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Under the Dome: A Novel by Stephen King
Book Summary InformationAuthor: Stephen King Edition: Hardcover Audio: English (Unknown); English (Original Language); English (Published) Published: 2009-11-10 ISBN: 1439148503 Number of pages: 1074 Publisher: Scribner
Book Reviews of Under the Dome: A NovelBook Review: Stephen King Takes us Under the Dome Summary: 3 Stars
Warning: There are some spoilers in this review. If you continue to read, you may feel some important plot twists are given away. That having been said . . .
I just finished the new novel, Under the Dome, by Stephen King, and I enjoyed it, overall. Even though it ended not with a bang, but a whimper, and was ultimately disappointing, just the process of reading (or, as in this case, listening to) a King novel can be most enjoyable.
I say that ahead of time, because it's going to sound like I'm being very critical of Stephen King here, and I am, but I'd still say that, if you like Stephen King, the book is definitely worth the read. It's a long novel full of Stephen King's rich prose, and that in itself is worth the price of admission.
There were several problems for me, however. The primary problem was the nature of the dome itself, and the final resolution of the problem. It made absolutely no sense, not even in the context of the story, and was ultimately unsatisfying. Unlike the Superflu of The Stand, it made no sense. It might have been better if he had handled it the way he had with From a Buick 8--clearly, it was an alien device, had something to do with playing with humans, but really no explanation.
A transplanted defense shield from an alternate reality or the future would have made more sense, and some sort of determination made about when the shield would expire working against the ambitions of the bad guys would have made for a more engaging story. And the resolution to the problem wouldn't have been any worse. As it is, the actual resolution--spoiler alert!--that the resident "Republican to the Core" newspaper editor begs some alien intelligence to let them go, and then it does, is one of those "Huh?" moments that could disappoint the Constant Reader who slogs all the way to the end.
The other thing that is ultimately unsatisfying is the end of the Machiavellian, seemlingy unstoppable bad guy. Big Jim Rennie, after persisting with Jason Voorhees-like tenacity, bumbles himself to death and dies of a heart attack. King might as well have written, "Then the bad guy falls down and dies. The end."
After all the build up, the pages and pages of Big Jim's hypocritical justifications and tirades and excuses and murderous escapades, not to mention his general, malevolent indulgence and nurturing of man's inhumanity to man, he just dies. Oops.
Which brings me to the other thing. King has given us all these characters before, only in better, less-tedious forms. And the left-leaning politics are more overblown, and work more actively against the story, than in most of his previous works.
All the bad guys, and the just-badly-stupid guys who help to enable to bad guys, are Christians. The drug lords ruining the main countryside with crystal meth? The Born Again Christian bad guy, Big Jim Rennie, and the pastor Lester Coggins. The good preacher from the good, reasonable church? She doesn't believe in God! The one good Republican, editor of the local paper, The Democrat? She shows no signs of actually being conservative to, you know, make her more likable, and to what degree she might have some secret conservative leanings, she implies that recent circumstances have helped her "learn and grow", like John McCain or Olympia Snow or Arlen Spector. Or maybe Colin Powell.
There are lots of military guys in the novel, and they are generally treated respectfully, although the few that express any sort of political opinion show that they, too, reflect King's left-leaning political views. And Lieutenant Dale Barbara, the ostensible hero of the piece, is haunted by his memories of his troops randomly beating and shooting innocent Iraqi's in Falujah, with an implication that that was pretty much business as usual with the American military in Iraq . . . so, I suppose, what the King giveth, the King taketh away.
One could be forgiven for thinking, after reading Under the Dome, that the lesson to be drawn is that conservative politics and Christian fundamentalism are married at the hip, and that the two naturally lead to drug dealing, drug addiction, gang rape, police brutality, violent murder, insanity, and eventually the death of two thousand people in a horrific firestorm. None of the bad guys in this book have any political opinions that lean leftwards. None of them are angry about the environment or justify a murder they commit because of their opposition to the war in Iraq. It might be interesting if King--a very good writer when he challenges himself--tried to write a Michael Crichton style novel, like State of Fear, which--to be fair--showed about the same nuance and subtlety in it's characterizations of environmentalists that King does in Under the Dome regarding conservative Christians.
