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The End (A Series of Unfortunate Events, Book 13) by Lemony Snicket
Book Summary InformationAuthor: Lemony Snicket Illustrator: Brett Helquist Illustrator: Michael Kupperman Edition: Hardcover Audio: English (Published) Format: Bargain Price Published: 2006-10-13 ISBN: N/A Number of pages: 368 Publisher: HarperCollins
Book Reviews of The End (A Series of Unfortunate Events, Book 13)Book Review: Very Frustrating Drivel Summary: 1 Stars
I first started reading this series about two years ago, around the time "The End" first came out. I have to admit, I was caught up in the excitement that surrounded the book's release. At first, I was very impressed. The first few books were wonderful. It started to get a little dull through books four, five, and six. But then, in book seven, when the plot twisted and the children and Olaf switched places, it got interesting again. Also, the introduction of VFD and it's myriad mysteries was a welcome addition.
With each new book I found myself more and more interested in solving the growing mysteries that surrounding Violet, Klaus, and Sunny. When I finally got to "The End," I couldn't wait to see how all the various plot threads would be resolved. Boy, was I disappointed! ALMOST NO QUESTIONS ARE ANSWERED!!!!! Yes, we do learn that Beatrice was the Baudelaire mother and that it was Lemony Snicket's love for her that caused him to chronicle the lives of her children. But, what else is answered?!
* Who really burned down the Baudelaire mansion?
* Did both Bertrand and Beatrice Baudelaire die in that fire, or die one of them survive?
* What is the final fate of the Quagmires?
* Why was there a tunnel between 667 Dark Avenue and the Baudelaire mansion and another under the Quagmire mansion?
* What exactly was VFD? (Yes, it was a Volunteer Fire Department, but why was it formed in the first place, why was it a "most secret organization" that virtually everyone seemed to know about or belong to, and why was is SO horrifically ineffective in stopping the villains?)
* Why were VFD members constantly following the children but never really helping them?
* Was justice ever served on the Man with a Beard but no Hair and the Woman with Hair but no Beard?
* What was the importance of the sugar bowl and what was inside it?
* What was the giant question mark, or The Great Unknown, from "The Grim Grotto"?
* What is the ultimate fate of Violet, Klaus, and Sunny?
If you're looking for answers to any of this questions, or the countless others the preceding twelve books created, don't waste your time reading "The End." THE ANSWERS. SIMPLY. ARE. NOT. THERE. In fact, aside from not resolving these many, many mysteries, the book creates another plenitude - a word which here means "a ridiculous amount" - of new mysteries. Here's just a few...
* Why and how does everything, and I do mean EVERYTHING, seem to find its way to the island?
* What is Olaf's connection to Kit Snicket?
* Why do the children suddenly become content to simply let the mysteries go unresolved?
I've read a lot of reviews saying none of this matters because that is just Handler's writing style. Well, I'm sorry, I don't find that convincing. A unique writing style is no excuse for not offering a resolution to a series in which so many people have invested so much time, money, and emotion. And simply saying "Some mysteries can't or shouldn't be explained" is a cop out plain and simple.
In short, this book was a terrible let-down to an amazing series. If you're looking a good series that doesn't simply leave you hanging at the end, read "Harry Potter and the Deathly Hallows" or "The Return of the King." Both of those authors, unlike Mr. Snicket, offer stories that aren't just mostly meaningless, tangential filler and perfectly tie up all loose plot threads.
Summary of The End (A Series of Unfortunate Events, Book 13) Dear Listener, You are presumably looking at the back of this audiobook, or the end of the end. The end of the end is the best place to begin the end, because if you listen to the end from the beginning of the beginning of the end to the end of the end of the end, you will arrive at the end of the end of your rope. This audiobook is the last in A Series of Unfortunate Events, and even if you braved the previous twelve volumes, you probably can't stand such unpleasantries as a fearsome storm, a suspicious beverage, a herd of wild sheep, an enormous bird cage, and a truly haunting secret about the Baudelaire parents. I also shouldn't mention the features of the interactive CD, which include: - Perplexing word games
- Photos from The Lemony Snicket Archives
- Art from The Brett Helquist gallery
It has been my solemn occupation to complete the history of the Baudelaire orphans, and at last I am finished. You likely have some other occupation, so if I were you I would drop this audiobook at once, so the end does not finish you. With all due respect, Lemony Snicket Picking up from the final pages of the Pentultimate Peril, this farewell installment to the ridiculously (and deservedly!) popular A Series of Unfortunate Events places our protagonists right where we last left them: on a large, wooden boat in the middle of the ocean, trapped with their nemesis Count Olaf, who has armed himself with a helmet-full of deadly Medusoid Mycelium. The situation quickly and--this being the Baudelaires--predictably deteriorates. Violet, Klaus, and Sunny find themselves tossed in a storm so terrible that our beloved narrator spends four pages describing how he cannot describe it. From this point on, fans of the series' smarty-pants wordplay and acrobatic narrative can rest assured that they're in for more of the same (and how) in this 368-page finale, and Daniel Handler's deadpan Snicket continues to tutor a generation in self-referential humor (including one particularly funny bit regarding three very short men carrying a large, flat piece of wood, painted to look like a living room). Snicket notes, of course, that if you read the entire series, "your only reward will be 170 chapters of misery in your library and countless tears in your eyes." There's one big question, though, for anyone who's made it through "the thirteenth chapter of the thirteenth volume in this sad history": is the final book a fitting end? That question is probably best-answered by one of The End's most oft-repeated phrases: It depends on how you look at it. Those looking for conclusive resolution to the series' many, many mysteries may be disappointed, although some big questions do get explicit answers. Not surprisingly for a work so deliberately labyrinthine, though, even the absence of an answer can be sort of an answer--and reaction to The End can be something of a Rorschach test for readers. Or, as Lemony Snicket says, "Perhaps you don?t know yet what the end really means." --Paul Hughes
Siblings Books
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