The Screenwriter's Bible: A Complete Guide to Writing, Formatting, and Selling Your Script

The Screenwriter's Bible: A Complete Guide to Writing, Formatting, and Selling Your Script
by David Trottier

The Screenwriter's Bible: A Complete Guide to Writing, Formatting, and Selling Your Script
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Book Summary Information

Author: David Trottier
Edition: Paperback
Audio: English (Unknown); English (Original Language); English (Published)
Published: 2005-08-20
ISBN: 1879505843
Number of pages: 386
Publisher: Silman-James Press
Product features:
  • ISBN13: 9781879505841
  • Condition: New
  • Notes: BUY WITH CONFIDENCE, Over one million books sold! 98% Positive feedback. Compare our books, prices and service to the competition. 100% Satisfaction Guaranteed

Book Reviews of The Screenwriter's Bible: A Complete Guide to Writing, Formatting, and Selling Your Script

Book Review: A complete guide to screenwriting
Summary: 5 Stars

In this case, the word Bible got a precise and reasonable meaning. In fact, David Trottier (script consultant, writer, producer and screenwriting teacher) with this book realized an excellent source of information for the rank beginners who need clear instruction to answering all the question that writers may have. However, even the veteran writers, who need reminding, can find in this book the information they request. In any case, if you have to learn about screenwriting, this book is highly recommended. Personally, I found any explanation very easy and clear.

Summary of The Screenwriter's Bible: A Complete Guide to Writing, Formatting, and Selling Your Script

This is six books in one. Book 1 - A screenwriting primer that provides a concise presentation of screenwriting basics. Book 2 - A workbook that walks the writer through the writing process, from nascent ideas through revisions. Book 3 - A formatting guide that presents correct formats for both screenplays and TV scripts. Book 4 - A spec writing guide that demonstrates today's spec style through sample scenes and analysis. Book 5 - A sales and marketing guide that presents proven strategies to help you create a laser-sharp marketing plan. Book 6 - A resource guide that provides addresses and contacts for industry organisations, schools, publications, support groups, services, contests, etc. Among its wealth of practical information are sample query letters, useful worksheets and checklists, hundreds of examples, sample scenes, and straightforward explanations of screenwriting fundamentals.
How does a spec script differ from a shooting script? What kind of fasteners should one use to bind a script? How did the term MOS come to mean without sound? You'll find the answers to these pressing questions and much more in David Trottier's eminently usable Screenwriter's Bible. The avuncular Trottier--a writer-producer, script consultant, and seminar leader--has written a friendly guide through the Hollywood morass. He touts it as six books in one: it's "a screenwriting primer, a screenwriting workbook, a formatting guide, a spec writing guide, a sales and marketing guide, [and] a resource guide."

Much of Trottier's advice is common sense: "Don't write anything that cannot appear on the screen"; to keep casting options open, don't make your physical descriptions too specific; "don't say Ron Howard is looking at the project if he is not." But there are things to know about Hollywood that are, well, quirkier. Don't write the title of your script on the front cover or side binding; present action sequences using the "stacking action" style; in query letters and scripts alike, avoid "big blocks of black ink." Trottier's guidance--from character development and revision to queries and pitches--is invaluable. Getting in the door can seem impossible, but it's not, necessarily. "If you write a script that features a character who has a clear and specific goal," says Trottier, "where there is strong opposition to that goal leading to a crisis and an emotionally satisfying ending, your script will automatically find itself in the upper five percent."

(By the way, MOS is said to have "originated with German director Eric von Stroheim, who would tell his crew, 'Ve'll shoot dis mid out sound'"). --Jane Steinberg

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