White Teeth: A Novel
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By contrast, her prose is hopeful, cosmopolitan, compassionate, truly witty, funny as hell. Perhaps what I most enjoyed was that it is mature, well-researched and intelligent. And not a hint of of angst or of conforming to a certain generational aesthetic. There really is no comparison that I can think of because she is writing a genuine, mature book the very first time around. It really did make me hopeful that we will start to see a kind of maturation and indeed a renaissance among literary and other creative people in their 20's. I want to see more of this kind of work from people my age. It made me want to start my own novel and see where it goes. This may all sound a but over-the-top but the book is that good. Impressive.
I had to give it four stars only because of certain moments, especially toward the end, where the dialogue started to break down a little, as if the characters were becoming flat and two-dimensional, while before they were living and breathing. I think this is simply because the ending is too long, overwrought, and baroque. It just seemed to go on and on like she just couldn't bear to give up whatever ending she had in her head. A little editorial detachment and cutting would have helped. Had she wrapped it up more neatly there wouldn't have been any problems.
Looking forward to her next one, which from what I've heard should be more of the same funny but affectionate satire.
By contrast, her prose is hopeful, cosmopolitan, compassionate, truly witty, funny as hell. Perhaps what I most enjoyed was that it is mature, well-researched and intelligent. And not a hint of of angst or of conforming to a certain generational aesthetic. There really is no comparison that I can think of because she is writing a genuine, mature book the very first time around. It really did make me hopeful that we will start to see a kind of maturation and indeed a renaissance among literary and other creative people in their 20's. I want to see more of this kind of work from people my age. It made me want to start my own novel and see where it goes. This may all sound a but over-the-top but the book is that good. Impressive.
I had to give it four stars only because of certain moments, especially toward the end, where the dialogue started to break down a little, as if the characters were becoming flat and two-dimensional, while before they were living and breathing. I think this is simply because the ending is too long, overwrought, and baroque. It just seemed to go on and on like she just couldn't bear to give up whatever ending she had in her head. A little editorial detachment and cutting would have helped. Had she wrapped it up more neatly there wouldn't have been any problems.
Looking forward to her next one, which from what I've heard should be more of the same funny but affectionate satire.
She is most adept at drawing her characters--their physical characteristics, quirks and misgivings come alive on the page. Smith also provides sharp, witty insights on pop culture and life in the mixing bowl that is North London.
However, the elaborate character development takes away momentum from the plot, and has the effect of making the plot move in fits and starts. Just when I was starting to enjoy a scene or get into one character's actions, she'd go off on a tangent that seemed to link characters and actions only very remotely to each other. At times it felt a little self-indulgent, like she was admiring her own ability to turn a clever phrase or take the action momentarily off-course and then bring it back again.
By the time I was 400 pages into the book, I was asking, "How in the heck is she going to wrap this all up into an ending?" I think Smith was asking herself the same question at this point. The ending comes off as a bit of a stretch, but she does manage to pull things together reasonably well. Still, after I closed the cover, I said, "huh?" and had to go back and reread some earlier sections to figure out how they tied to the ending.
To me, this book needed a skilled editor who could tighten things up and keep things moving with out taking too much away from the rambling, bildungsroman-esque nature of the plot. It'll be interestesting to see what Smith has to say in her next novel--this one seemed to cover every base, at length.
It is certainly a creative, fresh, and often comic piece of fiction. Smith has brought together a wildly divergent cast of characters living in modern day London - from the twin sons of an arranged marriage between two Bangladeshi Muslims to an 80+ year old Jamaican Jehovah Witness who rides a sidecar of a motorcycle. The novel has an epic feel, covering a 25-year period (with some flashbacks deeper into the past) in the intertwining lives of the many characters. Smith also shifts the narrative and time period focus four times in the novel. So, as other reviewers have noted, some characters and plot lines disappear, new ones come to the forefront, and others return. And this is where some readers might get into trouble. I readily admit I was baffled by the reappearance of a character in the novel's later stages (it did eventually dawn on me who it was!). At times Smith seems to lose her focus or perhaps just fails to keep the readers' attention (I plead guilty). With this ambitious work, some aspects of "White Teeth" (storylines, characters) will appeal to some readers, while others will not. But, in my opinion, much more things work than do not.
All in all, this is a fine novel and an impressive debut from Zadie Smith. Unfortunately due to the heavy buzz that "White Teeth" has received, some readers will be undoubtedly be left disappointed.