We Were the Mulvaneys (Oprah's Book Club)

We Were the Mulvaneys (Oprah's Book Club)
by Joyce Carol Oates

We Were the Mulvaneys (Oprah's Book Club)
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Book Summary Information

Author: Joyce Carol Oates
Edition: Paperback
Audio: English (Unknown); English (Original Language); English (Published)
Published: 1996-09
ISBN: 0452277205
Number of pages: 464
Publisher: Plume

Book Reviews of We Were the Mulvaneys (Oprah's Book Club)

Book Review: The decline of an American family
Summary: 3 Stars

We Were The Mulvaneys is an epic family saga about the rise, fall and redemption of a family in upstate New York. In mainly takes place in the 1970s, but follows the Mulvaneys' fortunes up to the early 90s. The family consists of the parents, Michael and Corrine, sons Michael Jr., Patrick and Judd and daughter Marianne. Judd, the youngest child, starts off as the narrator. Later on, the point of view changes as we get into the heads of the other Mulvaneys. I found the changing viewpoints a little awkward after it seemed that the whole tale was going to be from Judd's point of view. To me, Judd reveals himself early on as a somewhat unreliable narrator. In the first pages of the book, he starts talking about the Mulvaneys and their farm in such a glowing, effusive manner that I thought the novel was going to be about a wealthy family like the Kennedys. Judd's awestruck descriptions are provincial to the point of being childlike, even though he is supposed to be telling the story at age 30. It seems that Judd's view of his childhood is meant to paint an idealized picture in the reader's mind, making later unhappy events seem more striking and tragic by contrast. To me, however, Judd's viewpoint from the outset seemed overly romanticized.

This is a long book with detailed descriptions of people, places and animals (which play a large part of the family's farm life). Oates is clearly a writer who loves to write. I found her descriptions sometimes moving, at other times excruciatingly long-winded. Marianne is a sweetly naive young girl who takes after her religious mother, Corrine. Marianne is popular, a good student and a cheerleader, until she is date raped on the night of her prom. What follows is a familiar, though still moving, description of the difficulties a young woman faces in such a situation. Filled with shame, and getting little support from her family, she decides not to testify against her rapist, who goes unpunished. Her traditional father Michael, feels rage and frustration at the situation and can no longer stand being around Marianne. So, like parents in a 19th Century English novel, they "send her away" to live with a distant relative hundreds of miles away. This proves to be the great turning point for the Mulvaneys. Gradually, we watch the family decline and its members grow estranged from each other. Michael in particular begins to unravel, eventually losing his business and becoming an alcoholic. From my point of view -- and I can't believe I'm the only reader who reacted this way-- this treatment of Marianne was another kind of turning point in the novel; the point where I lost all sympathy for the parents. While the father's reaction was understandable considering the kind of person he was, it does not justify, at a period as recent as the 1970s, such an anachronistically callous treatment of a daughter. So I was unable to really care what happened to the family from this point on. In fact, as far as the parents were concerned, it seemed like karmic justice when things started to go badly for them.

While the characters in this novel are diverse and sometimes complex, I did not find any of them especially sympathetic for the most part. Michael, the father, turns into something of a brute, throwing out his daughter and behaving violently towards his wife and youngest son. Corrine, the sometimes sitcommishly cheerful mother, repeats platitudes while expelling her own daughter from the household and alienating her son Patrick. Mike Jr., the oldest son, seems to turn out the most healthy and normal, but he plays the smallest part in the novel's events. Marianne evokes sympathy from the tragic event described above, but her personality is extremely pious and self-effacing and I found her role as the martyr tiresome after a while. Patrick, meanwhile, is her polar opposite; a coldly rational atheist who has trouble relating to people. He also plays a large part in the novel, as he concocts a plan (with Judd's help) to get justice for Marianne outside the legal system. While I empathized with this action, Patrick in general (until the very end of the book) is such a detached, purely logical character that he is hard to like. Judd, meanwhile, is portrayed as the stereotypically ignored youngest sibling.

I initially thought that Oates was constructing a rather subtle but searing attack on traditional American family values, exposing an inner depravity underlying religious, respectable, hard-working people. Yet, the novel's sentimental ending, as well as the interview with the author (which is given at the end of the audiobook version), suggest that Oates was doing nothing of the kind. I actually think that We Were the Mulvaneys is meant to be an affirmation of the traditional family, and I can't say it succeeds in this despite some compelling writing and characters.

Summary of We Were the Mulvaneys (Oprah's Book Club)

A New York Times Notable Book and a former Oprah Book ClubŪ selection

Moving away from the dark tone of her more recent masterpieces, Joyce Carol Oates turns the tale of a family struggling to cope with its fall from grace into a deeply moving and unforgettable account of the vigor of hope and the power of love to prevail over suffering. The Mulvaneys of High Point Farm in Mt. Ephraim, New York, are a large and fortunate clan, blessed with good looks, abundant charisma, and boundless promise. But over the twenty-five year span of this ambitious novel, the Mulvaneys will slide, almost imperceptibly at first, from the pinnacle of happiness, transformed by the vagaries of fate into a scattered collection of lost and lonely souls. It is the youngest son, Judd, now an adult, who attempts to piece together the fragments of the Mulvaneys' former glory, seeking to uncover and understand the secret violation that occasioned the family's tragic downfall. Each of the Mulvaneys endures some form of exile--physical or spiritual--but in the end they find a way to bridge the chasms that have opened up among them, reuniting in the spirit of love and healing. Profoundly cathartic, Oates' acclaimed novel unfolds as if, in the darkness of the human spirit, she has come upon a source of light at its core. Rarely has a writer made such a startling and inspiring statement about the value of hope and compassion.


Oprah Book ClubŪ Selection, January 2001: A happy family, the Mulvaneys. After decades of marriage, Mom and Dad are still in love--and the proud parents of a brood of youngsters that includes a star athlete, a class valedictorian, and a popular cheerleader. Home is an idyllic place called High Point Farm. And the bonds of attachment within this all-American clan do seem both deep and unconditional: "Mom paused again, drawing in her breath sharply, her eyes suffused with a special lustre, gazing upon her family one by one, with what crazy unbounded love she gazed upon us, and at such a moment my heart would contract as if this woman who was my mother had slipped her fingers inside my rib cage to contain it, as you might hold a wild, thrashing bird to comfort it."

But as we all know, Eden can't last forever. And in the hands of Joyce Carol Oates, who's chronicled just about every variety of familial dysfunction, you know the fall from grace is going to be a doozy. By the time all is said and done, a rape occurs, a daughter is exiled, much alcohol is consumed, and the farm is lost. Even to recount these events in retrospect is a trial for the Mulvaney offspring, one of whom declares: "When I say this is a hard reckoning I mean it's been like squeezing thick drops of blood from my veins." In the hands of a lesser writer, this could be the stuff of a bad television movie. But this is Oates's 26th novel, and by now she knows her material and her craft to perfection. We Were the Mulvaneys is populated with such richly observed and complex characters that we can't help but care about them, even as we wait for disaster to strike them down. --Anita Urquhart

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