The Vampire Armand (The Vampire Chronicles) Book 6
by Anne Rice
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Book Summary Information
Author: Anne RiceEdition: Mass Market Paperback
Audio: English (Unknown); English (Original Language); English (Published)
Published: 2000-10-03
ISBN: 0345434803
Number of pages: 457
Publisher: Ballantine Books
Book Reviews of The Vampire Armand (The Vampire Chronicles) Book 6
Book Review: Not bad,and not good!
Summary: 3 Stars
I like all of the vampire chronicles so far,but this one is a bit off...see for yourself.It was simply boring.It is better to skip this one and go on to "Blood and Gold",which is excellent.
Here is the plot:With Lestat still in slumber after his adventures in Memnoch the Devil, the vampire coven is united around the "brat prince" (a nickname for Lestat given by the older Children of the Millennia), and the vampire David Talbot takes the opportunity to request that Armand tell David his life story. Armand, who first appeared in Interview with the Vampire, agrees to tell his tale.
Born somewhere in the eastern European state of Kiev in the 16th century, Armand (at this time called Andrei) becomes an icon painter in a monastery. He is forcefully taken out of this life of prayer and devotion by slave traders, who take him to Constantinople and then to Venice, where he is destined to work in a brothel. Soon after his arrival in Venice he is purchased by the vampire Marius (whose life story is told in Blood and Gold), who names him Amadeo.
In Venice, Marius lives the extravagant life of a respected Renaissance painter, and mentors many boys who serve as his apprentices. Marius provides his apprentices with an education, shelter, food, and we are told that he assists them in finding repectable positions once they are grown. Life in Marius' villa is a stark contrast to the poverty, hunger and disease described elsewhere in the city. Over time, Amadeo's relationship to Marius develops and they become much closer than Marius is with any of the other boys. In addition to developing a sexual relationship, Amadeo sleeps in Marius' bed, is privy to special privileges, and becomes something of a 'head boy' in the household. Still, Marius maintains strict control over Amadeo, and expects industriousness from him in all things.
When Amadeo comes of age (the book is not specific, but he is most likely 15 or 16 at this point), Marius begins Amadeo's education in sexuality and coupling. He takes Amadeo to a brothel, where Amadeo remains for several days. Amadeo later visits a male brothel for several days, and while there makes several observations about the difference in sexual activities with the different genders. There is a distinct bisexuality to Amadeo's nature, as he enjoys activity with either sex. He later has a brief affair with an Englishman called Lord Harlech. Harlech becomes obsessed with Amadeo, but his love is not returned. During this period, Amadeo also befriends Bianca, a wealthy debutante whose primary role in life seems to be to throw nightly parties. He ultimately has sex with Bianca.
Marius eventually divulges his vampire nature to Amadeo, who almost immediately begins asking to be made a vampire. Marius shows Amadeo some of what it means to be immortal, and allows him to join him in the hunt on several occasions. He tells Amadeo that they must always focus on killing evildoers. They assist Bianca by murdering a group of criminals she had fallen in with.
Eventually, on a night when Marius is out of the country, Lord Harlech breaks into Marius's palazzo and attacks Amadeo, murdering two apprentices in the process. Amadeo kills Harlech, but not before the Englishman wounds him with a poisoned sword. Amadeo falls critically ill, and over several days falls into fever and dellusions. Upon returning and finding Amadeo on his deathbed, Marius heals Amadeo's external wounds, cleans and grooms him, then gives him the Dark Gift, turning him into a vampire.
Marius sets out to train Amadeo, and sets up a coffin in a secret basement with his own. Marius retains high expectations of Amadeo, and forces him to continue his education in the arts. Marius and Amadeo have sex together with Bianca. Amadeo's transition to vampire is relatively easy for him, although the Dark Gift brings about nightmares of his childhood. Marius and Amadeo return to Russia, where Amadeo visits his old school and home. He finds his elderly mother and father there, reveals that he is alive, and says farewell to them, leaving them with all the money and jewels he has with him. This is a generally happy reunion, as Amadeo is able to let go of his mortal background and his parents are able to see that their beloved son is alive (so to speak) and thriving.
Shortly after returning to Venice, the vampire Santino and his coven (the "Children of the Night") attack Marius' home, kidnap Amadeo and the apprentices, and burn the villa. Marius is burned and thought to be destroyed; his boys are taken to a bonfire that the coven has created and thrown in one by one as Amadeo watches. Santino spares Amadeo and educates him in the laws of the Coven. Amadeo later goes to Paris, changes his name to the French Armand, and creates his own coven under the Cimetière des Innocents, which Lestat, would years later drastically impact, resulting in the creation of the Théâtre des Vampires (featured in the earlier novel Interview With The Vampire).
