The Whereabouts of Eneas McNulty

The Whereabouts of Eneas McNulty
by Sebastian Barry

The Whereabouts of Eneas McNulty
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Book Summary Information

Author: Sebastian Barry
Edition: Paperback
Audio: English (Unknown); English (Original Language); English (Published)
Published: 1999-08-01
ISBN: 0140280189
Number of pages: 336
Publisher: Penguin (Non-Classics)

Book Reviews of The Whereabouts of Eneas McNulty

Book Review: AN INNOCENT ABROAD...
Summary: 5 Stars

...and sure, Mark Twain would likely love the hero of this wonderful book. Eneas is truly an innocent - he never shies from hard work, he loves his family dearly, and (his gift and his damnation) he has no neither mind nor care at all, at all for the politicks. He's not really a simpleton, merely a simple man. Born in 1900, he comes of age with the Irish struggle for independence so vividly painted by events such as the Easter uprising of 1916. When his mates - especially his best boyhood friend, Jonno Lynch - are enlisting in the fight to throw off the British oppression, Eneas, finding it difficult to locate gainful employment, enlists first in the British Merchant Navy (which in itself might have been forgiven by those who deemed themselves his judges later), then in the Royal Irish Constabulary. The RIC being mainly a police force, Eneas couldn't see the harm in lending a hand in that quarter - but as the fight for independence grew more fierce and factional, the RIC was tied too closely in the eyes of some to the hated Tans, who were responsible for some right bloody work. Eneas, finding himself on a blacklist kept by those calling themselves patriots, is given a choice - get close to and kill the much-hated and feared Reprisal Man of the Tans, or suffer the consequences of a death sentence. Our hero cannot bring himself to kill a man, so he refuses - and when he sees that those who have threatened him with extinction mean just what they say, sees no other choice than to flee his beloved Sligo and his native Ireland altogether.

Thus his adventures and travels begin. He signs on with a merchant vessel and winds up in Galveston, Texas. He enlists with the British Army for World War II in order to save France (a country for whom he bears a great love, of unknown origins) from Hitler. After being shell-shocked on the beach at Dunkirk and lodging with a French farmer for a growing and harvesting season, he makes his way back to England, pays a quick visit to Ireland, then winds up in Nigeria, digging a canal for a British company. He finds the best friend of his life in the person of Harcourt, a Nigerian national he first meets on a boat heading to Ireland, then again in Nigeria. Harcourt's friendship becomes one of the true treasures of Eneas' life - and a lifelong friendship it is.

Barry's language and prose capture his characters, the setting and their story perfectly. The reader can't help but feel a great empathy for Eneas, and for others in the book as well. Through the story of one man - and a very believable story it is indeed - Barry lays bare the pain through which Ireland has passed in its journey to find itself. There's a lot of sadness to be found here - but there's a lot of joy as well, so.

Read this book - and read Barry's novel ANNIE DUNNE as well (even better, I think, but that's me...).

Summary of The Whereabouts of Eneas McNulty

Hailed by the San Francisco Chronicle as "the finest book to come out of Europe this year," The Whereabouts of Eneas McNulty is acclaimed Irish playwright Sebastian Barry's lyrical tale of a fugitive everyman.

For Eneas McNulty, a happy, innocent childhood in County Sligo in the early 1900s gives way to an Ireland wracked by violence and conflict. Unable to find work in the depressed times after World War I, Eneas joins the British-led police force, the Royal Irish Constabulary?a decision that alters the course of his life. Branded a traitor by Irish nationalists and pursued by IRA hitmen, Eneas is forced to flee his homeland, his family, and Viv, the woman he loves. His wandering terminates on the Isle of Dogs, a haven for sailors, where a lifetime of loss is redeemed by a final act of generosity. The Whereabouts of Eneas McNulty is the story of a lost man and a compelling saga that illuminates Ireland's complex history.


These days, Frank McCourt would seem to have cornered the market on lyrical depictions of Celtic poverty. But never fear, Sebastian Barry--the brilliant Irish playwright, poet, and prose-wrangler--is here. His new novel, The Whereabouts of Eneas McNulty recounts the odyssey of a small-town innocent, who grows up in circumstances more bucolic, but no less threadbare, than McCourt's. It's clear from the very first paragraph, however, that Barry means to take a wide-angle view of his Irish urchin: "In the middle of the lonesome town, at the back of John Street, in the third house from the end, there is a little room. For this small bracket in the long paragraph of the street's history, it belongs to Eneas McNulty. All about him the century has just begun, a century some of which he will endure, but none of which will belong to him."

Having handily survived his Sligo childhood, Eneas joins the British Army in time for World War I--and upon his return home, finds himself shunned as a collaborator. Tarred with this very Britannic brush, he goes one better and enlists in the Royal Irish Constabulary. Alas, this move only cements his fate as a marked man, and his father is soon issued a warning: "Let your son keep out of Sligo if he wants to keep his ability to walk." With a price on his head, Eneas commences a life of wandering, from Mexico to Africa to Nigeria (which the moonlight, he notices, "brings closer to Ireland.") From time to time he sneaks back to Sligo and is promptly expelled.

In another author's hands, this epic of dislocation could well be a bitter one. Yet the stoical and simple-minded Eneas is surprisingly free of anguish, and even his constant fear "has become something else, could he dare call it strength, a privacy anyhow." And the reader, at least, has the delightful distraction of Barry's prose, in which the occasional Joycean notes are entirely subsumed by the author's own colloquial brilliance. In the end, The Whereabouts of Eneas McNulty is less a novel than an exhibition of bardic fireworks--a latter-day Aeniad that's actually worthy of the name. --James Marcus

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