While I Was Gone (Oprah's Book Club)

While I Was Gone (Oprah's Book Club)
by Sue Miller

While I Was Gone (Oprah's Book Club)
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Book Summary Information

Author: Sue Miller
Edition: Paperback
Audio: English (Unknown); English (Original Language); English (Published)
Published: 1999-02
ISBN: 0345443284
Number of pages: 304
Publisher: Ballantine Books

Book Reviews of While I Was Gone (Oprah's Book Club)

Book Review: challenged by simple moral questions
Summary: 2 Stars

Okay, let's start by saying that Jo/Joey/Lish is perhaps the most dishonest narrator in the history of the novel (only Nabokov's Pale Fire seems to come close). In fact, she's so dishonest that I believe that she is the murderer and the whole book is a con job. She was in love with Eli, Dana was going to renew her relationship and so Jo killed her. Now, years later, when Eli rejected her again, she decided to try and pin it on him. That's the only theory I can come up with to salvage this novel. Otherwise, Jo is just so artificial and dishonest and so deserving of a horse whipping, that the book is irredeemable.

The dust jacket of the book actually claims the following:

While I Was Gone is an exquisitely suspenseful novel about how quickly a marriage can be destroyed, how a good wife can find herself placing all she holds dear at risk. In expert strokes, Sue Miller captures the precariousness of even the strongest ties, the ease with which we abandon each other, and our need to be forgiven.

Huh? That's not the book that's contained within the jacket. Jo is a horrible wife, mother, friend, daughter and person. Her life is a stack of lies and she's an impulsive, thrill seeking cretin. I don't know which was the most annoying moment in the book--the two bailouts in her first marriage, the initial dalliance with an employee, the attempt to cheat on Daniel with Eli or the horrifying moment when she announces her jealousy of her daughter's scrumping in the back of a van while the rest of the band watched. Actually, I'm pretty sure that last one is the worst.

The level of sustained delusion that Jo achieves during her narrative has to make one question her sanity. The saccharin 60's flashback to the Cambridge commune is especially, though unintentionally, hilarious. Through the mists of memory she sees this as her golden moment, when she was free & in love with everyone & everything, but especially with Dana. Who, by the way, she had never even told her real name or shared her true life story with. I mean c'mon.

This is a book that cries for the tiger to be let out of the cage. Someone, Daniel or Eli or Jo needed to just go gothic and start whacking people left and right. As is, we have the ridiculous wrap up where the police decide not to look into this matter, Eli & Jo decide to coexist & Daniel comes crawling back like a whipped cur.

Finally, let me just say that I fear for a nation where it's treated as a great moral dilemma when someone has to decide whether to report that they have information about a murder. (David Guterson's Snow Falling on Cedar used this device too, only there the character could exonerate a suspect.) Here's a little rule of thumb, if you considered someone a friend, you're sort of obligated to let the police know that you know who murdered her, okay?

Ms Miller seems to be particularly challenged by these rather simple moral questions. As I recall, her book The Good Mother, depended on our sharing her sense of injustice that a Father tried regaining custody of his daughter merely because the mother's boyfriend engaged in questionable sexual behavior with her. Hello?

GRADE: D

Summary of While I Was Gone (Oprah's Book Club)

?Riveting . . . While I Was Gone [celebrates] what is impulsive in human nature.?
?The New York Times

?Miller weaves her themes of secrecy, betrayal, and forgiveness into a narrative that shines.?
?Time


Jo Becker has every reason to be content. She has three dynamic daughters, a loving marriage, and a rewarding career. But she feels a sense of unease. Then an old housemate reappears, sending Jo back to a distant past when she lived in a communal house in Cambridge, Massachusetts. Drawn deeper into her memories of that fateful summer in 1968, Jo begins to obsess about the person she once was. As she is pulled farther from her present life, her husband, and her world, Jo struggles against becoming enveloped by her past and its dark secret.


?[While I Was Gone] swoops gracefully between the past and the present, between a woman?s complex feelings about her husband and her equally complex fantasies?and fears?about another man. . . . [Miller writes] well about the trials of faith.?
?The New York Times Book Review

?Quietly gripping . . . Jo shines steadily as the flawed and thoroughly modern heroine. As in her 1986 novel, The Good Mother, Miller shows how impulses can fracture the family.?
?USA Today

?Marvelous . . . poignant . . . powerful.?
?Seattle Times/Post Intelligencer
Oprah Book ClubŪ Selection, May 2000: In her still startling debut, The Good Mother, Sue Miller explored the premium we put on passion--and the terrible burden it places on a mother and child. Her fourth novel, While I Was Gone, is another study in familial crime and punishment. But this time, her wife and good mother is accessory to more than emotional malfeasance. Jo Becker has everything a woman could desire: a loving spouse, contented children, and a nice dog or two. When her New England veterinary practice takes on a new client, however, her past comes back to haunt her. Long ago, it seems, Jo had escaped her family and identity for a commune in Cambridge. Her Aquarian illusions came to an abrupt, bloody end when one of her housemates was brutally murdered.

Now this unhappy era returns in the person of Eli Mayhew, who had been the odd man out in Jo's boho household. His appearance is both tantalizing and upsetting: "Inside, I slowed down. I felt numbed. I had two last patients, and then I told Beattie to go home, that I'd close up.... I refiled the last charts, sprayed and wiped the examining table. I reviewed my list of routine surgeries for Wednesday. All the while I was thinking of Eli Mayhew, and of Dana and Larry and Duncan and me, and our lives in the house. Of the horrible way it had all ended." Sue Miller's fine novel is a penetrating--and sensuous--portrait of a woman besieged by her conscience. While I Was Gone also demonstrates that in the face of distance and betrayal, a little knowledge can be a dangerous thing indeed. --Winnie Wheaton

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