 |
Book Summary InformationAuthor: Diane Setterfield Edition: Hardcover Audio: English (Unknown); English (Original Language); English (Published) Format: Deckle Edge Published: 2006-09-12 ISBN: 0743298020 Number of pages: 416 Publisher: Atria Books
Book Reviews of The Thirteenth TaleBook Review: Enjoyable but flawed Summary: 3 Stars
I was very intrigued by the description of this novel and couldn't wait to read it. Like many readers, I particularly enjoy stories about books, authorship, and the literary legacy. I am equally as fascinated by stories of family drama and tragedy, hidden secrets, and scandal. This novel appeared to have it all. However, much like in the novel, appearances are not always what they seem and I was left unsatisfied at the close of the book.
Interestingly, I had a very divided response to the novel. While I was completely drawn in by the story of Vida Winter, her past, and her family, I was utterly annoyed and infuriated by the sections that focused on Margaret, her life, and her experience of trying to unravel the mysteries of Miss Winter's tale and some of the secondary characters related to it.
First, like a few other reviewers, I had a problem with the too blatant comparisons to some of the great books in English literature - Jane Eyre, Wuthering Heights, etc. - as well as the mimicry of the gothic romance. I am not opposed to influence, allusion, or reference and am a big fan of all of these writers but I felt that it was too overdone. Coupled with the intermingling of fairytale references, imagery, and archetypes, I sometimes had a hard time taking the "present" sections seriously. Also, there was something about the tone and voice of these sections - the only way I can describe it is melodramatic or hyperbolic perhaps - that really didn't sit well with me. As a result, I was entirely put off by Margaret's character. Her conflict over her own story only made it worse. And I felt that alot of the scenes involving Margaret and her parents (as well as some other characters) was far too superficially drawn and were devoid of the true human emotion and the subtlety of complex relationships or interactions that would have made her more likable and more real to me and would have ultimately made her story as powerful for the reader as Miss Winter's. In some respects, I wonder if the author had not put the weight of her skill and energies into the creation of Miss Winter's story and neglected Margaret's to a certain extent.
While Miss Winter's story was not perfectly drawn either and had its flaws, it was far more engaging and well-crafted. I became totally engrossed by the people of Angelfield and the events that occurred to shape the ultimate destruction of the house, literally and figuratively. Like Margaret, I felt compelled to know the truth of Miss Winter's life and the people of Angelfield and was totally invested in that part of the novel.
That being said, as another reviewer commented the incongruity of who Miss Winter initially revealed she is/was and the person she eventually became was very suspicious and made it apparent that there was some surprise to come. And, although she tells the story of her life through her childhood and reveals perhaps the most significant events of her life, we never learn about how she actually becomes Miss Winter. And while she at one point contests that it is really of no consequence, I think it was wrong of the author to leave the years that follow the story of Angelfield unexplored, even if it had been in some brief way.
Going along with this, something else that I have to comment on and that goes back to some of my earlier thoughts is the way Miss Winter was initially cast - put in the company of some of the greatest writers - Dickens, Austen, Eliot, etc. I'm not sure how the author could have done it better but I felt like she didn't demonstrate the authenticity of these claims fully enough. Sure she references the wide acclaim that Miss Winter has received - practically every character she comes across has a collection of Miss Winter's books - and makes it clear through the persistent interest in her life by the media. Somehow, I could not buy into this. And when later, there is an opportunity to have a little taste of Miss Winter's authorship, I was disappointed that it could not finally validate the claims of her supposed literary genius.
Although I know I have probably criticized this book far more than I have praised it, I still encourage people to read it. Despite the many things that I have described as flaws, I still really enjoyed certain elements of it and I know that several of these characters and the story itself with stay with me for a little while. Once I got into it, I could not put it down. In fact, I read the last 200 pages in almost one sitting. To me, all of this confirms that while it may not be a novel to group with the "great" works of literature, it is absolutely a good read. If you can overlook some of the problems that the overall narrative presents (and if you're not as picky or critical as I am :), I am confident that most readers will walk away from this novel having really enjoyed it.
Summary of The Thirteenth Tale When Margaret Lea opened the door to the past, what she confronted was her destiny. All children mythologize their birth. . . . So begins the prologue of reclusive author Vida Winter's beloved collection of stories, long famous for the mystery of the missing thirteenth tale. The enigmatic Winter has always kept her violent and tragic past a secret. Now old and ailing, she summons a biographer to tell the truth about her extraordinary life: Margaret Lea, a young woman for whom the secret of her own birth remains an ever-present pain. Disinterring the life she meant to bury for good, Vida mesmerizes Margaret with the power of her storytelling. Hers is a tale of gothic strangeness, featuring the Angelfield family -- including the beautiful and willful Isabelle, and the feral twins Adeline and Emmeline -- a ghost, a governess, and a devastating fire. Struck by a curious parallel between their stories, Margaret demands the truth from Vida, and together they confront the ghosts that have haunted them. The Thirteenth Tale is a return to that rich vein of storytelling that our parents loved and we loved as children. Diane Setterfield will keep you guessing, make you wonder, move you to tears and laughter, and in the end, deposit you breathless yet satisfied back upon the shore of your everyday life. Settle down to enjoy a rousing good ghost story with Diane Setterfield's debut novel, The Thirteenth Tale. Setterfield has rejuvenated the genre with this closely plotted, clever foray into a world of secrets, confused identities, lies, and half-truths. She never cheats by pulling a rabbit out of a hat; this atmospheric story hangs together perfectly. There are two heroines here: Vida Winter, a famous author, whose life story is coming to an end, and Margaret Lea, a young, unworldly, bookish girl who is a bookseller in her father's shop. Vida has been confounding her biographers and fans for years by giving everybody a different version of her life, each time swearing it's the truth. Because of a biography that Margaret has written about brothers, Vida chooses Margaret to tell her story, all of it, for the first time. At their initial meeting, the conversation begins: "You have given nineteen different versions of your life story to journalists in the last two years alone." She [Vida] shrugged. "It's my profession. I'm a storyteller." "I am a biographer, I work with facts." The game is afoot and Margaret must spend some time sorting out whether or not Vida is actually ready to tell the whole truth. There is more here of Margaret discovering than of Vida cooperating wholeheartedly, but that is part of Vida's plan. The transformative power of truth informs the lives of both women by story's end, and The Thirteenth Tale is finally and convincingly told. --Valerie Ryan
Historical Books
|
 |