The Well and the Mine

The Well and the Mine
by Gin Phillips

The Well and the Mine
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Book Summary Information

Author: Gin Phillips
Edition: Paperback
Audio: English (Unknown); English (Original Language); English (Published)
Published: 2009-04-08
ISBN: 159448449X
Number of pages: 304
Publisher: Riverhead Trade
Product features:
  • ISBN13: 9781594484490
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

Book Reviews of The Well and the Mine

Book Review: Gleaming Moments in the Dark
Summary: 3 Stars

..."the right answer could be more than one thing at the same time."

That's the last line of "The Well and the Mine", by Gin Phillips. I begin with that because when thinking about my review of this book, I realized that I had no set answer to the question about how I felt about it.

I'm neither from the South or a small town nor did I grow up in the 1930's. I am dependent on what I read and hear and watch to get some sense of what that life must have been like. In this book, I get some vivid glimpses of what for me is usually a slow motion, sepia movie. Some smells and sounds and tastes burst forth through Miller's words.

"With your teeth about gone and your stomach not handling much, I could see how fruit would be on your mind, how a taste of sunshine and breeze might hold you over until you're wrapped up in blankets, sore from not leaving the bed for so long. When you pass away in the summer, they can bring the summer into you."

With passages like these, she manages to bring forth the contrast of misery, despair, pain...and the wonderful yet simple gifts that make up our world. More than one thing at the same time...

And the simple things, described in such a way that they shine forth out of the grueling life of the characters that inhabit this book and the small town of Carbon Hill, Alabama, are the strength of this book.

"Leta was a great cook, good as any woman I've ever known, but the real mystery was how she knew what should fit together, what mix of foods made the right mouthful. Beans and onion. Squash and tomato. It was the different tastes together, the ones that it didn't make no sense at all to stick on the same fork, that your tongue really remembered."

Miller does a good job in detailing very clearly the reality of life in a mine town, population 3000, in the 1930s. Life was a battle fought each and every day. As Fannie Flagg mentions in her introduction to this book - "The Moores have no safety net, no protection against the worst other than Albert Moore's good health and paycheck." I felt that throughout the book. The incredibly long hours of backbreaking work, the fear that each and every day, not only the mine but life itself might come tumbling down...but there are those gleaming moments that these characters appreciate and hoard, and that serve as the bright spots in dark times.

"We sank into the mattress, with the weight of two bodies and all the tiredness and the work and the bills to be paid. Usually he'd squeeze my leg and I'd nuzzle his neck and we'd fall into sleep without saying a word. All the words and the moving and all the thinking were used up by dark."

The voices of the different characters, Tess and Virgie, Jack, Albert and Leta, took a while to build in volume. I kept having to turn back to see who was talking. About midway through, I also started hearing the voices of Scout and Atticus Finch. And while I certainly see that two books written about small towns in Alabama in the 1930s would have some similar themes...this seemed a bit much.

One very jarring note occurs when suddenly the reader is jerked forward into present day. This felt very disruptive to the flow of the book and although I understand the contrast that was being made, I wish these random journeys out of the timeline of the book hadn't been there.

But I will finish, then, with the first line of the book. "After she threw the baby in, nobody believed me for the longest time." A mystery woman throws a baby in a well. That is the start of the book - but in the end - that mystery plays a minor roll. I kept forgetting about that (which given the importance one would think an event like that would hold, felt odd) and the book would only go back to it every now and again. What starts out seeming to be a story about a shocking event in the life of a small town, ends up being about a small town world where shocking events sometimes get buried under the dirt and sweat and tears of life.

Summary of The Well and the Mine

With an introduction by Fannie Flagg Author of Fried Green Tomatoes at the Whistle Stop Café

A novel of warmth and true feeling, The Well and the Mine explores the value of community, charity, family, and hope that we can give each other during a time of hardship.

