Uncanny X-Men Omnibus (v. 1)
by Chris Claremont, Len Wein
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Book Summary Information
Author: Chris Claremont, Len WeinIllustrator: Dave Cockrum
Illustrator: John Byrne
Edition: Hardcover
Audio: English (Unknown); English (Original Language); English (Published)
Published: 2006-08-02
ISBN: 0785121013
Number of pages: 848
Publisher: Marvel
Book Reviews of Uncanny X-Men Omnibus (v. 1)
Book Review: Claremont's legendary run begins.
Summary: 5 Stars
This first brick-like volume contains Giant-Size X-Men #1, and then (Uncanny) X-Men #94-131. This is the whole first Chris Claremont/David Cockrum run, and the more sizeable part of the revered Claremont/John Byrne run. There are a lot of "classic" stories here, including the "Phoenix Saga", the debut of Alpha Flight, "Proteus," and the first part of the "Dark Phoenix Saga" (it seems like an odd place to cut off, but reading these comics makes you realize that there's seldom any clear ending point between arcs; there's always at least two things happening, and one is never resolved in the same issue as the other).
It is, all and all, a hugely enjoyable run, and there are all kinds of first appearances scattered throughout the story. The primary lineup is fairly consistent throughout, with Cyclops, Wolverine, Colossus, Storm, Nightcrawler, and Banshee (a lot of people also include Jean Grey in this, but she's not really a team member [she's not mentioned in the blurb on the opening page], but a supporting character, and is usually dragged into the action); Professor X is in the background, and former X-Men Beast, Havok, and Polaris show up several times.
One thing to note is that a lot of people talk about how the modern X-Men comics are too often dragged into stuff that shouldn't really involve the X-Men, and then offer up this period as a counter-example; given that there are several times when the X-Men cross over with, of all things, "Power Man and Iron Fist", for no reason other than Chris Claremont was involved with that series too, this period is perhaps not the best example (the most bizarre of these being Storm venturing back to her birthplace, finding it inhabited by a bunch of junkies who try to knife her, only to be rescued by Luke Cage, who then delivers a lecture of kids wasting their lives). Now, there are a couple of stories that deal specifically with mutants, but most of the time it's just the X-Men in well-done superhero adventures.
As a diehard fan of the 90s "X-Men: The Animated Series", reading this makes you realize just how many of that show's stories were based on the Claremont comics fairly directly; not just the big stuff like the two "Phoenixes" and "Proteus", but also "Xavier Remembers" (#117) and "Repo Man." (#120-121) I actually liked the animated series' version of "Proteus" a lot better; in the comic version, Proteus is a pretty straightforwardly Pure Evil, refers to Joe as "the-one-I-hate," and, for an episode that deals with such a key component of Moira's life, not having Professor X there seems like a real waste. The Animated Series version does something a lot more interesting with Proteus; it focusses on the idea of Kevin as an isolated youth who doesn't understand why his father isn't around, and pursues him despite the clear evidence that Joe is a jerk. It also focusses squarely on Professor X's complicated relationship with Moira, and his attempts to help Proteus. Finally, it uses Proteus to touch on other characters' feelings of rejection because of their mutancy (Rogue), and also on political cynicism (Joe is a "family values" politician who doesn't want to be seen with his son because he's a mutant).
Another thing that's fairly impressive about this run is the narrative flow, which just doesn't let up most of the time. Consider this series of events:
#111 - Beast comes to rescue the X-Men from Mesmero in Texas. At issue's end, they are confronted by Magneto.
#112-113 - Magneto captures the X-Men, flies them to his Antarctic fortress, and imprisons them. They escape, and while Phoenix and Beast end up on the surface, thinking the others are dead, the others end up leaving by a different route, thinking Phoenix and Beast are dead.
#114-116 - While Beast and Phoenix get home and misinform Professor X, the X-Men have an adventure in the Savage Land, including a reunion with Sauron and Ka-Zar, and their first meeting with future continuity-annoyance Zaladane.
#117 - The X-Men get out of the Antarctic, and are rescued by a Japanese vessel on a shady government-sponsored adventure, necessitating radio silence until they get back to Japan.
#118-119 - The X-Men get to Japan, find several Power Man and Iron Fist characters (and one of their villains) there, and help save Japan. They team up with Sunfire once again, and Mariko appears for the first time.
#120-121 - The X-Men catch a flight home, only to be intercepted by Alpha Flight, looking to retrieve Wolverine. Thanks to a somewhat contrived and anti-climactic ending, they fail.
#122 - The X-Men finally get home. Now that's a world tour. It takes several more issues to clarify that the X-Men/Jean and Beast aren't dead, since Professor X has decamped to the Shi'ar Empire with Lilandra, and Jean is off on Muir Island with Moira, Havok, Polaris, and Multiple Man.
One final great feature of the Omnibus is the old Letters Pages ("Mutant Mailbox"), where you get to read people complaining about how Claremont and Cockrum suck, and the original X-Men should be brought back (one letter, in particular, complains about how nothing ever really changes at Marvel, and how they're sure that the old X-Men will be back in action quickly, just like Reed and Sue never stay apart, etc.).
This collection has fallen out of print, so it goes for rather exorbitant sums, but for anyone interested in the classic era of the Uncanny X-Men, this is a strongly-recommended purchase.
Summary of Uncanny X-Men Omnibus (v. 1)
When a young writer named Chris Claremont took over X-Men in 1976, few fans could predict the incredible impact he would have on the Marvel Comics series. With a flair for realistic dialogue, heartfelt storylines and hard-hitting action, Claremont's writing breathed life into the characters. In collaboration with artists Dave Cockrum and John Byrne, Claremont crafted a run still heralded as a definitive era on the book. X-Men became more than just another super-hero title: this diverse cast of mutants fighting against prejudice and intolerance has resonated in the hearts of millions of devoted readers. Now, the first five years of their landmark run on Uncanny X-Men are collected in one oversized volume. This keepsake edition also includes all original letters pages, newly re-mastered coloring and other uncanny extras! Collects Uncanny X-Men #94-131, and Giant-Size X-Men #1, Annual #3.Superheroes Books
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