Armand also shares with David his version of some of the events recounted by Louis de Pointe du Lac in Interview with the Vampire: the end of the Théâtre des Vampires and the time that Armand and Louis shared together. The book also chronicles Armand's feelings about several of the major vampire characters from the previous books. It is also revealed that Armand thinks he saw Bianca in Paris in the 18th century, and has wondered ever since if Marius made her a vampire. It is later revealed in Blood and Gold that this is the case, and that Marius made Bianca a vampire to assist him in recovering from burns sustained during the burning of the villa.
In the final segment of the book, Armand explains what occurred to him after the final chapters of Memnoch the Devil. At the end of Memnoch the Devil, Armand rushes into the open daylight and appears to be destroyed in a conflagration. Armand explains to David that by some means beyond his understanding he survived, and ended up on a rooftop in a stairwell protected from further exposure to the sun. However, he is badly burned and unable to move or fully function. While in this delirious state, he makes a mental connection to two children in a nearby apartment - Sybelle and Benji. The connection is forged through Sybelle's constant piano playing.
Eventually, Armand is able to reach out to the children and lead them to him. They believe he is an angel, but are moderately unsurprised when Armand divulges his true nature to them. Armand cannot hunt, so the two agree to trick a drug dealer up to the apartment so that Armand may feed on him. The plan works, and ultimately Armand is fully healed. He becomes friends with Sybelle and Benji and ultimately falls in love with them. He shares his wealth with them without limit, mirroring the relationship Marius had with him to a certain degree.
Armand brings them to see Lestat, which he has some concerns about since vampires are traditionally not safe for mortals to be around. After trying to wake Lestat from his catatonic state, Armand returns to Marius's house to discover that Marius has given Benji and Sybelle the Dark Gift. Armand is at first furious at Marius because he wanted Sybelle and Benji to have full, mortal lives. Marius explains to Armand that he did it since Armand never could without the two coming to hate him for it. Marius is willing to take the burden of Sybelle and Benji's eventual anger.
At the very end of the novel, Sybelle plays Beethoven's Appassionata on the piano, awakening Lestat, who comes to Marius's house and asks her to play it again.
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Summary of The Vampire Armand (The Vampire Chronicles) Book 6
See the difference, read #1 bestselling author Anne Rice in Large Print* About Large Print
All Random House Large Print editions are published in a 16-point typeface
In the latest installment of The Vampire Chronicles, Anne Rice summons up dazzling worlds to bring us the story of Armand - eternally young, with the face of a Botticelli angel. Armand, who first appeared in all his dark glory more than twenty years ago in the now-classic Interview with the Vampire, the first of The Vampire Chronicles, the novel that established its author worldwide as a magnificent storyteller and creator of magical realms.
Now, we go with Armand across the centuries to the Kiev Rus of his boyhood - a ruined city under Mongol dominion - and to ancient Constantinople, where Tartar raiders sell him into slavery. And in a magnificent palazzo in the Venice of the Renaissance we see him emotionally and intellectually in thrall to the great vampire Marius, who masquerades among humankind as a mysterious, reclusive painter and who will bestow upon Armand the gift of vampiric blood.
As the novel races to its climax, moving through scenes of luxury and elegance, of ambush, fire, and devil worship to nineteenth-century Paris and today's New Orleans, we see its eternally vulnerable and romantic hero forced to choose between his twilight immortality and the salvation of his immortal soul.
From the Trade Paperback edition.
In The Vampire Armand, Anne Rice returns to her indomitable Vampire Chronicles and recaptures the gothic horror and delight she first explored in her classic tale Interview with the Vampire (in which Armand, played by Antonio Banderas in the film version, made his first appearance as director of the Théâtre des Vampires).
The story begins in the aftermath of Memnoch the Devil. Vampires from all over the globe have gathered around Lestat, who lies prostrate on the floor of a cathedral. Dead? In a coma? As Armand reflects on Lestat's condition, he is drawn by David Talbot to tell the story of his own life. The narrative abruptly rushes back to 15th-century Constantinople, and the Armand of the present recounts the fragmented memories of his childhood abduction from Kiev. Eventually, he is sold to a Venetian artist (and vampire), Marius. Rice revels in descriptions of the sensual relationship between the young and still-mortal Armand and his vampiric mentor. But when Armand is finally transformed, the tone of the book dramatically shifts. Raw and sexually explicit scenes are displaced by Armand's introspective quest for a union of his Russian Orthodox childhood, his hedonistic life with Marius, and his newly acquired immortality. These final chapters remind one of the archetypal significance of Rice's vampires; at their best, Armand, Lestat, and Marius offer keen insights into the most human of concerns.
The Vampire Armand is richly intertextual; readers will relish the retelling of critical events from Lestat and Louis's narratives. Nevertheless, the novel is very much Armand's own tragic tale. Rice deftly integrates the necessary back-story for new readers to enter her epic series, and the introduction of a few new voices adds a fresh perspective--and the promise of provocative future installments. --Patrick O'Kelley
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