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The Grapes of Wrath (Centennial Edition) by John Steinbeck
Book Summary InformationAuthor: John Steinbeck Edition: Paperback Audio: English (Unknown); English (Original Language); English (Published) Published: 2002-01-08 ISBN: 0142000663 Number of pages: 455 Publisher: Penguin (Non-Classics) Product features: - ISBN13: 9780142000663
- Condition: New
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Book Reviews of The Grapes of Wrath (Centennial Edition)Book Review: The Struggle of the Migrating Outcasts Summary: 5 Stars
The Grapes of Wrath, written by John Steinbeck, is a brilliantly crafted work that appeals to readers of every class and background. It brings to life the battles of injustice and the strength of a family bond that all Americans, young and old, can identify with. Steinbeck masterfully illustrates the movement and transformation of an entire nation and the struggle of the powerful verses the powerless that accompanies this changing America.
John Steinbeck's background and the events that he experienced while writing this novel helped to add realism and believability to his work of fiction. He wrote The Grapes of Wrath in the late 1930s during the Dust Bowl and the Great Depression. Drought and the Great Depression left workers without jobs, money, or food. Many people could not pay back their loans or mortgages so the banks took their houses and land, forcing them to migrate to a place where they hoped to start over. Since Steinbeck lived in California during this time of despair, he witnessed what happened to the people who migrated to his home state. He even lived with a family in Oklahoma and traveled to California with them so that his story could be as realistic as possible.
The Grapes of Wrath plots the struggles of the Joads, an Oklahoma Dust Bowl family who is forced off their land and journey's to the "Promise Land" of California. Steinbeck tells the tales of their family and the millions that traveled beside them, pointing out the many injustices they all faced. People were thrown out into the elements when the banks came in like "snub-nosed monsters, raising the dust and sticking their snouts into it, straight down the country, across the country, through fences, through dooryards" (35). The protagonist of the novel is Tom Joad, the Joad's oldest son, who has just been released from prison. He returns home to find his family's farm abandoned and destroyed. Tom finds his family packing all of their belongings into a broken down pick-up truck at his Uncle John's house. They have decided to take the risk and make the long journey West to find work. This journey is filled with tragedy and struggles as the strong bond of the family begins to slowly break apart. Injustice and discrimination linger in each town, waiting for the Joads to arrive. They are viciously called "Okies" (279) and are forced to stay in dirty camps called "Hoovervilles" (234). They struggle to find work, prevent starvation, and fight for their pride. Tom tries to defend his family and people but goes too far and is forced to go into hiding. He eventually leaves his family to try to organize the migrant workers to fight while his pregnant sister Rose of Sharon uses her gift to help her fellow man. The story leaves the reader with a sense of hope that the migrant families will soon break free from their "slavery" and discrimination.
Throughout his novel, Steinbeck effectively uses shifts in point of view to completely develop his ideas. He uses a narrator that is omniscient and all-knowing for a majority of his book. This gives the reader insight on the thoughts of all the characters as well as society. At some points during the novel, the narrator describes broad, social events that an entire group of people are experiencing. Also, the narrator can take on the voice of a type of individual that is a part of this group of people (like a migrant farmer or a California landowner). Steinbeck shows the readers both perspectives to try to capture the time as accurately as possible. Finally, many times the narrator is also objective and unnamed, like a detached observer who does not assume a character's perspective. It seems as though the narrator is there watching while the Joad family's lives unfold through conversations.
Along with changing the perspectives throughout his novel, Steinbeck also utilizes many different and important literary devices. He effectively employs diction, tone, and structure to develop his plot and themes. Steinbeck's unique and descriptive diction develop his own informal style of writing. He uses a mix of both middle and low diction to illustrate the lives of the farmers. He is very descriptive and applies middle diction to paint a picture of the setting and important events of the time. "To the red country and the part of the gray country of Oklahoma, the last rains came gently, and they did not cut the scarred earth" (1). Steinbeck also uses low diction and dialect when the characters have conversations to illustrate their backgrounds and to make his novel more realistic. He utilizes plain, easy to understand language so that the common man, woman, or child can read and understand his novel. He wrote The Grapes of Wrath to illustrate the plight of the lower class farmers of the Great Depression and intended that people of all economic and social backgrounds could discover his themes.
Steinbeck also employs tone and structure to highlight his themes. He gives his novel a sympathetic tone toward the migrant families and at times it is apparent that he is outraged by the injustices that they face. But he knows that those injustices empower the workers and they will soon unite together. "Here is the node, you who hate change and fear revolution. Keep these two squatting men apart; make them hate, fear, suspect each other. For here `I lost my land' is changed; a cell is split and from its splitting grows the thing you hate-`We lost our land'" (151). Also, Steinbeck uniquely structures his novel to show the readers different perspectives and to foreshadow the future tragedies and hardships that the Joads will face. He precedes major events with short chapters that describe the state of America and that foreshadow the future. Steinbeck's use of diction, tone, and structure does an excellent job of creating an interesting plot and serving as a way to introduce his many themes.
