The Subtle Knife (His Dark Materials, Book 2)

The Subtle Knife (His Dark Materials, Book 2)
by Philip Pullman

The Subtle Knife (His Dark Materials, Book 2)
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Book Summary Information

Author: Philip Pullman
Edition: Mass Market Paperback
Audio: English (Unknown); English (Original Language); English (Published)
Published: 2003-09-09
ISBN: 0440238145
Number of pages: 304
Publisher: Laurel Leaf
Product features:
  • ISBN13: 9780440238140
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

Book Reviews of The Subtle Knife (His Dark Materials, Book 2)

Book Review: Truly one of the great fantasy works ever written
Summary: 5 Stars

Philip Pullman's His Dark Materials trilogy is easily one of my all time favorite fantasy series. This is despite recognition that it resorts to some pretty weak storytelling techniques at way too many places (more of that later). But the books' weaknesses are overwhelmed by wonderfully sketched characters, almost endless imagination in creating worlds that astound and delight, and a wonderful and engrossing story. Pullman's story is also amazingly unique and refreshing, completely unlike any other fantasy stories of recent decades.

C. S. Lewis wrote that one of the joys of reading is that it pulls you into worlds of which you previously knew nothing. That is certainly the case here. My complaint with most fantasy novels is that they provide endless repackagings of Middle Earth-like worlds. At this point I'm suffering from pretty serious Middle Earth imitator fatigue, which is one reason that I've read less and less sword and sorcerer kinds of fantasy as the years have gone by. But the multiple worlds explored in Pullman's trilogy are both unique and delightful, and fantastically refreshing (yes, pun intended) after so much dreck out there.

Many of my fellow Christians detest these books because of their explicitly anti-Christian bent. I mean, seriously. People are afraid that a fantasy novel trilogy is going to threaten their faith? Moreover, I honestly believe that both the cosmopolitan (if Old School and decidedly orthodox) C. S. Lewis and the ultra reactionary pre-Vatican II Catholic J. R. R. Tolkien (who thankfully kept his reactionary religious beliefs out of his fantasy fiction) would both have loved this series of novels. Yeah, Pullman hates Christianity. So what? I found his antireligious stance trite and Pullman's depiction of God really had nothing to do with my God.

I can't express how much I love these books despite some really serious flaws. I refer to the Dei ex machine. Yep, the plural. Over and over and over Lyra and/or Will or other characters are saved by the miraculous intervention of one or another hero. The degree of coincidence is nothing short of incredulous. Many writers utilize coincidence, but Pullman is almost without shame in going to that well over and over. So repeatedly characters get in dire circumstances and someone shows up at the most crucial moment to rescue them.

The only other complaint that I have with the book is the resolution of the prophecies about Lyra. She is part the new Eve and part Christ figure. The latter role is played out in her emptying hell. In some Christian mythology (it is not orthodox theology since it is based on tradition rather than Scripture) Jesus after his death storms the gates of hell. Lyra performs that function before she goes on to become the new Eve. I enjoyed the freeing of hell part of the book, but it isn't clear precisely how the new Eve part fulfilled in any significant way acts that fulfilled the great prophecies made of her.

But the strengths of the book dwarf the book's undeniable weaknesses. It is, in fact, a testimony to the trilogy's strong points that you can forgive them because there is so much in the book to love and enjoy. Frankly, this is one of my all time favorite fantasy series, right up there with LORD OF THE RINGS, THE CHRONICLES OF NARNIA, and the Harry Potter books.

Summary of The Subtle Knife (His Dark Materials, Book 2)

Lyra finds herself in a shimmering, haunted underworld?Cittàgazze, where soul-eating Specters stalk the streets and wingbeats of distant angels sound against the sky. But she is not without allies: 12-year-old Will Parry, fleeing for his life after taking another?s, has also stumbled into this strange new realm.

On a perilous journey from world to world, Lyra and Will discover an object of devastating power. And with every step, they move closer to an even greater threat?and the shattering truth of their own destiny.
With The Golden Compass Philip Pullman garnered every accolade under the sun. Critics lobbed around such superlatives as "elegant," "awe-inspiring," "grand," and "glittering," and used "magnificent" with gay abandon. Each reader had a favorite chapter--or, more likely, several--from the opening tour de force to Lyra's close call at Bolvangar to the great armored-bear battle. And Pullman was no less profligate when it came to intellectual firepower or singular characters. The dæmons alone grant him a place in world literature. Could the second installment of his trilogy keep up this pitch, or had his heroine and her too, too sullied parents consumed him? And what of the belief system that pervaded his alternate universe, not to mention the mystery of Dust? More revelations and an equal number of wonders and new players were definitely in order.

The Subtle Knife offers everything we could have wished for, and more. For a start, there's a young hero--from our world--who is a match for Lyra Silvertongue and whose destiny is every bit as shattering. Like Lyra, Will Parry has spent his childhood playing games. Unlike hers, though, his have been deadly serious. This 12-year-old long ago learned the art of invisibility: if he could erase himself, no one would discover his mother's increasing instability and separate them.

As the novel opens, Will's enemies will do anything for information about his missing father, a soldier and Arctic explorer who has been very much airbrushed from the official picture. Now Will must get his mother into safe seclusion and make his way toward Oxford, which may hold the key to John Parry's disappearance. But en route and on the lam from both the police and his family's tormentors, he comes upon a cat with more than a mouse on her mind: "She reached out a paw to pat something in the air in front of her, something quite invisible to Will." What seems to him a patch of everyday Oxford conceals far more: "The cat stepped forward and vanished." Will, too, scrambles through and into another oddly deserted landscape--one in which children rule and adults (and felines) are very much at risk. Here in this deathly silent city by the sea, he will soon have a dustup with a fierce, flinty little girl: "Her expression was a mixture of the very young--when she first tasted the cola--and a kind of deep, sad wariness." Soon Will and Lyra (and, of course, her dæmon, Pantalaimon) uneasily embark on a great adventure and head into greater tragedy.

As Pullman moves between his young warriors and the witch Serafina Pekkala, the magnetic, ever-manipulative Mrs. Coulter, and Lee Scoresby and his hare dæmon, Hester, there are clear signs of approaching war and earthly chaos. There are new faces as well. The author introduces Oxford dark-matter researcher Mary Malone; the Latvian witch queen Ruta Skadi, who "had trafficked with spirits, and it showed"; Stanislaus Grumman, a shaman in search of a weapon crucial to the cause of Lord Asriel, Lyra's father; and a serpentine old man whom Lyra and Pan can't quite place. Also on hand are the Specters, beings that make cliff-ghasts look like rank amateurs.

Throughout, Pullman is in absolute control of his several worlds, his plot and pace equal to his inspiration. Any number of astonishing scenes--small- and large-scale--will have readers on edge, and many are cause for tears. "You think things have to be possible," Will demands. "Things have to be true!" It is Philip Pullman's gift to turn what quotidian minds would term the impossible into a reality that is both heartbreaking and beautiful. --Kerry Fried

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