In a small Alabama coal-mining town during the summer of 1931, nine-year-old Tess Moore sits on her back porch and watches a woman toss a baby into her family?s well without a word. This shocking act of violence sets in motion a chain of events that forces Tess and her older sister Virgie to look beyond their own door and learn the value of kindness and lending a helping hand. As Tess and Virgie try to solve the mystery of the well, an accident puts their seven-year-old brother?s life in danger, revealing just what sorts of sacrifices their parents, Albert and Leta, have made in order to give their children a better life, and the power of love and compassion to provide comfort to those we love.

?Gin Phillips has a remarkable ear for dialogue and a tenderhearted eye for detail; you can hear the pecans and hickory nuts falling from the trees and feel the stillness of a hot summer night. A whisper runs through the novel?the ghosts of places and people and luscious peach pies.??Los Angeles Times



Amazon Exclusive:Gin Phillips on The Well and the Mine

The Well and the Mine is the story of one Depression-era family in an Alabama coal-mining town, and the single night that forever changes their view of the world around them. While the Moore family and their story are a product of my imagination, the world they live in was very real. It was a time and place shaped by the hard realities of poverty and racism, and there are still echoes of that world in the one we know today.

Let's start with 1931. Both banks in the coal-mining town of Carbon Hill had closed. The mining industry was close to shutting down, and 75 percent of the town's employment was tied to the mines. Property values were down 60 percent. For all the talk of an economic downturn now in 2009, the stark facts of the Great Depression highlight the gap between then and now. This was the Jim Crow South, with all the strictures of separate-but-not-equal in place. There was no Social Security, no disability, no Medicare or Medicaid, no aid for families with dependent children, no protection for unions. No heath insurance. It was, in large part, life without a safety net. And life was dangerous. If a man was killed in the mines, his widow and children could hope that neighbors or a charity or a church could offer help, but it was only a hope, there was no certainty. On the other side of hope was starvation and homelessness. Mining was demanding, mostly unregulated work. Each morning that a husband or father--there were no women in the mines yet--walked out the door, it was with a family acceptance of the chance that he might not come home. There was a very real chance that he could be killed during an average day's work. But that sense of life on a precipice is part of why this story appealed to me. In the midst of all the brutal labor and struggle and uncertainty, moments of beauty and transcendence have all the more power.

The plot of the book is entirely my invention. There was no baby thrown in a well, no investigation into the local mothers. Or at least none that I know of. But the people and the places do echo some real-life counterparts. Virgie, the Moore's oldest daughter, has my grandmother's sense of propriety. The youngest daughter, Tess, has my great-aunt's sense of fun. Their mother, Leta, has the efficiency and solidity of my great-grandmother, who died when she was 99 and I was 14. My great-grandfather, a coal-miner, died before I was born, but the stories about his razor-sharp sense of right and wrong are what gave Albert his backbone. My great-aunt still lives in the home my great-grandfather built, and I spent plenty of time in the house as I was writing this novel, sitting on the front porch and looking out over the woods, listening to the sound of the creek as I typed.

I grew up hearing stories about Carbon Hill in the 1920s and '30s being told across the dinner table or while sitting around the living room with my grandmother and her siblings. When I sat down to write the story of the fictional Moores, I delved back into my family's memories. Those memories helped bring 1931 rural Alabama to life--they gave me the sights and smells and the feel of the past. Bits and pieces of family lore found their way into the story, but also the domestic details and cultural perspectives that are hard to find in library books. Answers to questions like: What kind of underwear would you wear in 1931? What kind of floor cleaner would you use? How did a teenage girl feel about marriage? I never read good answers to those questions in library books, but I hear plenty of answers, simple and complicated, when I asked the right people.

And yet in the past, there are whispers of the future. The mining industry was unique in Alabama because it had an integrated workforce. In the mines, black men and white men worked side by side in the mines: It was a harbinger of things to come. Albert Moore wrestles with ideas of good and evil--of black and white--and comes face to face with complexities that haunt generations after him. Time and time again, he and the rest of his family struggle to do the right thing--and struggle all the harder to accept the fact that "right" may not always be such a concrete thing. It's that struggle, that drive to do what is fair and that need to see beyond their own perspective, that defines this family. And that struggle has as much relevance in 2009 as it did in 1931.


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