Finally, Steinbeck uses his choices in characters, plot, and setting to highlight his intended themes. He portrays a poor and struggling family from Oklahoma as the main characters of his story so that he can illustrate his theme of the powerful against the powerless. The Joads are left with nothing after the bank takes their land and are forced to leave the dry, dust-filled Great Plains where "it was black night, for the stars could not pierce the dust to get down, and the window lights could not even spread beyond their own yards" (3). Here the land is brown and dead, it has no power and no promise for a better future. So they travel to the California "Promise Land" which is full of "Valleys in which the fruit blossoms are fragrant pink and white waves in a shallow sea. The full green hills are round and soft" (346). California is green and alive, growing with opportunity and power, waiting to create brighter futures. The Joads are the stereotypical "Okies" that are forced to carry all of their belongings in a broken down truck and face the discrimination of people who do not understand their desperate situation. They do not have work, money, or food and as a result are left powerless. Ultimately, Steinbeck shows how a family's bond and the strength of women as the holding force of a family can overcome all injustice and unite people together.
In the end, Steinbeck has created a brilliant novel that effectively utilizes many literary devices to illustrate the battle between those that have and those that do not. The migration of a country was filled with injustice and it brought out the best and the worst of America. Steinbeck could use his novel to unite a country, and to show people what The Grapes of Wrath can accomplish. "The break would never come as long as fear could turn to wrath" (435). Ultimately, the powerless migrant workers used their "wrath" to make "grapes" and good out of a terrible situation. Families came together and demonstrated how unity can powerfully defeat hardship and injustice.
Summary of The Grapes of Wrath (Centennial Edition)The Grapes of Wrath is a landmark of American literature. A portrait of the conflict between the powerful and the powerless, of one man?s fierce reaction to injustice, and of one woman?s stoical strength, the novel captures the horrors of the Great Depression and probes into the very nature of equality and justice in America. Although it follows the movement of thousands of men and women and the transformation of an entire nation, The Grapes of Wrath is also the story of one Oklahoma family, the Joads, who are driven off their homestead and forced to travel west to the promised land of California. Out of their trials and their repeated collisions against the hard realities of an America divided into Haves and Have-Nots evolves a drama that is intensely human yet majestic in its scale and moral vision, elemental yet plainspoken, tragic but ultimately stirring in its human dignity. First published in 1939, The Grapes of Wrath summed up its era in the way that Uncle Tom?s Cabin summed up the years of slavery before the Civil War. Sensitive to fascist and communist criticism, Steinbeck insisted that ?The Battle Hymn of the Republic? be printed in its entirety in the first edition of the book?which takes its title from the first verse: ?He is trampling out the vintage where the grapes of wrath are stored.? At once a naturalistic epic, captivity narrative, road novel, and transcendental gospel, Steinbeck?s fictional chronicle of the Dust Bowl migration of the 1930s is perhaps the most American of American Classics. The Great Books Foundation Discussion Guide for The Grapes of Wrath is available at www.penguinputnam.com and at www.greatbooks.org. When The Grapes of Wrath was published in 1939, America, still recovering from the Great Depression, came face to face with itself in a startling, lyrical way. John Steinbeck gathered the country's recent shames and devastations--the Hoovervilles, the desperate, dirty children, the dissolution of kin, the oppressive labor conditions--in the Joad family. Then he set them down on a westward-running road, local dialect and all, for the world to acknowledge. For this marvel of observation and perception, he won the Pulitzer in 1940. The prize must have come, at least in part, because alongside the poverty and dispossession, Steinbeck chronicled the Joads' refusal, even inability, to let go of their faltering but unmistakable hold on human dignity. Witnessing their degeneration from Oklahoma farmers to a diminished band of migrant workers is nothing short of crushing. The Joads lose family members to death and cowardice as they go, and are challenged by everything from weather to the authorities to the California locals themselves. As Tom Joad puts it: "They're a-workin' away at our spirits. They're a tryin' to make us cringe an' crawl like a whipped bitch. They tryin' to break us. Why, Jesus Christ, Ma, they comes a time when the on'y way a fella can keep his decency is by takin' a sock at a cop. They're workin' on our decency." The point, though, is that decency remains intact, if somewhat battle-scarred, and this, as much as the depression and the plight of the "Okies," is a part of American history. When the California of their dreams proves to be less than edenic, Ma tells Tom: "You got to have patience. Why, Tom--us people will go on livin' when all them people is gone. Why, Tom, we're the people that live. They ain't gonna wipe us out. Why, we're the people--we go on." It's almost as if she's talking about the very novel she inhabits, for Steinbeck's characters, more than most literary creations, do go on. They continue, now as much as ever, to illuminate and humanize an era for generations of readers who, thankfully, have no experiential point of reference for understanding the depression. The book's final, haunting image of Rose of Sharon--Rosasharn, as they call her--the eldest Joad daughter, forcing the milk intended for her stillborn baby onto a starving stranger, is a lesson on the grandest scale. "'You got to,'" she says, simply. And so do we all. --Melanie Rehak
Classics Books
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