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Book Summary InformationAuthor: Chuck Hogan, Guillermo Del Toro Edition: Hardcover Audio: English (Unknown); English (Original Language); English (Published) Published: 2009-06-02 ISBN: 0061558230 Number of pages: 416 Publisher: William Morrow Product features: - First edition
- Hardback
- collectible
- Book One of trilogy
- Del Toro
Book Reviews of The Strain: Book One of The Strain TrilogyBook Review: Wait for the movie... Summary: 2 Stars
Del Toro (hereafeter GDT) & collaborator what's-his-name have basically taken the vampiric mutants from Blade II and wedged them in a vampire plague scenario. I love GDT's movies, but this book is just poorly done and worst of all, far too long. The concept of wading through another two volumes of this low quality pulp is truly disheartening, but alas, due to the celebrity author's considerable media throw-weight, the publisher seems to have already awarded a multi-volume contract.
So what's wrong? First, our cast of characters. Our lead character is a handsome, wise, brilliant, epidemiologist named "Ephraim" which leads to a cool nickname of "Eph". Our hero is so cool that by page 37, we hear his ex-wife referring to him in her inner thoughts as "a good-looking genius". (This is truly a sign that we are in the world of B-grade speculative fiction; one's ex- thinking of one as being handsome and brilliant!). One of our villains is the requisite Vampire Lord, (hereafter "Count Vampiro" as I forget his name but it was nothing memorable) and the other one is some sinister old billionaire who wants to live forever. The sinister billionaire's name? Eldritch. I guess he could have been named Old Bob Evilguy, but that might have lowered the erudite tone of the proceedings...
Besides these worthies, we have a supporting cast of such thrilling cardboard cartoons as the Lovable Tot in Peril, the Gorgeous Sidekick With a Crush for Eph, and my favorite, the 70 year old plus Holocaust survivor vampire expert who can still kick vampire butt with his swordsmanship moves. Yes, I know many septuagenarians who are excellent swordsmen... And finally, we have the GDT stand-in, a Mexican street tough who is kidnapped by a rival sect of vampire who want to turn him into the Ultimate Vampire Fighting Machine to go head to head with the evil vampires... (It looks like someone wishes they were still directing Blade II... or maybe even starring in it!)
So besides this cast of under-developed and hackneyed cut-outs, what other problems do we have? Well, more than a few:
1. Same old plot - I thought that with Eph being a good-looking genius who heads the CDC, we would get some high-level focus on the efforts of the govt to halt the vampire plague (kind of like "World War V" if you will.) Instead, for rather bogus reasons, the authorities soon come to suspect that Eph is a madman killer and so he is forced to become a fugitive. This of course puts us back to the "Dracula" plot device of several centuries ago where a small band must struggle manfully against the forces of darkness while the world at large slumbers unaware of the war being waged behind the scenes, blah blah, blah.
2. No one in this fictional world knows what a vampire is - plane lands at JFK, 200 exsanguinated corpses on it, each with a mysterious wound in their neck. Then the bodies of the victims begin to vanish from the morgues and their immediate family members begin to vanish. Of course no one in the mainstream of GDT land has any idea of this "vampire" concept, even as the whole dang city turns into bloodsuckers...
3. Authority inertia - Besides not ever having seen a vampire flick or read Dracula in high school, the folks in charge also spend the initial days of the vampire plague doing nothing. As a significant percentage of NYC vanishes and as violent incidents rise (complete with chaos in the streets) the various levels of government and agencies involved seem to do ... absolutely nothing! Of course, Old Bob Evilguy is pulling the strings with his Connections, but it seems that even Donald Trump or Bill Gates would have a pretty hard time suppressing a plague of homicides and disappearances in the media center of the world, especially after the dramatic and mysterious "airplane of death" origin of the crisis.
4. Too Much Detail - like many bad writers, GDT and the other guy have the urge to let us know all the great research they've done by regurgitating stuff like the fuel capacity of jet liners, HRT entry tactics, Nazi death camp organization, the habitation patterns of rats, the psychology of divorce (OK, maybe not that last one!) etc. etc. Detail is fine, when seamlessly integrated into the plot, not as little multi-paragraph teaching moments in the scholarly voice of Professor Boredom.
5. Ordinary Man Beats Up Vampire, Film at 11 - Despite being elderly professors, career physician bureaucrats, and exterminators, our cast of heroes can go head to head with even Vampire Lord dude in fisticuffs. Indeed in the "climactic" struggle, there is an extended fight with Count Vampiro himself and he evidently is as weak as a kitten, as he not only does not kill any of our heroes, he doesn't even seriously injure them! They would have been more at risk fighting a pit bull... It would be one thing if our heroes were using crosses and holy water to keep Vampiro away from them, but that stuff don't work in this world. And of course if any of our heroes were, say, half-vampire superhuman warriors with a lifetime of training and experience in killing vamps, then their resilience against the undead might also make sense. But Blade is not in this one (at least not until Volume II, where the Mexican Blade GDT Proxy will take the stage...).
