Twenty Years After (Oxford World's Classics)

Twenty Years After (Oxford World's Classics)
by Alexandre Dumas père

Twenty Years After (Oxford World's Classics)
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Book Summary Information

Author: Alexandre Dumas père
Editor: David Coward
Edition: Paperback
Audio: English (Unknown); English (Original Language); English (Published)
Published: 1998-10-22
ISBN: 0192838431
Number of pages: 880
Publisher: Oxford University Press, USA

Book Reviews of Twenty Years After (Oxford World's Classics)

Book Review: Entertaining, Lots more history, maturity
Summary: 5 Stars

It is twenty years after the first Musketeers saga and Athos, Aramis, Porthos and d'Artagnan have all gone their separate ways. Midlife has mellowed the musketeers and definitely complicated their perceptions. Porthos has been indulging himself with his widow's money and working himself up the caste ladder but is still not entirely accepted but the upper crust he wants to become. Aramis has gone into the church and, although he dreams wistfully of the days that he was a musketeer, his scheming has become more of a way of life than a troublesome quirk. Athos is the only one who still closely resembles the man he was in his youth. Even the hot tempered, rambunctious D'Artagnan has settled in to his career as a professional soldier. He is now a musketeer for the paycheck instead of the glory. Yet all deep down reminisce of `the good old days' - the only question is what will they do to recapture them.

Mazarin has replaced Richelieu as Cardinal and the queen, once persecuted by the previous Cardinal, is now in league (or at least in bed) with the despised Italian Mazarin. Though Mazarin is popularly hated by the people, D'Artagnan jumps at the opportunity for advancement when Mazarin commissions him to reassemble the foursome ostensibly for the protection of the prince regent and queen. But the others have their own ideas about working for Mazarin and Dumas maintains a delicate balance as the four eventually do come to work together though not entirely on the same side.

Twenty Years After is more grounded in history than the first and I highly recommend this particular book for the notes in the back. For all the criticism that Dumas plays fast and loose with history, it depends on where you place your yardstick. He moves events around a bit with people coming back from exile a year or two early and a battle being fought several years later but, over all, this is really grounded in history. The bulk of the plot is the siege of Paris by the Queen (and Mazarin) in the late 1640's. The death of Charles I and the peasant revolt are more substantial historical events than the retrieval of the Queen's diamonds in the first novel so expect a lot more complicated plot as far as people and events. Dumas knew his history (judging by the degree of deviation suggested by the notes) and though he might move or bend it, he still tried for plausibility. We also have a new arch enemy in this one - Lady DeWinter's son, Mordaunt, who has come to seek revenge on the men who executed his mother in the first book.

While still a superb adventure story, this is a more adult tale with more emphasis on psychological motivations and the effect of time on a man's ideals and motivations. I enjoyed the first one more because of the less complicated plot and swift action but that is not to suggest that Twenty Years After is lacking in any way. When taken in conjunction with the first, the idea is brilliant and brings out many more elements that a simple `more of the same' sequel just couldn't do.

Summary of Twenty Years After (Oxford World's Classics)

Two decades have passed since the famous swordsmen triumphed over Cardinal Richelieu and Milady in The Three Musketeers. Time has weakened their resolve, and dispersed their loyalties. But treasons and strategems still cry out for justice: civil war endangers the throne of France, while in England, Cromwell threatens to send Charles I to the scaffold. Dumas brings his immortal quartet out of retirement to cross swords with time, the malevolence of men, and the forces of history. But their greatest test is the titanic struggle with the son of Milady who wears the face of evil.

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