The New Confessions

The New Confessions
by William Boyd

The New Confessions
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Book Summary Information

Author: William Boyd
Edition: Paperback
Audio: English (Unknown); English (Original Language); English (Published)
Published: 2000-10
ISBN: 0375705031
Number of pages: 480
Publisher: Vintage

Book Reviews of The New Confessions

Book Review: An Outstanding Fictional Memoir
Summary: 5 Stars

This fictional memoir displays Boyd's consummate skill and style to full effect, ranging across time an place to create a vivid tale. Jean Jacques Rousseau's Confessions is (perhaps arguably) first tell-all memoir, and here Boyd updates it through the reminisces of James Todd. The story unfolds chronologically from his birth in 1899 and upbringing in Edinburgh to the 1970s, when he sits incognito on a quiet island writing his memoirs. The years between are a picaresque journey through the first half of the last century and one man's attempt to create meaning in his life.

The early years in his domineering father's household document an unhappy child yearning for love and approval. His father's quest to perfect and patent medicines provides an uncommonly interesting background for this. When a family friend introduces him to photography, the die is cast. As a teenager, like so many British men of his age, he is swallowed by the first World War, where he is wounded at Ypres. Here, Boyd's descriptions manage to breath fresh life into carnage whose horror has been well-documented. Fortuitously, he is then transferred to a propaganda unit, where his talent in photography is applied to the new realm of film. Captured by the Germans, he languishes in prison, where a guard befriends him and gives him a copy of Rousseau's Confessions to pass the time. The work insinuates itself into him, and it percolates in him in the postwar years as he works in the London silent film industry. Despite marrying and fathering several children, his ambitions remain thwarted and he moves to Berlin to pursue his pet project of making an epic version of Rousseau's book.

In Weimar Berlin he embraces the vibrant (if pfenningless) art community and reconnects with his former guard, who is now an actor. Working together, and with Armenian producers, their careers start to take off and Todd becomes embroiled in a lifelong love affair with an actress. Boyd's description of the inter-war Berlin film scene is so vivid, and the discussion of Todd's career so convincing that one is tempted to put the book down and rush to the video store to see his films. With the juice to get his pet Rousseau project made, Todd throws himself full-tilt into the project, only to see the emergence of "talkies" scuttle it. This propels him to Hollywood, where makes some quiet B-Westerns embedded with subtle social messages until t he next war finds him scrambling around as a war correspondent for third-tier U.S. newspapers.

Following WWII, he falls afoul of the McCarthy witch hunts for communist in the entertainment industry and appears before HUAC. Here, is perhaps the book's one flaw. The HUAC hearings provide Todd with an opportunity to both stay afloat by naming names (some of whom have already named him), and exact revenge on his longtime archnemesis-but he doesn't take it. Although he's presented as variously idealistic and honorable, it's the one time in the book where the character doesn't hold true. And from here, the book bogs down a little, as Todd's current situation as apparent exile starts to loom over the proceedings. Despite a somewhat unsatisiying ending, the story's overall quality is head and shoulders above the pack. Once again Boyd has researched a plethora of subjects and places, and recreates them perfectly. At the same time he occasionally deploys a light comic touch to lighten this story of the search for meaning and the role of chance in life.

Summary of The New Confessions

In this extraordinary novel, William Boyd presents the autobiography of John James Todd, whose uncanny and exhilarating life as one of the most unappreciated geniuses of the twentieth century is equal parts Laurence Stern, Charles Dickens, Robertson Davies, and Saul Bellow, and a hundred percent William Boyd.  

From his birth in 1899, Todd was doomed. Emerging from his angst-filled childhood, he rushes into the throes of the twentieth century on the Western Front during the Great War, and quickly changes his role on the battlefield from cannon fodder to cameraman. When he becomes a prisoner of war, he discovers Rousseau's Confessions, and dedicates his life to bringing the memoir to the silver screen. Plagued by bad luck and blind ambition, Todd becomes a celebrated London upstart, a Weimar luminary, and finally a disgruntled director of cowboy movies and the eleventh member of the Hollywood Ten. Ambitious and entertaining, Boyd has invented a most irresistible hero.

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