banks has, once again in The Darling, shown himself to be one of the finest novelists writing today. He has written very convincingly, in a woman's voice, a story of youthful idealism destroyed by the real world, of a woman who connected more completely with chimps than with humans, and who says, "once it was clear to me that I would have to abandon my husband and children and return alone to the United States, once I saw that I would be alone, safe from prosecution--I realized, gradually at first and then in a rush, that it was exactly what I had wanted all along? I was once again seizing an opportunity to abandon one life for another." Another reinvention for Hannah. --Valerie Ryan

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