6. A New (and Boring) Vampire Mythology- OK, so crosses and holy water don't work (superstitious trinkets) but the GDT vamps can't cross running water and still need to be invited into one's home (or nation evidently - thanks Old Bob Evilguy!). This of course makes little sense, and the biological nonsense GDT and his ghostwriter come up with as to how the GDT vamps "work" is both lengthy, nonsensical, and dull, leading to many pages of painful exposition.
7. Poor Use of NYC Setting - for a movie director as author, I was amazed at how GDT used such dull settings for his action. Empire State Building? Brooklyn Bridge? Grand Central Station? Nah - hospital in Jamaica (Queens), suburban Westchester, even a Sears in Rego Park (Queens). As a matter of fact, there is an awful lot of the movie that happens in Archie Bunker's Borough (and my birthplace, yay!) but in fairness, there ain't much that's cinematic about NYC's largest Borough, and this makes for both a dull book and (presumably) a rather lame film.
8. Featherbedding - If GDT wasn't trying to milk this into a multi-book deal, this entire skimpy idea for a narrative could have been wrapped up in only one volume. This is maybe the worst problem with the book and explains many other perceived problems. The dull exposition of useless facts ("let me tell you about the way rats navigate a path!"), the inert plotting ("let's hear some more of the old guy's folktales"), the same sequences retold over and over (obscure airplane vamp returns home to terrorize family), the inconclusive showdown with Vampiro --- all from greed as GDT wants to milk the publisher and maybe even get three movies out of this scenario. The inconclusive lethargy in even Volume I makes it seem as if GDT has been taken writing lessons from Robert ("12,000 pages isn't enough!") Jordan.
Anyway, I love vampires, horror, and even the films of GDT, but that still doesn't make this book any easier to wade through. King's "Salem's Lot" is like Faulkner compared to this, and even McCammon's "They Thirst" is a better written, more concisely plotted, scarier novel of big city vampire infestation that also has better characters, less blah blah, and an epic feel that still takes only one volume to complete.
I am sure this will make a good action movie, but in the meantime this literary project feels like those pulp "movie novels" they crank out after a movie is released to ensnare semi-literates who just can't get enough of the world portrayed in the movie. This particular world is dull and unimaginative, full of people you will care less about. The prospective movie may or may not come across better, but this alleged book fails utterly as a standalone work. "The Strain" is poorly written, boring, and tedious, and even if you love GDT, just go and see the movie a few times when it's released and give him your cash that way. You will waste less time and probably enjoy the multiple viewings more than wading through this tripe.
Summary of The Strain: Book One of The Strain Trilogy The visionary creator of the Academy Award-winning Pan's Labyrinth and a Hammett Award-winning author bring their imaginations to this bold, epic novel about a horrifying battle between man and vampire that threatens all humanity. It is the first installment in a thrilling trilogy and an extraordinary international publishing event. The Strain They have always been here. Vampires. In secret and in darkness. Waiting. Now their time has come. In one week, Manhattan will be gone. In one month, the country. In two months?the world. A Boeing 777 arrives at JFK and is on its way across the tarmac, when it suddenly stops dead. All window shades are pulled down. All lights are out. All communication channels have gone quiet. Crews on the ground are lost for answers, but an alert goes out to the CDC. Dr. Eph Goodweather, head of their Canary project, a rapid-response team that investigates biological threats, gets the call and boards the plane. What he finds makes his blood run cold. In a pawnshop in Spanish Harlem, a former professor and survivor of the Holocaust named Abraham Setrakian knows something is happening. And he knows the time has come, that a war is brewing . . . So begins a battle of mammoth proportions as the vampiric virus that has infected New York begins to spill out into the streets. Eph, who is joined by Setrakian and a motley crew of fighters, must now find a way to stop the contagion and save his city?a city that includes his wife and son?before it is too late. Amazon Best of the Month, June 2009: Who better to reinvent the vampire genre than Guillermo Del Toro, the genius behind Pan's Labyrinth, and Chuck Hogan, master of character-driven thrillers like Prince of Thieves? The first of a trilogy, The Strain is everything you want from a horror novel--dark, bloody, and packed full of mayhem and mythology. But, be forewarned, these are not like any vampires you've met before--they're not sexy or star-crossed or "vegetarians"--they are hungry, they are connected, and they are multiplying. The vampire virus marches its way across New York, and all that stands between us and a grotesque end are a couple of scientists, an old man with a decades-old vendetta, and a young boy. This first installment moves fast and sets up the major players, counting down to the beginning of the end. Great summer reading. --Daphne Durham
