Three Thousand Years of Chinese Painting

Three Thousand Years of Chinese Painting
by Hung Wu, James Cahill, Lang Shaojun, Nie Chongzheng, Professor James Cahill, Professor Richard Barnhart, Richard M. Barnhart, Wu Hung, Yang Xin

Three Thousand Years of Chinese Painting
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Book Summary Information

Author: Hung Wu, James Cahill, Lang Shaojun, Nie Chongzheng, Professor James Cahill, Professor Richard Barnhart, Richard M. Barnhart, Wu Hung, Yang Xin
Edition: Paperback
Audio: English (Unknown); English (Original Language); English (Published)
Published: 2002-10-01
ISBN: 0300094477
Number of pages: 416
Publisher: Yale University Press

Book Reviews of Three Thousand Years of Chinese Painting

Book Review: A Promising Introduction
Summary: 5 Stars

I was looking for a book on Chinese painting with plenty of illustrations. In the Amazon reviews this book was praised for it's ample examples of paintings. I ordered this book and the pictures did not let me down.
But the essays written by five experts were a surprising bonus of enjoyable informative commentaries providing concise but comprehensive introductions to painters and their works. This is just the book for a new comer to Chinese painting.
One book hasn't made me an authority, but I now know about the southern and northern schools, recognize some Daoist and Buddhist influences on painting, and I've seen an example of Guanxiu's distorted visages, have wondered at Gou Xi's 'Early Spring', have seen Fan Kuan's massive mountain reduce humans to paltry piddling beings verging on non-entities, have appreciated bird, animal, and delicate plant portraits and Liang Kai's distinct images as well as many other worthies.
Some of the most fascinating and aestheticly moving paintings to me are Wang Shen's 'Serried Hills Over a Misty River', Ma Lin's 'Sunset Landscape' and Xia Gui's 'Twelve Landscapes'; all paintings that elevate emptiness to an integral part of the scene giving outlined forms a vulnerable lonliness. These paintings take Miles Davis's advice a thousand years before he spoke it "Don't play[paint] what's there, play[paint] what's not there.
After being introduced to some of the artists and their works, I wish more of their art had been included, but then what better accolade can an introductory book receive than it leaves you wanting more.

Summary of Three Thousand Years of Chinese Painting

An illustrated and comprehensive account of the history of Chinese painting from prehistoric times to the 21st century. It should be of interest to students and general readers who wish to gain an in-depth knowledge of Chinese painting.
This book is a rare feat: seldom is an art history--much less an ambitious, 400-page chronicle of one of the great cultural achievements of the last three millennia--as much a delight for the amateur lover of art as it is indispensable for the student of the field. Written by three eminent specialists in the United States and three in China, Three Thousand Years of Chinese Painting combines the best of both countries' scholarly approaches with new discoveries and illustrations of numerous paintings located in China and previously little known abroad.

Insightful, often lively discussions tell the story in six chapters, mostly dynastic, after briefly giving two "approaches" to Chinese painting. History, politics, biography, and training get their proper due and are complemented by often-detailed analyses of individual artworks. Close attention to the text and the 300 color and 25 black-and-white illustrations enable the reader to "see" these paintings--which are often constructed on different perceptual and cultural premises than the post-Renaissance and photographic images by which most Westerners structure their visual vocabulary. The glossary and other tools are welcome aids; the list of artists is organized by period and offers their names in the two most common romanization systems as well as in Chinese characters. And to read James Cahill on the Ni Zan paintings that may at first appear uninviting, or Lang Shaojun on the proportionally numerous 20th-century painters, is a real adventure for both the eye and the mind.

Anyone with more than a passing interest in one of the world's most esteemed art traditions--be they a Sunday museumgoer or a confirmed lover of the gnarly pines set amidst the towering mountains of the Song-period masters--will want this book in their library. --Joseph N. Newland

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