The other thing that stuck in my craw--other than all the Christians being evil drug-addicts and murderers, and the numerous plot threads that never went anywhere--is his consistently low opinion of humanity. Jim Rennie was able to easily manipulate the town into a violent, bloody riot at the grocery store. Okay. I can go with that. History is full of mobs behaving badly. But almost every person, except for our few heroes, follow the worst possible motives. Almost no one seems to really come to their senses later on. All the new recruits for the police force are all automatically bad actors, and like to beat folks up and rape the women. And almost all do so without any apparent concern for the idea that (a) the victimized might seek revenge or (b) the dome, only a few days old, may not be a permanent fixture of life.
And, after the dome comes down, it takes four days for civilization to essentially disintegrate, and a week before almost everyone is burned alive. I realize fiction often operates on a compressed time scale, but, really?
The other thing that bugs me that, as an ex-military guy, Dale Barbara should have been a little more Jason Bourne and a little less Ghandi, more of the time. If you're going to completely blow believability, the hero should, in places, kick some serious butt.
And, of course, as is typical with King, most of the people you root for end up dead. Not a bad strategy, and it worked well in The Stand--who wanted to see Nick Andros bite it, or any of the good guys? But it just worked. And, I do confess, the largely apolitical evil of the bad guys in The Stand made for a more inclusive, more expansive saga than the knee-bent, Jesus-praising bad guys with the word "Republican" tattooed on their fat, sweating, pro-capitalist, tax-cutting, budget-minded foreheads that populate Under the Dome.
I could go on about how tediously repetitive the Crazy Christian is in King's work, but I won't. They've popped up in King's work since the beginning. But I only remember one of them in Cell. I don't think there was even one in Duma Key. There was a fairly dominant one in The Mist, some various crazy religious people in Storm of the Century, and numerous other novels and short stories. But I don't remember them being so many and so vocal. I mean, wow. It got exhausting. I guess if you hate, or are at least deeply suspicious of, anybody with a profound religious faith, you'll like it, and the more the better. It got tiresome for me
Ah, well. Uncle Stevie gotta eat. Hopefully, he's got the two-dimensional characterizations of stupid, evil Christians out of his system and can come up with something a little more compelling, along the lines of Duma Key (which I really enjoyed) or Bag of Bones, which was even better.
Summary of Under the Dome: A NovelOn an entirely normal, beautiful fall day in Chester's Mill, Maine, the town is inexplicably and suddenly sealed off from the rest of the world by an invisible force field. Planes crash into it and fall from the sky in flaming wreckage, a gardener's hand is severed as "the dome" comes down on it, people running errands in the neighboring town are divided from their families, and cars explode on impact. No one can fathom what this barrier is, where it came from, and when -- or if -- it will go away. Dale Barbara, Iraq vet and now a short-order cook, finds himself teamed with a few intrepid citizens -- town newspaper owner Julia Shumway, a physician's assistant at the hospital, a select-woman, and three brave kids. Against them stands Big Jim Rennie, a politician who will stop at nothing -- even murder -- to hold the reins of power, and his son, who is keeping a horrible secret in a dark pantry. But their main adversary is the Dome itself. Because time isn't just short. It's running out. Amazon Exclusive: Guillermo del Toro and Chuck Hogan Reviews Under the Dome
Guillermo del Toro and Chuck Hogan share their enthusiasm for Stephen King's thriller, Under the Dome. This pair of reviewers knows a thing or two about the art of crafting a great thriller. Del Toro is the Oscar-nominated director of international blockbuster films, including Pan's Labyrinth and Hellboy. Hogan is the author of several acclaimed novels, including The Standoff and Prince of Thieves, which won the International Association of Crime Writer's Dashiell Hammett Award in 2005. The two recently collaborated to write the bestselling horror novel, The Strain, the first of a proposed trilogy. Read their exclusive Amazon guest review of Under the Dome: The first thing readers might find scary about Stephen King's Under The Dome is its length. The second is the elaborate town map and list of characters at the front of the book (including "Dogs of Note"), which sometimes portends, you know, heavy lifting. Don't you believe it. Breathless pacing and effortless characterization are the hallmarks of King's best books, and here the writing is immersive, the suspense unrelenting. The pages turn so fast that your hand--or Kindle-clicking thumb--will barely be able to keep up. You Are Here. Nobody yarns a ?What if?? like Stephen King. Nobody. The implausibility of a dome sealing off an entire city--a motif seen before in pulp magazines and on comic book covers--is given the most elaborate real-life alibi by crafting details, observations, and insights that make us nod silently while we read. Promotional materials reference The Stand in comparison, but we liken Under The Dome more to King's excellent novella, The Mist: another locked-door situation on an epic scale, a tour-de-force in which external stressors bake off the civility of a small town full of dark secrets, exposing souls both very good...and very, very bad. Yes, "The Monsters Are Due on Maple Street," but there is so much more this time. The expansion of King?s diorama does not simply take a one-street fable and turn it into a town, but finds new life for old archetypes, making them morally complex and attuned to our world today. It makes them relevant and affecting once again. And the beauty of it all is that the final lesson, the great insight that is gained at the end of this draining journey, is not a righteous 1950?s sermon but an incredibly moving and simple truth. A nugget of wisdom you'll be using as soon as you turn the last page. This Is Now. Along the way, you get bravura writing, especially featuring the town kids, and a delicious death aria involving one of the most nefarious characters--who dies alone, but not really--as well as a few laugh-out-loud moments, and a cameo (of sorts) by none other than Jack Reacher. Indeed--whether during a much-needed comfort break, or a therapeutic hand-flexing--you may find yourself wondering, "Is this a horror novel? Or is it a thriller?" The answer, of course, is: Yes, yes, yes. "...the blood hits the wall like it always hits the wall." It seems impossible that, as he enters his sixth decade of publishing, the dean of dark fiction could add to his vast readership. But that is precisely what will happen...when the Dome drops. Now Go Read It. --Guillermo Del Toro and Chuck Hogan The Story Behind the Cover Click on image to enlarge The jacket concept for Under the Dome originated as an ambitious idea from the mind of Stephen King. The artwork is a combination of photographs, illustration and 3-D rendering. This is a departure from the direction of King's most recent illustrated covers.
In order to achieve the arresting image for this jacket, Scribner art director Rex Bonomelli had to seek out artists who could do a convincing job of creating a realistic portrayal of the town of Chester's Mill, the setting of the novel. Bonomelli found the perfect team of digital artists, based in South America and New York, whose cutting edge work had previously been devoted to advertisement campaigns. This was their first book jacket and an exciting venture for them. "They are used to working with the demands of corporate clients," says Bonomelli. "We gave them freedom and are thrilled with what they came up with."
The CGI (computer generated imagery) enhanced image looks more like something made for the big screen than for the page and is sure to make a lasting impact on King fans.
Meet the Characters Dale Barbara Barbie, a drifter, ex-army, walks with a burden of guilt from the time he spent in Iraq. Working as a short-order cook at Sweetbriar Rose is the closest thing he?s had to a family life. When his old commander, Colonel Cox, calls from outside, Barbie's burden becomes the town itself.
Julia Shumway The attractive Editor and Publisher of the local town newspaper, The Chester's Mill Democrat, Julia is self-assured and Republican to the core, but she is drawn to Barbie and discovers, when it matters most, that her most vulnerable moment might be her most liberating.
Jim Rennie, Sr. "Big Jim." A used car dealer with a fierce smile and no warmth, he'd given his heart to Jesus at age sixteen and had little left for his customers, his neighbors, or his dying wife and deteriorating son. The town's Second Selectman, he?s used to having things his way. He walks like a man who has spent his life kicking ass.
Joseph McClatchey Scarecrow Joe, a 13-year-old also known as "King of the Geeks" and "Skeletor, a bona fide brain whose backpack bears the legend "fight the powers that be." He?s smarter than anyone, and proves it in a crisis.
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