Book Description  The visionary creator of the Academy Award-winning Pan's Labyrinth and a Hammett Award-winning author bring their imaginations to this bold, epic novel about a horrifying battle between man and vampire that threatens all humanity. It is the first installment in a thrilling trilogy and an extraordinary international publishing event. The Strain They have always been here. Vampires. In secret and in darkness. Waiting. Now their time has come. In one week, Manhattan will be gone. In one month, the country. In two months--the world. A Boeing 777 arrives at JFK and is on its way across the tarmac, when it suddenly stops dead. All window shades are pulled down. All lights are out. All communication channels have gone quiet. Crews on the ground are lost for answers, but an alert goes out to the CDC. Dr. Eph Goodweather, head of their Canary project, a rapid-response team that investigates biological threats, gets the call and boards the plane. What he finds makes his blood run cold. In a pawnshop in Spanish Harlem, a former professor and survivor of the Holocaust named Abraham Setrakian knows something is happening. And he knows the time has come, that a war is brewing . . . So begins a battle of mammoth proportions as the vampiric virus that has infected New York begins to spill out into the streets. Eph, who is joined by Setrakian and a motley crew of fighters, must now find a way to stop the contagion and save his city--a city that includes his wife and son--before it is too late. The Strain: Chapter One "Once upon a time," said Abraham Setrakian?s grandmother, "there was a giant." Young Abraham?s eyes brightened, and immediately the cabbage borscht in the wooden bowl got tastier, or at least less garlicky. He was a pale boy, underweight and sickly. His grandmother, intent on fattening him, sat across from him while he ate his soup, entertaining him by spinning a yarn. A bubbeh meiseh, a "grandmother?s story." A fairy tale. A legend. "He was the son of a Polish nobleman. And his name was Jusef Sardu. Master Sardu stood taller than any other man. Taller than any roof in the village. He had to bow deeply to enter any door. But his great height, it was a burden. A disease of birth, not a blessing. The young man suffered. His muscles lacked the strength to support his long, heavy bones. At times it was a struggle for him just to walk. He used a cane, a tall stick--taller than you--with a silver handle carved into the shape of a wolf?s head, which was the family crest." "Yes, Bubbeh?" said Abraham, between spoonfuls. "This was his lot in life, and it taught him humility, which is a rare thing indeed for a nobleman to possess. He had so much compassion-- for the poor, for the hardworking, for the sick. He was especially dear to the children of the village, and his great, deep pockets--the size of turnip sacks--bulged with trinkets and sweets. He had not much of a childhood himself, matching his father?s height at the age of eight, and surpassing him by a head at age nine. His frailty and his great size were a secret source of shame to his father. But Master Sardu truly was a gentle giant, and much beloved by his people. It was said of him that Master Sardu looked down on everyone, yet looked down on no one." She nodded at him, reminding him to take another spoonful. He chewed a boiled red beet, known as a "baby heart" because of its color, its shape, its capillary-like strings. "Yes, Bubbeh?" "He was also a lover of nature, and had no interest in the brutality of the hunt--but, as a nobleman and a man of rank, at the age of fifteen his father and his uncles prevailed upon him to accompany them on a six-week expedition to Romania." "To here, Bubbeh?" said Abraham. "The giant, he came here?" "To the north country, kaddishel. The dark forests. The Sardu men, they did not come to hunt wild pig or bear or elk. They came to hunt wolf, the family symbol, the arms of the house of Sardu. They were hunting a hunting animal. Sardu family lore said that eating wolf meat gave Sardu men courage and strength, and the young master?s father believed that this might cure his son?s weak muscles." "Yes, Bubbeh?" "Their trek was long and arduous, as well as violently opposed by the weather, and Jusef struggled mightily. He had never before traveled anywhere outside his family?s village, and the looks he received from strangers along the journey shamed him. When they arrived in the dark forest, the woodlands felt alive around him. Packs of animals roamed the woods at night, almost like refugees displaced from their shelters, their dens, nests, and lairs. So many animals that the hunters were unable to sleep at night in their camp. Some wanted to leave, but the elder Sardu?s obsession came before all else. They could hear the wolves, crying in the night, and he wanted one badly for his son, his only son, whose gigantism was a pox upon the Sardu line. He wanted to cleanse the house of Sardu of this curse, to marry off his son, and produce many healthy heirs. "And so it was that his father, off tracking a wolf, was the first to become separated from the others, just before nightfall on the second evening. The rest waited for him all night, and spread out to search for him after sunrise. And so it was that one of Jusef?s cousins failed to return that evening. And so on, you see." "Yes, Bubbeh?" "Until the only one left was Jusef, the boy giant. That next day he set out, and in an area previously searched, discovered the body of his father, and of all his cousins and uncles, laid out at the entrance to an underground cave. Their skulls had been crushed with great force, but their bodies remained uneaten--killed by a beast of tremendous strength, yet not out of hunger or fear. For what reason, he could not guess?though he did feel himself being watched, perhaps even studied, by some being lurking within that dark cave. "Master Sardu carried each body away from the cave and buried them deep. Of course, this exertion severely weakened him, taking most of his strength. He was spent, he was farmutshet. And yet, alone and scared and exhausted, he returned to the cave that night, to face what evil revealed itself after dark, to avenge his forebears or die trying. This is known from a diary he kept, discovered in the woods many years later. This was his last entry." Continue Reading The Strain
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